In this enclosed room, the space is quite large, enough to accommodate hundreds of people at the same time.

Originally, because of some noisy and slight noises, under the slight frown of the gray old man on the main seat, after knocking on the table, everything returned to calm.

Although the scene was a little quiet, but the composition was more and more attracted the attention of some other teachers, after all, everyone is the marking teacher of the composition grading group, it stands to reason that they have been secretly corrected for several years, what kind of composition has not been seen?

First of all, that's right, the volume, that's right, the volume, the word is half good, isn't that "judging people by their appearance"? Yes, from the outside to the inside, from the outside to the inside, doesn't it conform to the laws of human cognition?

However, what these teachers saw was an extremely ugly handwriting, and on the whole they should be quite uninterested, but on the contrary, some of the discussion came from reading this essay!

Yes, that's right, the font of this essay is indeed a bit ugly, but the structure, yes, is the structure, ironclad, and it is definitely a headache, but this essay has many paragraphs and simple words.

Especially the beginning.

What is a good beginning? Be concise. The so-called conciseness is to get straight to the point, and one or two sentences are enough. For example, martial arts masters, either remain silent, or seal their throats with a sword.

The essay in the examination room is not the usual writing essays and novels, which can take up a lot of time and space to write introductions and backgrounds, and there is no need to use too much lyrical language to build momentum.

In fact, you are not the only student who has this kind of thought, everyone is lyrical, and it is not the delicate and gentle kind, but the high-pitched in the drama, which makes people get goosebumps.

So, start with a stance. The so-called stance means that there must be momentum at the beginning, which can catch the reader's attention at once. For example, if you put a small stone on a cliff that is thousands of miles high, it has potential energy. If you want to fall down like this, everyone has to be careful.

Where is the precipice of composition? Right at the beginning. Therefore, the beginning should be as simple as possible, just like the thinner and steeper the mountain, the greater the psychological shock.

If we put the most valuable sentence on this cliff, or the sentence with the most concentrated emotions, or the sentence that can arouse the curiosity of others the most, the potential energy will be immeasurable. For example, if you throw a bombshell at the beginning, it will naturally attract onlookers.

Just like Mu Yishi's composition, relying on the shocking power of the beginning and structure to attract directly, although the font is ugly, it is an unchangeable thing, unless he really makes up his mind to practice the words.

Of course, the main reason for the attraction is that the title of Mu Yishi's essay is also bold enough, after all, who would dare to imagine that a middle school student would have such courage!

The direct title has the words "reform and opening up"!

And as this composition was passed on again and again, the originally quiet room began to make a little noise, although it was a small noise, but in this relatively empty room, it was undoubtedly like being in front of a loudspeaker, amplifying the sound countless times.

And at this time, the eyebrows of the white old man sitting on the main seat wrinkled again, but this time, he didn't plan to sit idly by anymore, but looked down, although the voice was not loud, but it was absolutely shocking, "What are they doing one by one, don't hurry up to read the papers, and whisper there! We have nothing to do, we are not in a hurry, but we have to experience the mood of the students, and it is good for everyone to change quickly, I won't talk about it, let's talk about it, what's going on, this is the second time!"

Then, when the old man finished speaking, everyone's eyes were you looking at me and I looking at you, and then in the end, they all stared at a position.

That's a teacher who prefers to be younger, and he has a scroll in his hand, and it's not unusual to have a scroll, after all, this is the scoring group of the composition, but the composition in his hand can be seen at a glance, and he can see the dense words, which means that there are a lot of writings, and secondly, the font is more ugly.

Yes, Mu Yishi's masterpiece is in the hands of this teacher.

"Xiao Tian, tell me, what's going on?"

The white old man on the main seat watched everyone staring at Tian Qipeng, and he asked directly to Xiao Tian in his mouth.

This Tian Qipeng was also a little embarrassed, and he was not alone, but now everyone's eyes were on him. It made him feel uncomfortable for a while.

After all, this is different from the eyes of the class, this is obviously the rhythm of carrying the black pot!

Tian Qipeng also stood up immediately, and then looked at the test paper in his hand, and walked to the white old man on the main seat.

"Team leader, that's how ......"

Tian Qipeng also paid attention to not using complicated language to figure everything out, so he talked about this essay in general.

And in his heart, he was also secretly surprised.

In his opinion, the level of this essay is enough to have the skills of a college student's graduation thesis, and to some extent, it is even better!

However, no matter what, now their group of teachers are thinking that this essay can get a full score, but after all, the group leader has not nodded yet, and it is impossible to get a full score, so it is not wrong for Tian Qipeng to take it now.

After handing it to the old man, Tian Qipeng returned to his original position and continued to correct the composition of the next Chinese test paper, but because of the pearl and jade in front, so in the next correction, all the teachers corrected it significantly, which means that the later compositions read the same, the taste is the same as chewing wax, and the scores that may have been a little more are at the lowest in history at the moment, and the mutual exchange and correction are quite recognizable to this score, and therefore, those essays behind Mu Yishi are all blood mold that has been poured for eight lifetimes.

And the old man on the main seat also looked at the composition in his hand.

Handwriting is not very important to the old man, perhaps because his handwriting is not very good-looking, but it can still be settled, when the title is revealed, and then swept the first and last paragraphs, the old man's eyes are obviously serious.

Essay, write these things, but it is really a double-edged sword, if you use it well for your own benefit, if you don't use it well, then it will really be a catastrophe.

And obviously, looking at the beginning and the end, this old man is really serious, and he is also starting to look at it at a slow pace.