Strictly speaking, this is not a drawer, and when it is opened, it is simply a big bucket, with a depth of more than 80 centimeters.

In the middle of this drawer, a large pile of wooden sticks is placed diagonally, ranging in height and shortness, of varying lengths. The thickness is very close, basically seven or eight centimeters in diameter.

Shi Lei took out one and looked at it, and he found that it was not a wooden stick, but a wooden barrel.

The wood is golden yellow, with lines on it, and Shi Lei, who already has a good understanding of wood, can see at a glance that this is the wood of Jin Sinan.

The reason why it is said to be a wooden barrel, not a wooden stick, is because about a third of the thing in Shi Lei's hand obviously has an interface.

Shi Lei pulled out the upper half and didn't move, and then Shi Lei tried to turn it again, and soon rotated the upper part of the cylinder.

Inside, there was a scroll, and Shi Lei pressed his excitement and took out the scroll.

With the light of the flashlight, Shi Lei saw that the color of the scroll was slightly yellowish, and he almost immediately called up the identification card from his brain, used it once, and then, when he saw the scroll in his hand, it instantly bloomed.

A cloud of brilliance lingered around that scroll, even if it had not yet been unfolded, Shi Lei could already see that this scroll was an object from the Tang Dynasty, and its value, judging from the intensity of the brilliance, was at least hundreds of millions of soft sister coins.

After all, it was too dark here, and Shi Lei couldn't take a closer look.

And these scrolls are too old, and if they are hastily unfolded in such a place, they will be damaged to a certain extent.

So without hesitation, Shi Lei stuffed the scroll back into the wooden cylinder of the golden silk nanmu, and looked at the wooden cylinders, the number was indeed twenty-three, which almost confirmed that this was the subject of the task released by the black card.

Shi Lei suppressed the excitement in his heart and tried to pick up those wooden tubes, but thinking that there was still a very troublesome road ahead, he hesitated, bowed to the offering platform again, and said: "Senior, offended, I need to bring this bucket up." When I put these calligraphy and paintings in them, I will come and return them, and I hope I don't blame them. ”

After all, Shi Lei directly pulled out all the drawers, after all, this is also part of the coffin, and it is normal for Shi Lei to apologize to the two tablets.

Returning the same way, Shi Lei did not hesitate at all.

Holding the huge drawer, Shi Lei returned to the ground, and then, he immediately entered the study, emptied the desk of one meter four by two meters three, and then took out all the painting tubes in the drawer.

The sky was already dark, and the natural gold silk of the golden silk nanmu was not so dazzling, but Shi Lei didn't care about these, and impatiently took out a wooden painting tube and took out the scroll inside.

Carefully laying the scroll flat on the table, Shi Lei put on a pair of cotton white gloves very carefully, and then slowly spread the scroll.

The utility of the identification card has not yet passed, Shi Lei saw that this painting is indeed the best of the best, this is another painting of Wu Daozi, on which is a Buddha statue, but the appearance is closer to a human.

Shi Lei knows that this is because many of Wu Daozi's Buddha paintings are actually made according to the appearance of the emperor at that time, or according to the portraits of the first emperor at that time, which can be regarded as an alternative way of patting on the back.

Carefully put away the painting, and Shi Lei returned it to the painting tube as it was.

He took a second painting tube and placed the scroll on his desk.

On the scroll, the brilliance is extremely strong, which means that the painting in this scroll is extremely valuable, even surpassing Wu Daozi's painting.

Shi Lei's heart sank slightly, whose work is this? Can it even exceed the price of Wu Daozi's paintings?

The color on the scroll shows that this work is from the Two Jin Dynasty, Shi Lei was slightly stunned, and then realized, the Two Jin Dynasty?

I am afraid that only Wang Xizhi's works can surpass Wu Daozi's paintings in value.

With excitement, Shi Lei slowly unfolded the painting scroll.

Sure enough, this is not a painting, but a word, and the line of writing is elegant, which is simply pleasing to the eye.

There is no need to look at the payment, Shi Lei also knows that this character is definitely the work of the book saint Wang Xizhi.

After all the unfolding, sure enough, seeing that the payment in the lower right corner was Wang Xizhi, Shi Lei was very excited.

The third, Wang Xianzhi, is a little worse than his father, but this is definitely a national treasure.

Fourth, Leonardo da Vinci.

The fifth, Van Gogh.

Sixth, Mi Fu.

Picture 7......

Picture 8......

……

Shi Lei has become numb, and these works, which can be called treasures in history, have all appeared in front of his eyes. Moreover, it is 100% authentic, which is simply jaw-dropping.

The works that I thought had been lost to the world actually saw the light of day, and Shi Lei almost wanted to throw himself to the five bodies that Heika admired. If there were no black cards, I am afraid that these calligraphy and paintings would really be buried in the ground. Even if Mr. Zheng told Shi Lei that there were antiques collected by his ancestors in the courtyard, who would have thought that these antiques would have such value?

This is no longer something that can be measured by money, but is directly related to the history of human art, which represents the perspective of art in human history.

It took Shi Lei a long time to calm down, even if he had already obtained the list of these calligraphy and paintings from Heika, but a list was by no means as shocking as the twenty-three works in front of him.

In fact, Shi Lei is not a person who is too keen on art, compared to Crawford's enthusiasm for calligraphy and painting, Shi Lei is actually a layman who knows the way of the middle, and he has always held the simplest price measurement method for these artworks.

But today, with his understanding of the art of calligraphy and painting, he can be regarded as the most profound person on the earth, and he is indeed shocked by the pearl at the top of these art palaces, which is almost the culmination of human art.

Pouring himself a glass of wine, Shi Lei forcibly suppressed his excitement.

He didn't forget to return the drawer, and then, he exited the chamber, went back to the surface, and went down to the well again, and restored the brick to its original state.

As the bricks were put back into the distance, there was a lot of movement in the well, Shi Lei hurriedly returned to the ground, and he saw that the floor tiles that had sunk into the ground by the well were slowly restored to their original state.

Except for a few gaps, the rest of the bricks could not be moved at all.

But Shi Lei knew that if he forcibly used external force to destroy this brick, it would definitely lead to the collapse of the entire secret room, and the ancestors of the Zheng family would rather their coffins and bodies be destroyed than allow these things to fall into the hands of outsiders.

He tried to press down the brick, but the brick did not move, which fully showed that even if Shi Lei knew that the brick was where the mechanism was, he could not open the secret room smoothly.

If you want to activate the mechanism, there must be other tricks.

And Shi Lei directly bypassed these tricks and found a direct way to trigger the mechanism from the middle of the mechanism, and finally found the location of the secret room.

After studying the well platform for a long time, Shi Lei probably judged that the floor tiles around the well platform are famous, otherwise, the well platform is usually carved from a whole piece of rock, and it is rare to make floor tiles, but around this well platform, there is a circle of floor tiles.

Shi Lei estimated that these floor tiles needed to be stepped on in a special order to trigger the mechanism under the well platform, so that the brick would sink into the ground, completely open the mechanism in the well, and thus open the secret room under the pillar.

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