In the past, there was a saying that worshipping the prime minister in the rivers and lakes, and in the past, the artists who performed their arts were all going from south to north, and they were running the rivers and lakes.

Of course, there are also many artists who are rooted in a certain place to perform, so he will not leave, start a family here, open a family and accept apprentices, and inherit incense.

When an artist who runs the rivers and lakes performs in a place, according to the rules of the rivers and lakes, he needs to visit his local peers, which is called worshipping the prime minister.

The approximate meaning is "It's convenient for everyone, the younger brother is coming to perform in Guibaodi".

The local counterparts do not necessarily have to be locals, as long as they come earlier than the brother who ran the rivers and lakes, they can accept the worship, which is called the traveler to the guest.

This is the rule of artists who run the rivers and lakes.

Local artists also have rules, under normal circumstances, they will not refuse people to perform, not only will they not refuse, but they also have to tell the artists who run the rivers and lakes about the local customs and people's living habits, so that the artists who run the rivers and lakes can make more money.

If it's really inconvenient, or if you don't want artists who run the rivers and lakes to come over to perform, local artists have to make up money to send people away.

That's the rule.

Of course, there are also those who don't pay attention to the rules, and the artists who run the rivers and lakes come directly and show their talents.

If the local artist has a better temper, it will be forgotten if he is not as knowledgeable as him; if there is a bad temper, he will go up directly to make trouble.

This is the rule of the rivers and lakes in the elderly, and now there are almost no more, after all, there are no pure rivers and lakes now.

Of course, this kind of rule does not mean that there is absolutely no such rule, and in modern society there are actually some variations.

Compared with how to do a commercial performance to the east, the organizer is Huantian Media in Beijing, but every time they go to a place to perform, they will find local commercial performers to cooperate, after all, the local commercial performers are more familiar with the local situation, and it will be much more convenient to charter venues, hotels, and run for approval.

This is similar to the rules of the rivers and lakes.

There are many rules in the rivers and lakes among the elderly, such as performing compulsory plays. Artists are all family-owned, and they all have inheritance, and this kind of teacher-inheritance relationship is the same as the relationship between relatives in ordinary people's families.

For example, an artist went to a place to perform, his wallet was stolen, he didn't have a penny in his pocket, and he slept outside for a night, but he was caught a cold in the rain and became seriously ill.

At this time, the importance of the same door is reflected, he can find local peers, report his own teacher's door, if there happens to be people from the same teacher, this is easy to do, this is to see relatives.

The people of the division will help you, take care of your food, take care of your accommodation, treat you, and will also perform a few performances on a voluntary basis, and give you the money you earn, so that you can have a twist and leave, which is called compulsory play.

So don't always think that the traditional teacher-student relationship is old feudalism and backward culture.

He Xiangdong has been traveling south and north for many years, and he followed Master all over the country in his early years. In those years, they not only performed, but also communicated with other artists, as well as collected and sorted out traditional cross talk.

He Xiangdong's cross talk skills grew the fastest in these years. Over the years, He Xiangdong and Fang Wenqi have indeed visited countless old artists, some have happy experiences and some are unhappy, but they have all passed anyway.

Now He Xiangdong is out to run a commercial performance, if he knows that there are local artists who have a good relationship, he will definitely visit.

If not, forget it, he doesn't want to do that set of worship anymore, now that the rules of the rivers and lakes are gone, he goes to worship the prime minister again, and people give him 200 yuan and let him leave, so will he leave or not?

So forget it.

When he was performing in Tianjin for a commercial performance, he also paid homage to the prime minister, after all, Tianjin is the hometown of quyi, and the cross talk nest is a nest, and it is impossible to say that he does not worship the prime minister. It's a pity, there are still too many people who don't give face, but there are also gains, and now the two brothers Cai Shang and Su Shengde in the Xiangwen Society didn't get it at that time.

At Nanjing Station, He Xiangdong really has a friendship with two artists, one is Zhang Yongye, a cross talk senior, and the other is his good friend, Fu Sheng.

The friendship between He Xiangdong and Zhang Yongye dates back to 97 years, when it was time to record a collection of traditional cross talk jokes in Tianjin, He Xiangdong was still worthless at that time, and Xiang Wenshe was still in a state of making ends meet.

But Zhang Yongye appreciated He Xiangdong very much, and gave him a lot of valuable advice, and also passed on a piece of his lost stand-up comedy "Zhang Shuangxi Monster Hunt".

This is where the friendship between the two began.

Later, in the Peony Award competition, He Xiangdong also had a competition with Zhang Yongye's apprentices, and they really deserved to be the children of famous families, even a master like He Xiangdong had to change his jokes on the spot to narrowly defeat others.

As for He Xiangdong and Fu Sheng who met in the Xi'an Teahouse, it was the old man Wang Miwei who chose the successor and asked He Xiangdong to have a match with Fu Sheng.

Fu Sheng is talking about "The Nine-Head Case", and He Xiangdong is talking about "Zhang Shuangxi Monster Hunting".

He Xiangdong had enough strength to be able to tie with him, and it was also after this competition that He Xiangdong met Wang Miwei and accepted the inheritance of King Jingjie.

Later, it was also in the selection of the Peony Award that He Xiangdong and Fu Sheng faced each other again, at this time, He Xiangdong's kung fu was no longer comparable to Fu Sheng, and He Xiangdong could be described as a big victory.

It's all about memories.

Early in the morning of the second day, He Xiangdong first took something to visit Zhang Yongye, accompanied by Xue Guo and several of his apprentices.

Zhang Yongye has long been retired at home, and now he is a yo-yo bird, playing tai chi, writing calligraphy, and is no different from ordinary retired old people.

No matter how idle the time is, I will guide and guide the younger generations, the cross talk art of Jiangnan Banner is not covered, Beihou Nanzhang, this is an artist on a par with the old marquis.

The call had been made a long time ago, and Zhang Yongye also knew that He Xiangdong was coming to visit him, so he was waiting for him at home. I haven't seen this kid for many years, and when Zhang Yongye saw him again, he was also embarrassed.

Who would have thought that the hairy boy back then would have his current achievements, maybe he had expected it, but he didn't expect He Xiangdong to have such achievements.

When he saw He Xiangdong again, Zhang Yongye was also very happy and talked a lot to him. He Xiangdong also knew about the bet against Gao Bingsheng.

Zhang Yongye couldn't say anything for a long time, but just said: "The root of cross talk artists is in the audience, and craftsmen have to eat with their ability." ”

He Xiangdong nodded solemnly, indicating that he was taught.

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