After Ma Sanye walked out of the exit door, He Xiangdong and the group of old artists quickly followed out, sat down in the small open space between the stage and the audience, raised their heads one by one, and were very serious like primary school students listening to a teacher's lecture. Pen? Interesting? Pavilion wWw. ｂiquge。 ｉｎfo

The third master was dressed in a cyan coat, very simple, and he walked without momentum and posture, so he walked slowly, his body bowed slightly, and he walked out very casually like an uncle next door.

On this appearance, the audience was boiling, and they all stood up to applaud the third master, and the applause made the ears of the artists in front of the stage a little deafening, and this posture was really terrifying.

This is the charm of cross talk.

He Xiangdong looked at the mediocre Ma Sanye on the stage, and then looked back at the crazy audience, and felt a lot of emotion in his heart, this is the charm of cross talk art, this is the charm of cross talk artists.

Cross talk is indeed very sluggish now, but the Ma family is definitely outstanding, and it can be said that they are the artistic benchmark in the cross talk industry.

Ma Sanye couldn't even bow to the audience and couldn't suppress this fiery enthusiasm, and after a long time, the voice stopped, Ma Sanye was on the stage, and greeted the audience very normally into the microphone: "Hello everyone, see you again." ”

The audience burst into applause again.

After Ma Sanye got older, he rarely talked about lip-synch, most of them were talking about stand-ups, and it was not a long story or a big set of things, but it was very life-like.

Ma Sanye's current artistic level is a fantasy point called having entered the realm of transformation, there are no tricks in his hands, there are tricks in his heart, twisting flowers and flying leaves can hurt people, he has no performance now, as he himself said, the communication with the audience has reached a certain level, and the chat is also cross talk.

This is a very profound realm, and it is also a very big feature of Ma's cross talk, there is no genre in cross talk, because this is a language art, he will form his own style according to the different conditions of the actor and the audience's preference.

Therefore, it is very normal for a disciple taught by the same teacher to have a completely different style, and even a very different style from his teacher. It's not like opera performances, each genre has a very distinct style, you learn this genre, you have to learn the advantages and disadvantages of others together, and people will know which school you are when they hear it.

There is no genre in cross talk, they have a certain cross talk, such as Ma's cross talk, Hou's cross talk, Chang's cross talk, among which the characteristics of Ma's cross talk are more obvious, Shao Ma Ye is the descendant of Ma's cross talk, speaking of cross talk is tepid, not salty, not light, not meat or vegetarian, although it is different from his father's style, but these characteristics are the same.

Ma Sanye recorded two short paragraphs, which are small jokes in life, during which no audience walked away, and no one went to the toilet or did anything else, watching it with great concern.

He Xiangdong watched the audience for a long time, he paid the most attention to Ma Sanye's performance skills and the indescribable intimacy, it was really the same as the old man next door chattering and telling stories to you, you moved a small stool to sit next to you and listened, not bored at all, and laughed from time to time, this level is too profound.

Ma Sanye also took care of He Xiangdong in this performance, and his body was always slightly sideways, so that He Xiangdong could observe more carefully, and he also showed the audience's communication skills through cross talk performances, so that He Xiangdong could understand as much as possible.

These things can only be comprehended in the performance, they belong to things that can only be understood but not spoken, and cannot be expressed in words, to be honest, this performance has a great impact on He Xiangdong, and he feels a lot. Although his style is different from Ma Sanye, this kind of technical thing is the same, which is an extremely valuable experience.

The day's recording also ended, and the film crew knew about He Xiangdong, and asked him to record another paragraph, and he didn't record more.

This is a collection of traditional cross talk, recorded in the second phase, some are too biased and not recorded, the most important thing is that there are many endangered jokes only He Xiangdong will, others can't take him, and it's not good to ask for advice at will, this is someone's food, coveting other people's jobs is a taboo in the industry, so when He Xiangdong's master and apprentice used to ask other old artists about art, the white eyes they suffered must be indispensable.

On the second day, Zhang Wenhai went back to Beijing first, He Xiangdong was not in a hurry to leave, and followed Zhang Yongye to learn to catch demons with Zhang Shuangxi.

Zhang Shuangxi has a lot of gods and ghosts in the monster hunt, which is very exciting, and it is said that the audience in the former Republic of China listened to it at night and did not dare to walk at night.

And every button in this single mouth is full of suspense and fascinating, the button is part of what the artist said today, which will leave a small suspense and attract you to listen to it next time, this is called a button.

A first-class masterpiece, Zhang Yongye taught it all to He Xiangdong, not only the jokes, but also Zhang Yongye's perception of his cross talk career in the past few decades, He Xiangdong felt a lot and sincerely thanked Zhang Yongye.

It's not just Zhang Yongye, but also Ma Sanye, after the recording, Ma Sanye returned to the sanatorium, He Xiangdong also asked for advice many times, and Ma Sanye did not spare his own experience at all, and taught him everything.

He Xiangdong has benefited a lot, and he is very grateful for the help of these two old-timers, who taught him not only artistic skills, but also artistic ethics and character cultivation.

It's been more than a week since I arrived in Tianjin, He Xiangdong is also going back to Beijing, and the first batch of artists have also been recorded, and it's time to separate.

There is no ceremony, it's very simple, He Xiangdong packed up his clothes and put them in a big backpack, he left today, and the artists will leave one after another tomorrow.

Just downstairs in the hotel, the old artists came to see He Xiangdong, Han Wende beat He Xiangdong, and said with a smile: "If you have the opportunity to go to Shandong in the future, I will invite you to drink." ”

He Xiangdong replied with a smile: "I may really not have much time, or you can give me the wine money." ”

Han Wende was stunned for a moment, and then scolded with a smile: "Okay, you shameless young man." ”

Lao Wang also laughed, and said to Han Wende: "Look at you, a bad old man, you usually hurt me, but today the bad old man saw the bad boy, haha, this is called one report and one report." ”

Then he praised He Xiangdong again: "Good boy, what you say in cross talk is really good, really tell us that cross talk has a long face, good look, I believe you will be able to become a big horn in the future." ”

He Xiangdong hurriedly replied: "I also believe that your sister-in-law's child must be yours." ”

"Fuck off." The old king scolded angrily, and everyone laughed.

Liu Tengzhi also came up and said a few words to He Xiangdong, and other old artists also said some parting words, the young master Ma also came, Ma Sanye didn't come over, he said to He Xiangdong: "In the future, I will have the opportunity to come to Tianjin more and play more at home, I don't have much ability, I can't help much, but if I can, even if you speak, I will not shirk." ”

Young Master Ma still spoke so sincerely, He Xiangdong bowed sincerely and thanked him.

Zhang Yongye was also there, he just looked at He Xiangdong quietly and lovingly, and he didn't come forward or speak, but He Xiangdong understood the reluctance in his eyes.

He Xiangdong had a smile on his face, nodded and smiled at everyone, bowed deeply to Zhang Yongye, bowed to Shaoma Ye, and finally bowed to all the old artists.

Then he turned around and went back to Beijing. (To be continued.) )