But just then, a deep voice rang out.

"It's infuriating. I actually forgot the documents in the desk today, and I came back in the middle of the night to pick them up. Tomorrow we must teach that little **** a good lesson. Otherwise......"

A tall, fat middle-aged man opened the door and walked in, his face was full of horizontal flesh, and his eyebrows were as thick as those painted, it was the chief of the police station. After he came in, he was angry, but he didn't finish a word, when he said this, his eyes fell on Ni Yan's face, and he only felt a chill rushing to his face, as if he had penetrated his lungs, he screamed, took a big step back, and said, "Mom!

He closed the door with his right hand and exited the room again.

Just after he exited the room, Ni Yan finally came back to his senses, covering his cheeks with his hands, only to feel a chill surging from his limbs, like a tide, trembling involuntarily, and exclaiming in fear in his heart: "Oh my God! Oh my God! Oh my God! It's not a robot to open the door, how can it be the director?"

If the director doesn't go home in the middle of the night, how can he come back? This is the end, I just took a picture with him, and he can still let me go back alive? Although he looks frightened, but once he calms down, won't he soon let me be finished? As long as he closes the door, and then summons a bunch of robot guards to come and forcibly break down the door, where else can I escape?

Do you want to jump out of the window? No. It's not very high, but jumping from this height will definitely cripple. I couldn't have made such a stupid decision. If I had to jump out of the window, it would mean I had to give up. It's no different from suicide. The Director will never let me get out of here alive.

As long as he finds out that I'm still alive, it's over. What can I do? I don't want to die yet. Oh, my God. Who's going to save me. Who's going to save me. No. Now, no one will come to my rescue even if I scream at my throat. Because, the time is not right. At this point in time, it is evening.

Even the neighbors around were already asleep, and no one would notice my shouting. Even if I noticed, I am afraid that no one would dare to come to my rescue. After all, I'm in the police station. This is no ordinary house. Damn! In this way, it seems that I am going to get out alive, and I will have to rely on myself.

But if I want to get out alive, can I really do it on my own? Not at all. This is the police station, and the chief is the biggest official. Although there are no other police officers here, the other police officers have gone home to sleep, and the night shift has not yet arrived, there are a large number of robot guards here.

As soon as the director gives an order and presses the switch on the controller, a steady stream of robots will swarm in, where am I their opponent? I am not a monk, I can fly away. But then again, if I were a monk, I wouldn't have to worry so much, wouldn't it be nice to just break the window and leave?

Monks can fly. But I am not a monk. Ah. I'm so angry when I think of a monk. At the beginning, Shi Hai had such a good relationship with my brother, and he was so friendly, I knew that he would have taught me two tricks in the first place. I really regret it. If he had taught me how to fly, how could I be so nervous now?

It's disgusting! I blamed myself for being too stubborn in the first place. Sure enough, people can't be too suspicious of others. If you are suspicious of others everywhere, then don't live. If I make it out alive this time, I'm going to get rid of it. All right. Let's think about what I'm going to do next.

It's a real problem. My head is so big. I'd like to find someone to talk to. If there is someone who can discuss, it will not be helpless now. Well, don't complain, it's too late to complain now, it's better to think more about countermeasures. Yeah. I'll have to figure out what to do.

But what can be done? The director has already seen me. If he hadn't seen me, it would have been good to say, after all, I had already been a dead man in his heart, but now that I have been seen by him, what can I do?

In terms of eloquence, I am not the opponent of the director, and I absolutely cannot reason with him. The only way I can stand a chance to break through is to knock him unconscious, rush out, and still have no one to find me. But I've been seen by him, and, more importantly, it's dangerous now.

Right. It's too dangerous. I still had a chance. But what else can I do if the director reacts so quickly and closes the door? Damn! Damn!Damn!Damn!! I don't want to die. What should I do? What should I do? Is this God's arrangement? No. I'm not convinced, I don't want to lose. I must take revenge.

Right. I'm going to pick myself up, pick myself up, pick myself up, pick myself up. Finally, now that I have a chance, I must take revenge. Wait a minute. I still seem to have a chance. Right. I was so excited, so nervous. Yeah. I was so nervous. I remembered that the director's face didn't seem quite right just now. This means that I seem to have a chance.

Yeah. I'm going to calm down, let me calm down. Take a deep breath, take a deep breath, take another deep breath, seven, eight, nine. Now I feel so calm, my breathing is slow, okay, I'm calming down. Now I'm calm, I'm still scared, but I'm not nervous anymore.

Let me start thinking about the situation again. The director had just opened the door and saw me, and before I could react or scream, he had already closed the door. Before closing the door, I had just overlooked a detail because I was too nervous and scared. The director's face turned pale, and he screamed.

Yeah. I finally remember it now. In this way, that is, the Director did not realize that I was alive. It seemed to him that he had just thought he had seen a dead man. That is, the director was just scared. Doesn't that mean I still have a chance?

yes, why am I thinking about this now? I don't have to die. As long as I make good use of this detail, I have every chance to get out of here. It's just that the difficulty seems to be a bit big, but now it's hard for me to ride a tiger, and I can't do it without fighting. All right. Let me rethink my approach now.

Right. In this case, countermeasures are useful. Otherwise, I have no hope at all, and what countermeasures do I need? That would be pointless. But what else can I do now? Let me think that if I don't get my calculations wrong, the director will open the door again.

That means the director may be more nervous than I am right now. Because, he is a thief with a weak heart, right. Be a thief with a weak heart. That's the key to whether or not I can escape. If I stay here now and wait stupidly for him to open the door, then I don't have to think about it, it will definitely be a dead end.

Because, as long as the director comes back in and finds me alive, then I can't get out. On the contrary, if the director comes in and finds that I am not there, what he just saw is only an illusion, which can only aggravate his psychology of being a thief. In that case, he will definitely be more and more afraid of me.

Then, if I strike while the iron is hot, make him even more nervous and weak-hearted, and pretend to be a ghost to scare him, he will definitely be frightened to bring out everything. If I had taken the opportunity to record the voice with the communicator, it would have been safer to report the matter of the Director at that time.

What's more, if he was scared by me, I could have taken the initiative to stand up and confront him. Because, when he is sure that I am dead, even if I stand up and reappear in front of him, he will only think that I am a ghost.

In that case, he will definitely listen to me. Right. The weaker he is, the more he will listen to me. Because, if he doesn't listen to me, he is afraid that I will pester him, and if he keeps pestering him like this from now on, he will not be able to bear it. Although the director is also a member of the Federation, he has been exposed to the universe since he was a child, and there are no ghosts and gods, but once the matter comes to an end, he is really encountered by himself, and it is different.

The director is also a human being, and he must have been afraid of the dark when he was a child, but the reason why he is not afraid of it now is because when he grew up, the teachers of the federation told him that those unclean things are fake. But if the teacher hadn't told him that it was fake, he would have been scared to this point. Maybe he's afraid he'll not dare to walk at night until now.

Yes, walking at night is an opportunity. Once he is really scared of me, really thinks that I am fooling around, he will not dare to walk at night, and he will definitely turn on the light. In that case, I will have a chance to leave. As long as I ordered him not to turn on the light, he would not dare to turn it on.

Maybe he'd like to turn it on, after all, if he really thinks I'm fooling, he must know that turning on the light is fatal to me. Because, what the fool is most afraid of is the light, but he must have another idea in his heart, the ghost will be afraid of the light is also from those stories.

Reality is often very different from the story, and what if the real fool is not afraid of the light? He must have thought, even if it were, at least he could confirm a little bit by turning on the lights whether I had a shadow or not. Because, there is no shadow of fooling around.

This must be consistent with reality. Because, once a ghost has a shadow, it means that it is not a ghost. Then the thing I want to scare the director is completely a goof. Nothing works. Damn, that's not going to work. I finally came up with a way to control the director and stabilize the director, how could I be forced to give up because of some small details of turning on the lights?

No, no, no, I have to find a way to get out of here. However, the problem of this shadow is too difficult to solve. How do I fix it? Even if this room can be left unlit and my shadow cannot be seen.

What about the outside? Shouldn't I care about the situation outside? No, no. There will definitely be lights outside, how do I turn off all those lights? It seems that for now, only a power outage can keep me safe. Only a power outage can scare the director.

When the director opened the door again and came in, he couldn't see me because of the darkness, but he was even more afraid. Good. In that case, I'm going to find a way to power off the whole building, and I remember being able to ...... Wrong. No, no, no, no. I almost made a big mistake. Fortunately, there was no power outage.

It was so dangerous just now, I actually wanted to cut off the power. I'm crazy. Lose your marbles. Almost went crazy. It's all machines and equipment for electronic devices. Even the gate is also operated by electricity. If I cut off the power, how do I get into the elevator? How do I get downstairs if I can't get in?

There are no stairs here for convenience. The stairs are so tiring. If I can't get into the elevator, it means that I can't leave the police station, and if I can't leave the police station, then even if I scare the director again, what's the use? It's dangerous. It's really dangerous.

But what can I do if I can't cut off the power? Let me think about it. What am I going to do. If you can't cut off the power, it's a bit more difficult. Damn. What the hell should I do? Now is not the time to waste time, the director is outside, and he may open the door in five or six minutes.

He's definitely going to need time to calm down now, which means I've only got five or six minutes. What should I do? Let me think about it. Let me think about it again. There will definitely be a way. What should I do to deal with the director? The current situation is not good for me.

I can't let the director see my shadow, and I have to scare the director. What should I do? I can hide it first. Yeah. If I hid under the table now, wouldn't that be enough? When the director came in, I deliberately poked my head out to scare him.

When I scare him, I can let him go first. When he leaves the police station and returns home, won't I be able to leave the police station safely? It just needs to be that simple. I'm a pig-brainer. So I'm relieved, great.

Wrong. Still not right. No, no, no, no. That's not a safe bet either. What if the director, frightened and frightened, rushes into the room and finds me? Because, once I walk around, there is no point in hiding in front of me.

After the director has calmed down, how can such a smart person not notice that something is wrong? As long as he realizes that something is wrong, then he will not know about the fact that I am not dead? In this case, I am not going to be finished? This is not okay! I must not hide it.

However, you can't hide it, and you have to scare the director, but you can't turn on the lights. What if only I could remove the shadows. In this case, it's like a real fool. Then the director didn't dare to come near me. Wait a minute. Who said I had to remove the shadows? Isn't there another way not to remove the shadows?

That's right, who said I have to pretend to be a ghost? If I pretend to be a zombie, won't everything be solved? It's perfectly reasonable for zombies to have shadows? (To be continued.) )