When you are old, this song contributed to the cooperation between Jiang Yang and Song Groupying, and the third session was completed in the afternoon of the same day.

Teacher Song Jiying, as a master of folk songs, when you are old, this one is naturally interpreted by her.

That night, the second episode of the lecture continued to disturb the audience who were still waiting in front of the TV at 11 o'clock in the evening, and by this time, Jiang Yang already had a regular fan base across the country.

According to the statistics of the number of Jiangyang fans spontaneously initiated by online netizens, Jiangyang's fans should be 16 million, which is only active on the Internet, and those, Jiangyang is deeply cultivated in the people's homes, up to 60 years old, down to 6-year-old babies, Jiangyang's fans are more professional people, I am afraid that the number of 16 million will double.

It is with such strong fan support that although the second episode was launched in the late night file, it still had a rating of 3.0 as soon as it was broadcast.

Compared with the previous issue, the highest was only a few o'clock, and this second issue got off to a good start, which also made the members of the CCTV program team happy.

It is rare that Master Mei Baojiu is also waiting in front of the TV tonight, his lecture, first of all, Jiang Yang's host, as his apprentice of Peking Opera, Jiang Yang came up to pay a profound tribute to traditional culture, which caused widespread discussion, and then, for the inheritance of Peking Opera, foreigners learn Peking Opera, while Chinese people learn English songs as a metaphor, the Chinese people's temperament of forgetting their roots is also full of gunpowder at the beginning of the show.

His effect of throwing bricks and attracting jade is quite good, so when he appeared on the stage, as an old artist who inherited Chinese art, as soon as he stood on the stage, it immediately caused sensational applause.

Mei Baojiu talked about the development of Peking Opera on stage, since the 55th year of Qianlong in the Qing Dynasty, the Sanqing, Sixi, Chuntai, and Hechun, which were originally performed in the south, and the four major Hui troupes entered Beijing one after another, and they cooperated with Han artists from Hubei, and at the same time accepted some repertoire, tunes and performance methods of Kunqu Opera and Qin dialect, and folk tunes, and finally formed Peking Opera through continuous exchanges and integration.

After the formation of Peking Opera, it began to develop rapidly in the court of the Qing Dynasty, until the Republic of China achieved unprecedented prosperity.

The Republic of China can be said to be the heyday of Peking Opera, but after the founding of the People's Republic of China, as the number of opera gardens became fewer, there were fewer and fewer descendants who really sang Peking Opera, and there were problems with the inheritance and appreciation of Peking Opera.

Coupled with the impact of foreign music, young people often learn English songs and do not like to listen to Peking Opera, which makes the traditional art of Peking Opera a minority and niche performance.

When Mei Baojiu tells the history and present of Peking Opera, he can't help but express that he is willing to devote his whole life to reviving and revitalizing Peking Opera culture, but time is ruthless, and he is powerless in his old age, worrying that the art of Peking Opera will decline and the inheritance will be disorderly.

Mei Baojiu's speech is closer to reality, Peking Opera is, to put it bluntly, the art around us, this kind of art is far and near, but because you don't care, you may be estranged immediately. In the end, he hopes that contemporary young people can try to appreciate Peking Opera, at least not to reject the art of Peking Opera, and only in this way can the traditional Chinese culture shine brightly, so that it will not be replaced by foreign monks.

After Master Mei Baojiu's speech, the ratings of the second session have reached 3.5, and even more, he spoke earnestly, and when he talked about the depths of his love, the picture of tears about to fall triggered the majority of young people to think about it, so that they decided to understand China, the quintessence of our own country.

Mei Baojiu stepped down, Jiang Yang took the microphone again, and he walked onto the stage, with the new background of the recording location behind him, and the books in a wooden window.

Standing in front of the vast sea of books, Jiang Yang's expression was extremely serious, and Teacher Mei Baojiu's speech touched him even more, and when he heard what Master Mei Baojiu said, Jiang Yang was also a little ashamed of himself, wasn't he also chasing fashionable and foreign pop music?

He felt his heart pierced, looking at the young students in the audience, Jiang Yang said: "Chinese opera, Greek tragedy and comedy, and Indian Sanskrit opera are known as the world's three ancient drama cultures. The five major opera genres are led by Peking Opera. After listening to Master Mei Baojiu's speech, I would like to first say that the quintessence of Peking Opera, China's traditional culture, once shone brightly, and now, the decline of Peking Opera culture is a shame for our ancestors. ”

"Before I came into contact with Peking Opera culture, I also liked European and American music, I liked pop songs, and I thought that Peking Opera culture was too far away from me, and it was all something that only the older generation of artists played. However, if I really haven't been exposed to Peking Opera, as you think, who will carry the banner of Peking Opera inheritance, I have heard a report that there are foreigners who come to China to learn the art of Peking Opera and return to their countries with this art to carry it forward, I boldly imagine here. Ten years later, thirty years later, fifty years later, as China's descendants do not learn the art of Peking Opera, the inheritance of Peking Opera will be disorderly, and foreigners will carry forward Peking Opera more, right, we can see that fifty years later, the quintessence of China has become the art of other countries. ”

Jiang Yang smiled, he took a few steps closer to the audience area, and at this time, his whole face was full of anger.

"I'm angry, not angry with young people, because I belong to them, and I look down on them as if I looked down on myself. But when I proudly integrated into the study of Peking Opera art and worshiped under the tutelage of Master Mei Baojiu, I finally knew that Peking Opera art was what I wanted, and that I could learn a lot of richer and more charming culture than simple music. ”

"Born to be ugly at the end of life is actually life. At the trough, you are a harlequin, you are looked down upon by everyone, you yourself feel like a clown, and you have no place to be ashamed. When you are at the peak, you are the horns, put on a gorgeous look, put on a powdered grease, and you feel that everything can be trampled under your feet. But more life is not a role that can be represented, and the end of life is ugly, and Baiwei is the real life. To learn Peking Opera is also to learn to be a man. To learn Peking Opera, you can also be respected and achieve yourself. ”

"Having said all this, what I want to express is that the inheritance of Peking Opera needs the relay of our young people, and I am already on the way, I hope you can also really like Peking Opera, so that our national quintessence can be carried forward for a long time. ”

Jiang Yang's own stand-up show made the audience dumbfounded, and the words benefited the young students a lot.

In front of the TV, after listening to Jiang Yang's words, everyone sat there quietly and began to think for a long time. Some older viewers were even more moved by Jiang Yang's words.

Peking Opera is the favorite of their generation, but now, when it comes to singing a piece of Peking Opera to their children and grandchildren, where will they get a little affirmative answer.

At this moment, Jiang Yang said everything they wanted to say, and this issue started, and the audience felt that there were too many dry goods, which was worth watching.