Jiang Yang, who dressed up in Peking Opera, painted his face, and put on a costume, is as charming and delicate as Su San, just talking about his eyes and mouth, he is more amazing than Su San's Mei School performance master Anita Mui.

The troupe was on stage, Mr. Hu Yulin, and other musical instrument teachers beat drums and gongs, and as soon as they came on stage, they made the audience and friends shine.

"Is this going to be a singing?"

"I heard that the last issue of the masked singer Jiangyang sang Peking Opera, but I didn't expect it to be true. ”

"Look at the one next to Jiang Yang, that is Mei Baojiu, a performance artist of the Mei School. ”

"He plays the role of a messenger in this play. ”

Some of the audience who understand Peking Opera have begun to evaluate, but more young people are very disappointed that Jiang Yang wants to sing.

Today, the 500 public judges on the scene will still decide the final super singer, and the votes in their hands are very crucial, although many of them are loyal fans of Hejiang Province and Jiangyang, but they uphold the heart of fairness and justice for music, if Jiangyang performs Peking Opera, the resonance is less, and the number of votes will definitely be affected.

Jiang Yang's fans sweated, and when they played Peking Opera, there were a lot of flowers, but as soon as the song collapsed, many people felt that Jiang Yang was a little too much to play.

It's too much, if you obediently sing folk songs, maybe it can make a sensation again, but...

Today's stage is different from the masked singers in the past, you can still mess around willfully, the finals, and the super singer competition.

The performances on the stage are all capable people in the music world, not to mention queens like Wang Fei and Jolin Tsai, Zhang Jie, Xue Zhiqian, and none of them are hot first-line singers in later generations, they are all the successors of the music forces in the Chinese music scene, Jiang Yang sings Peking Opera, it is really a death.

Jiang Yang can ignore other people's discussions, inherit Chinese art, promote the quintessence of Peking Opera, as a Chinese citizen, Jiang Yang feels that he has an obligation.

Of course, Jiangyang's current Peking Opera has not yet reached the point of carrying the Dingding, but in the past month of study, Jiangyang's experience in Peking Opera has gradually become stronger, and his singing skills, performances, and martial arts have made rapid progress.

If he didn't fight again, Jiang Yang knew that he might not really have the energy to pursue art in a pure way. After all, he has a lot more to do next.

Knock knock knock in the middle of winter.

As the drum began, the sound of erhu and suona turned on together, Su San started to solve, and Su San left Hongdong County.

At the beginning of the play, it is to solve the problem and advocate justice, and Su San is mentioned. Su San, played by Jiang Yang, had been beaten into a trick and sentenced to death, he was waiting to be beheaded, when he suddenly heard the jailer calling, he was half frightened to death, Jiang Yang then sang: "I suddenly heard Su San, my soul was scattered, and I was so scared that I didn't dare to move forward." ”

Jiang Yang's tragic lyrics, coupled with the mournful music of Teacher Hu Yulin and other teachers, the atmosphere came out at once, and Jiang Yang's first sentence was very amazing, which made the audience enter the "state" all of a sudden, and had great sympathy for Su San's situation.

Su San came out of the prison, saw Chong Gongdao, and sang while saluting: "I have no choice but to see Lilly and ask the old man what you called me for?"

Even in this situation, Su San still remembers the "courtesy", which highlights Su San's knowledge and courtesy. Jiang Yang is not a piece of wood in performance, he is talking about learning to sing, learning, Jiang Yang is acting, he will Su San's performance is just right, compared to simple music, this appreciation is undoubtedly much stronger.

Chong Gongdao, played by Master Mei Baojiu, told Su San that he would send her to Taiyuan for review, and her case might have to be changed. Su San was overjoyed when he heard this, but he held back his joy and carefully discussed the itinerary with Chong Gongdao. After Chong Justice left, Jiang Yang couldn't help but sing: "Chong, the old man ———— him, saying yes"

In Peking Opera, it is often necessary to have a piece of music before singing, but here is the word "Chong" rushing out of his mouth, Jiang Yang put Su San's kind of mood that was held back for a long time after hearing the good news, and he couldn't wait to release it immediately, through this word The performance is very dripping, when singing the word "he", the tone is very high, and Jiang Yang also shows Su San's ecstatic excitement undoubtedly.

After singing "Say Yes", Jiang Yang's voice stopped abruptly, leaving the audience with unlimited space for reverie, and Jiang Yang was no longer singing. At this time, the music of Hu Yulin and other teachers rang out, and in the art of Peking Opera, the rendering of music is much worse than that of pop songs.

The middle-aged audience who understands Su San's story already has a faint sense of sadness, Su San finally doesn't have to die, and Su San is likely to be reborn.

However, the expressions on the faces of those young people were much more complicated, saying that Jiang Yang sang well and acted well, yes, yes. But what about after that?

That's all.

They really wanted to vote for Jiang Yang, but if they performed it like this and sang a short paragraph, they felt that Jiang Yang's Peking Opera could not afford this song of the masked singer.

After the music sounded for a long time, Jiang Yang's preoccupied expression was relieved, it should have been an incredible experience, calmed down, Jiang Yang then sang: "Wrongs can be distinguished!"

In four words, Jiang Yang sang the kind of heavy feeling that he had suffered a lot, was beaten into a move, was reborn in the face of death, and was about to be recommuted.

These four words have penetrated into the hearts of middle-aged audiences, and they have already decided at this time to vote for Jiang Yang.

In addition to the on-site public review and live broadcast, people who like Peking Opera in front of the TV and who like opera have already sung along with Jiang Yang, and they can be distinguished from wronged.

These four words seem simple and easy to sing, but only those who have sung them know how difficult it is to sing that emotion into four words.

This is not only singing, but also acting, conveying the invisible emotions in the heart to the audience through four words, and conveying the mood that has not been calm for a long time, which is not something that ordinary Peking Opera performers can do.

After singing these four words, Mr. Hu Yulin's music rushed in again, several fierce music segments, suona blowing, the voice crescendos, erhu pulled out, the voice gradually became miserable, and the music intertwined after the unevenness, Jiang Yang wiped her tears while packing up, and the bitterness in her heart broke out at this time, she sang: "I remembered Wang Jinlong's righteous son." I want to be so attached to the hospital at the beginning,

So far, where is the love? I have hidden the paper here, so that I can avenge my grievances when I see the adults in the courtyard. ”

The singing of this section uses Wang Jinlong's "negative heart" and poignant music to reflect Su San's helplessness. But even in this helpless situation, Su San did not succumb to fate, but chose to fight against fate, "hide the paper inside", and prepare to avenge himself, which further sets off Su San's image of being weak on the outside and strong on the inside.

When Jiang Yang sang the two sentences of pleadings and redressing grievances, the music seemed unusually calm, and his eyes looked into the distance, and the kind of performance that substituted the emotions of the characters made him look very calm, calm, and witty.

If the previous singing is all petty fights, and there is no large section showing Jiang Yang's singing skills, the memories and complaints in this paragraph have been sung into the hearts of the audience.

With a slightly harsh voice, Jiang Yang grasped the essence of Peking Opera in place, and even Mei Baojiu, who was on the side, felt that Jiang Yang had this paragraph.

Naturally, the audience's resonance is estimated to have not reached the highest yet, because, the familiar part has not yet been sung, and this last paragraph is also the key to Jiang Yang's ability to rush to the next round, Mei Baojiu looked at Jiang Yang, hoping that he could let Peking Opera stand and go on!