In the eighties and nineties of the 20th century, when Tianjin Small Theater had just risen, it was called a club cultural station at that time, and the name was relatively foreign.

The small theater is actually not very big, almost dozens of people, at most one or two hundred people, and the stage for the performance is about the size of two beds.

The actors who perform in it are called small class actors, and what is called small class is the group of people who retired from the original professional troupe.

At the beginning, there were many professional quyi troupes, but later because of the merger, a group of people were delegated and a group of people were disbanded. Many actors were assigned to work in factories and restaurants, and some had no jobs and became idle vagrants.

But this group of people can't drink the northwest wind, so some of them spontaneously took the initiative to set up various drama clubs, rented a small theater and started to perform, singing a commentary, Peking opera, drum books, and storytelling.

In the 80s, in fact, almost no one said cross talk in the small theater, and it was not until 98 that the cross talk theater appeared in Tianjin, which was initiated by Mr. Yu Baolin, the predecessor of cross talk. In the 80s, it was said that cross talk was basically in a professional quyi troupe, and many people were delegated to other quyi, but cross talk still poured into a lot of people.

Like cooks, tailors, and workers, because of the reform and adjustment of their units, a large number of people directly entered the quyi troupe to talk about cross talk, but the vast majority of these people have never been exposed to cross talk, and it is impossible to learn from scratch when they are old, that is, they are mainly fooling things, anyway, they are all on the national salary, and the downturn in cross talk after the nineties is also directly related to these people.

said that cross talk is like this, anyone can say it, stand on the stage and talk all day. It's very simple to enter the door of cross talk, you can enter if you can speak, but the threshold is inside the door, and there is no one in ten thousand who can cross this threshold.

It is said that there is no so-called 1% talent and 99% sweat in cross talk, cross talk artists are the first talent, and people without talent can't do this business.

Saying that cross talk is not the same as doing math problems, there is only one answer to math, you follow the teacher to learn hard, learn the problem solving ideas, and you can solve the answer.

How to say cross talk, how to make this work in the industry, this is to be taught by the master, you learn from the master, and you will be able to, but the same master teaches the same way to live, but the effect of different disciples is completely different, some stand on the stage, everyone laughs badly, and some shake out the burden of plague.

Where is the reason, it is a matter of talent, it is said that cross talk is a wonderful control, the effect of a lighter or heavier tone is completely different, talented artists study and master it quickly, no matter how you say it, it is fun, and if you are not talented, there is no way, so there is also a saying that the ancestor does not appreciate the food in the artist industry.

Of course, talent can't be eaten as food, how to say this joke that the audience will laugh, it's not your cross talk artist's final say, the audience has to really laugh, so in addition to having talent, what you also need is to continue to practice and explore in front of different audiences.

Just like there are many viewers who will complain that a certain cross talk actor is saying old jokes again, they are all about to vomit, which is called "dismantling and washing again and again" in cross talk jargon, the effect of the same paragraph is different for different audiences, and the effect of changing a word and one less word is also different, and the effect of a light tone is completely different, so a good joke must be honed many times by different audiences to try out the best way to perform.

Because they are going to the theater to perform, He Xiangdong and Guo Qing have been honing their programs in the past few days, and the two of them want to perform a single one, but these two people can't speak stand-up comedy, so they can only think about getting something else out.

He Xiangdong was going to go on stage to sing a Taiping lyric, anyway, he had practiced these lessons in the past two years. Guo Qing originally planned to sing Taiping lyrics, and his master Fan Wenquan also attached great importance to these traditional old things, and also passed on a lot of his old skills, but as soon as he heard He Xiangdong sing it, he immediately decided to change it to singing Allegro, which was full of decisiveness and was a man.

The two also had to prepare two stand-up comedy and needed to rehearse, but there was an argument while they were preparing.

Guo Qing frowned and said with disgust: "Look at your baggage, there is and urine, why are they all stinky work, how dirty." ”

Hearing this, He Xiangdong was also a little displeased: "What stinky and dirty work, I haven't felt dirty after telling Master for so many years, and the audience's response is good." ”

Guo Qing shook his head and said disdainfully: "It's hard to get into the hall of elegance." ”

That arrogant appearance made He Xiangdong want to flatten him very much.

At the moment, He Xiangdong was not angry and said: "This is my cross talk, you are responsible for giving me a favor, you don't care how I perform, or do you deliberately want to destroy my burden, so that you can win." ”

Guo Qing just smiled and shook his head, and said: "You don't have to work hard to win, junior brother, senior brother is also good for you, you always say that this kind of stinky work and dirty work, how can it develop in the future, you look at who else in the entire cross talk industry now says this kind of thing." ”

He Xiangdong argued: "But now I haven't heard a few cokes in cross talk, I'll just say so anyway, if you are willing to cooperate, you can cooperate, and if you don't want to, pull it down." ”

Guo Qing said helplessly: "Okay, then you can say it, I will try my best to cooperate with you, and you will lose by me when the time comes." ”

He Xiangdong's teeth itched when he said this, he always felt that he was quite arrogant, and he was never humble when others praised him, no matter what good words he said.

Now looking at the arrogant senior brother in front of him, he really wants to flatten him, He Xiangdong feels for the first time what a kind of under-flattened mentality pride is.

The next thing is to talk about the burden, also called talking about life, the two of them are right to the burden in the cross talk, although this is the cross talk written by He Xiangdong, Guo Qing still stabbed a few words from time to time, and the arrogant expression was also amazing.

"A history of blood and tears, blood, tears, and? Oh, thanks to your little brain, you can come up with such a thing. Guo Qing habitually stabbed again.

This sentence completely annoyed He Xiangdong, he crumpled the white paper full of baggage in his hand, smashed it on the ground, and said angrily: "That's not right, it's a fart." ”

Guo Qing was still laughing there: "I'm still angry, I'm really still a child." ”

He Xiangdong looked at the bastard in front of him, and said angrily: "The master won't play with you anymore." ”

Guo Qing said: "This is what you don't want to do, don't cry when you lose." ”

He Xiangdong suppressed the anger in his heart and said provocatively: "Gentlemen, there is a kind of let's go directly like this, my master never worked against me when he praised me, no matter what I said, he could hold it." When I gave it to my master, I didn't dare to go on without a burden. Let's use a sinking head for each other, don't live on it, just on the stripes, I'll ask you if you dare, right?"

"This ......" Guo Qing hesitated, as a talented actor in a professional quyi troupe, he naturally didn't look down on a person like He Xiangdong who was born with mud legs, so he has always been disdainful of He Xiangdong's burden.

But He Xiangdong suddenly brought it up now, and he went directly to the stage if he didn't have any baggage, which made him hesitate, they went on stage to perform but rehearsed sentence by sentence, and they had to be very skilled to go on stage, who had ever tried to play like this.

"If you're scared, just say it. He Xiangdong also stabbed back, he was not afraid anyway, he had smashed several times, and he was still afraid of this thing?

Guo Qing couldn't stand it the most, and immediately stalked his neck and said, "Come on, who's afraid of whom." ”