The next day, in a small city by the sea in the west of Rome, the crew of "Our Life" chartered a café on the third floor as the set, and at this moment a cameraman with a camera on his back was focusing on Fu Luo and Joye Colangeli, and not far away director Danielle Luchetti was sitting behind a monitor staring at the screen seriously, unwilling to miss every shot. Pen Fun Pavilion wWw. ｂiquge。 ｉｎfo

In addition, the staff belonging to my "Our Life" crew are also watching from the outside of the camera, and not only that, but some café staff are also watching from a distance, probably for the first time to see a movie, and they are still whispering something.

And Qiao Ye-Colangeli in the camera was lowering his head slightly at this time, and whispered with a disguised emotion: "Regarding your wife's affairs, you need to face your grief now." ”

It is said that Qiao Ye Colangelli is in the state of mind when he says this, there is actually another thing hidden behind it, he is a construction contractor, and now there is an accident on his construction site, a Romanian drunk who keeps vigil accidentally falls into the elevator shaft, and when he receives a call to rush to the rescue, he finds that the person has completely died.

After struggling, in order to prevent the construction site from being closed by the police, which caused a stoppage, Qiao Ye Colangelli chose to hide the incident, but after doing so, the condemnation of conscience has been closely with him, so that he must always pay attention to his emotional cover-up.

Here, Fu Luo, who was sitting face to face with Qiao Ye Colangeli, and still had a big beard, leaned his body forward slightly, and then a touch of hesitation, a touch of heartache, a touch of firmness, three different eyes, flashed from his dark eyes one by one, although there was a struggle in his heart, but the reality still prompted him to speak: "No, the only thing I need to face now is the problem of money." ”

His beloved wife died unexpectedly due to difficult childbirth, leaving Fu Luo and a newborn and two young children, after grief, for the sake of the whole family and the future of the children, he had already violated his conscience once, and it seemed that he would violate morality again.

And Fu Luo asked Qiao Ye Colangeli to come out today, just to threaten the other party with someone who has died, so that he can earn more money, so as to bring a better life to the three children in the family.

Yes, Qiao Ye-Colangeli thought that no one knew the little secret, and when the other party asked him to seal the elevator shaft, Fu Luo also accidentally discovered this secret.

But he did not call the police against his conscience at that time, but chose to do more than less, and he actually thought the same as Qiao Ye-Clangelli, he did not want the construction site to be closed, because it was his only source of income, and his wife was about to give birth at that time, so he had no choice.

There may be a hint of indifference in this place, but this is the real reality, a foreigner living in a foreign country must be subjected to invisible discrimination based on skin color and race everywhere, and must have to work harder to survive.

And off-camera director Danielle Luchetti, when he saw the three different looks flashing in Fu Luo's eyes on the monitor, he was absolutely amazed, and it seems that the Chinese actor is indeed worthy of the title of Cannes actor.

In fact, Danielle Luchetti didn't plan to use a Chinese character when he was creating the first version of the script, but later he encountered something unexpected and had some feelings, which prompted him to revise the script again and add more elements to it, such as subtle conflicts between different races.

"Only bastards care about money. ”

Qiao Ye-Colangeli frowned, and his voice became a little stern, a person who had just lost his wife not long ago only cared about money.

"yes, I'm a jerk, I'm going to be a little more jerk, now I need to contract a project, and you're going to give me an apartment, I don't want to do the wall painting anymore. ”

As he said this, Fu Luo's body leaned forward a little more, and he needed to use his "vicious" eyes to try his best to hide everything else.

"Are you kidding? Do you think contracting projects is child's play? Who do you think you are, I'm sorry, I can't do that. Qiao Ye-Colangelli, who felt ridiculous, looked at Fu Luo with an idiot look.

"Really, you think I'm naïve, does this thing look familiar to you?" Fu Luo pulled out a mobile phone from his pocket and shook it in front of Qiao Ye-Colangeli, tearing his face straight and threatening.

And this mobile phone was when Qiao Ye Colangelli asked him to seal the elevator shaft, because he didn't quite understand the other party's intentions, so he was about to call to ask about the situation, but he heard the mobile phone in the elevator shaft, which made him discover the secret of the dead man below.

"You, you, what do you see!"

The appearance of the mobile phone made Qiao Ye-Cranjeli's pupils instantly widen, and the panic after the secret was discovered made him glance around for the first time, and then asked very nervously.

Here, when Danielle Luchetti saw Qiao Ye Cranjeli's real "flustered" performance, he nodded with satisfaction, I have to say that this old actor in their Italy does have a good performance tension, and it is really a pleasure to watch such two actors with superb acting skills.

"Who's buried there, say?"

Fu Luo took back his mobile phone, and then leaned back in his chair a little helplessly, and his tone became a little wilted, he only took this step for the sake of the child, and his heart was actually not such a person, so although he had been suppressed, he was still full of struggle.

However, Qiao Ye-Colangeli, who was uneasy, stood up a little out of control, and then slightly lifted Fu Luo's collar across the table, and roared in a low voice: "You damn Chinese, if I hadn't taken you in for work, you wouldn't even be able to find a job washing dishes, and now you come to threaten me, that Romanian who keeps vigil, a drunk, a nowhere to do, a waste that no one cares about, no one wants him to die, but he is dead by the time I rush, what can I do?" ”

Here, Fu Luo, who was grabbed by Qiao Ye Colangeli by the collar, listened to the other party's roar, and felt that this old Italian man did have good strength, but he could not be weak, and he did not use too many body movements to increase his momentum, he just responded in a low tone: "Yes, I am a damn Chinese, but you are also a black-hearted Italian, don't think that I don't know that my salary is less than others, it seems that your kindness also has a price." ”

Fu Luo speaks a mixed language of English and Italian, and occasionally has to burst out a little Chinese, and under such a "natural" two-phase comparison, it is obvious that people can feel the alienation between races, and this is also his linguistic feature in the film.

Then the lines here in the movie, "damn Chinese" and "black-hearted Italians", also reflect the kind of estrangement hidden in the heart, which can also be said to be a kind of disguised discrimination, and the kind of mutual discrimination.

"You ......"

Qiao Ye-Colangeli condensed, and finally weakly let go of Fu Luo's collar, and then sat on the chair rather decadently, and continued a little helplessly: "Your wife has just died, are you going to expose your essence, Chinese." ”

"Shut up!"

Hearing this, Fu Luo immediately let out a low roar, and raised his right hand in the middle of the situation, originally intending to slap it on the table, but in the end he put it down, but he still stared at Qiao Ye-Cranjeli, and said a little sadly: "God has decided to take my child's mother away, I can't do anything, I can't bring the child's mother back, but I can give them all the other things, all the things they lack and never have." ”

And hearing this, Qiao Ye Colangeli was also silent, he was a little greedy, but he was also a sentimental person, and he would also be worried about the dead Romanian, so when he heard Fu Luo's heart, he actually had sympathy.

"Cut, it's over, guys, you're doing a great job!"

On the monitor side, when he saw the end of a full shot, director Danielle Luchetti then shouted to stop, and it was really enjoyable to enjoy such a performance, and when he stood up, he took the lead in applauding.

"Bang Bang !!"

With Danielle Luchetti taking the lead, the rest of the entire crew also burst into enthusiastic applause, after all, it is undoubtedly exciting that the first scene can be filmed so smoothly, it can work easily, and everyone is absolutely unwilling to trouble.

However, Fu Luo personally thinks that this group of "spaghetti" is really a bit different from the shooting methods of Chinese and American crews, and the atmosphere is a little lazy, not to say that the work is not serious, perhaps it should be said that it is a habit and problem that is immersed in the bones, and it can also be called style, Italian style.

Then the whole crew met together since yesterday, and rushed to this small city in the west of Rome in the afternoon, but the filming of the first scene only started this afternoon, and this kind of work efficiency is no one.