In fact, there is no need for that person to explain, Shi Lei has already roughly guessed the process of the whole thing. Pen Fun Pavilion wWw. ｂiquge。 ｉｎfo

The reason why the painting was returned in such a complicated way is undoubtedly an intentional act by Mr. X, the incarnation of Black Card.

The purpose, you don't have to think about it, the black card is to completely prove that this painting was made by Wu Daozi and not copied by Liang Lingzan Zhang Sengqiu.

At the same time, an auction was held, and the painting was completely legal, and the source of the painting is clear, it was obtained from the Osaka City Museum of Art in Japan, that is, from Genichi Miyamoto.

Shi Lei will know after a little thought that when the news in Huaxia is in full swing, the Japanese media will inevitably explode.

The more important thing is to completely hide the fact that Shi Lei is the collector of this painting.

It's not that I'm worried about Kenichi Miyamoto's side.

Even if Miyamoto Xuan knew that he had been deceived, the painting that Shi Lei handed over to him was not Yan Liben's portrait of Wang Youjun at all, but just a fake, and he couldn't find trouble with Shi Lei. Antiques and art trading is a special existence in this world, in almost all countries can be regarded as not applicable to the crime of fraud, because antiques and works of art have no constant value, and there is the possibility of looking away, as long as Shi Lei himself admits that Yan Liben's Wang Youjun statue was painted by him, and he also left obvious mocking evidence of "the same world and the same dream" in the painting, then no one can prove that he is defrauding from the legal level.

When the world knows that the true picture of the Five Stars and Twenty-Eight Houses is written by Wu Daozi himself, and it is still in Shi Lei's hands, it will inevitably attract many covetous eyes.

With Shi Lei's current identity and status, it is very difficult to keep this painting.

The better result is to buy and sell, the worse result is to be stolen and robbed, and the worst result is to take it by force.

But with this auction, regardless of whether the painting belonged to Shi Lei after leaving Japan, it has nothing to do with Shi Lei now.

As for the identity of the buyer, not to mention that an auction house like Sotheby's will never reveal it, and even if it does, the buyer must be just a handler.

Thinking of these, Shi Lei couldn't help but feel a little grateful to the black card, because if it wasn't for the black card to make such a play, first of all, it would be difficult for Shi Lei to confirm that this painting was the original work of Wu Daozi, and secondly, this painting was in Shi Lei's hands, unless he donated it to the country, otherwise, it would be a very big trouble.

The potential trouble was solved by the black card, and Shi Lei certainly had to feel a little grateful to the black card.

Shi Lei called Liu Zhen again, and said in a very serious tone: "Ms. Liu, the painting has been returned to my hands, but please be sure to keep it secret for me." ”

As a scholar who has been engaged in cultural studies all her life, Liu Zhen knows the truth of her guilt, and was first surprised that this painting could really return to Shi Lei's hands, and then she swore that it would not be passed on.

Regarding the character of Liu Zhen and Liu Qian, Shi Lei is still trustworthy.

Subsequently, Zhang Xiyue called to express her gratitude to Shi Lei, and the reason is self-evident.

At the same time, she said that when they met next time, she might not remember all this at all, and hoped that Shi Lei could understand.

Shi Lei was very interested in this, and asked casually: "The next time we meet, you won't just not know me, right?"

Zhang Xiyue smiled and said, "That's not going to happen, the burial of memories is to be absolutely fine." The part about the organization will be completely rooted, but the rest of your association with Mr. Shi, the memory will be preserved. Not surprisingly, I will remember that you and I met by chance in the imperial capital, and when I was lonely and bored, I took the initiative to talk to you, but you politely refused. Then we met again in Wudong, and because of the Titans, we became friends. ”

Shi Lei also smiled and said, "Then wouldn't you be a little embarrassed to see me?"

"It's been so long since the misunderstanding happened, not to mention that it happened before the Titans appeared, so I should be able to face it calmly. ”

"Well, congratulations, from now on, you can live the life you want. ”

"Well, I'm going to resign from the company and marry the Titan to help the Titan take care of some business. ”

"The future is precious. Shi Lei said and hung up the phone.

Ding Yu also called, also expressing his gratitude to Shi Lei, and told Shi Lei that the pupil of the dark night had executed the bet and returned the subject to him completely.

"I'm sorry, Mr. Shi, but since I am still the organization's liaison in Hong Kong Island, I can't go to Bao'an in principle. The agreement between us may require you to visit Hong Kong Island again to complete. ”

Shi Lei smiled and said to Ding Yu on the other end of the phone: "Our agreement is a gentleman's agreement, there is no contract, no text, everything is only based on the conscience of you and me." So, it doesn't matter if you meet or not, you give me an account, and I will inject three million soft girl coins into your account, and the first step of our agreement will take effect. ”

Ding Yu hesitated slightly, and then said: "Mr. Shi is really an extremely frank person, then please rest assured Mr. Shi, I will never be greedy for Mr. Moshi's funds." Wait two days, I will find a law firm to register with the institute, and then confirm the account of the institute, and then contact you. ”

The two exchanged a few more polite words and hung up the phone.

On the afternoon of September 8, after most of the day's fermentation by the news media, the news that the collection of the Osaka Municipal Museum of Art had returned to China and was confirmed to be the work of the painting saint Wu Daozi, and that it had been auctioned for a sky-high price of 163 million US dollars, finally began to explode in the Japanese media.

For a time, the Japanese media reprinted the reports of the Chinese media, and at the same time, many parties began to question Miyamoto Kenichi how he could transfer such a national treasure-level painting to others.

After the news began to bombard, Kenichi Miyamoto received numerous phone calls in a short period of time, and he himself was dumbfounded.

At first, he thought it was just a malicious joke, how did Liang Lingzan's copy become the original work of the painting Saint Wu Daozi?

However, the successive phone calls, coupled with the variety of news reports, made Miyamoto Kenichi have to pay attention to this issue.

He remembered all the conversations he had with Shi Lei that day, and the only question that bothered him was why Shi Lei would exchange Yan Liben's painting for a painting of Liang Lingzan. He remembered very well that Shi Lei didn't give him any answer at all, no matter how he asked, Shi Lei just said that if you are willing to change, you can change, and if you don't want to change, you will pull it down, as for the reason, I'm sorry for the omission.

Miyamoto Kenichi remembered that Shi Lei said, maybe this painting is the original work of Zhang Sengqiu.

At that time, Miyamoto Xuanyi scoffed at this, because this painting has always been in his hands, treasured for half his life, he has studied it countless times, how can he not know that the brush stroke of this painting is actually more like Wu Daozi than Zhang Sengqiu.

However, Miyamoto Kenichi couldn't have imagined that this painting was really Wu Daozi.

Miyamoto Genichi can also see that in the true shape of the Five Stars and Twenty-Eight Nights, the brushstrokes are slightly greener than Wu Daozi, but it is very clear in the news in China that this is Wu Daozi's early work, and scientific means can already confirm that this is a painting by Wu Daozi when he was about 20 years old. And the twenty-year-old Wu Daozi, compared to him after maturity, of course, will look young.

But no matter how green it is, it's also a work of painting saints!