He Xiangdong was shocked when he learned the news, when it came to scolding the street, he could be regarded as a master, scolding people without dirty words, and pointing to Sang and scolding Huai were skilled in all kinds of skills. Pen ~ fun ~ pavilion www.biquge.info

But seeing this overwhelming vulgar scolding, he was still frightened, this primitive roughness is really scary, there is no artistic sense of scolding the street, but it is this pure nakedness that is the most terrifying.

Even people like He Xiangdong, who have dominated the rivers and lakes for many years, felt palpitations when they saw it, thinking in their hearts what would happen if they faced this kind of overwhelming scolding, and after thinking for a while, He Xiangdong couldn't help but shudder.

But fortunately, this did not happen to me, but to my opponent, and this feeling is really ...... Alas...... It's really cool, don't want it.

He Xiangdong couldn't help but laugh wickedly in front of the computer, he learned the computer quite quickly, and now he can surf the Internet, and he can also use one finger Zen to type the keyboard.

This time, the winter melon vine really gave him a big surprise, and this feeling of being cared for is really amazing.

Xiang Wenshe and the actors saw this, and they were also amazed, and they all exclaimed, it is really evil and evil, this time it is really enough for these two people's artists to drink a pot.

……

After the commercial performance, the fame of the Xiangwen Society has reached a higher level, this is currently the only club in the music industry that can run a commercial performance without losing money, not only do they not lose money, they also earn a lot, and they are no worse than those popular first-line singers.

What an exciting thing it is to still achieve such results in the traditional quyi industry, and Xiang Wenshe has really given a shot in the arm to the quyi industry that has been in the twilight.

Especially in the cross talk industry, many actors who are unwilling to be confined to the system have become restless, and Xiang Wenshe has already taken a feasible path.

They have proved the feasibility of this path with their practical actions, and since Xiangwen can do it, then why can't they do it, can't this kind of success be replicated? He Xiangdong is very strong, but where are we worse than him?

At the end of 2004, there were many actors in the system who planned to break into small folk theaters, and the performances in the system were indeed too rigid and half-dead.

Those capable actors are thinking about jumping out to break into the people, and the leaders of the art troupe have been very upset by this recently, and the people who want to leave are all capable people, and they don't dare to leave if they don't have the ability to think about mixing rice.

If these talents are gone, what will happen to the performances in that troupe? Do you want to perform, their heads are all big, and they also have a lot of resentment towards He Xiangdong in their hearts.

As for the cross talk actors of those small folk theaters, they are even more energetic, and the suffering now is nothing, no matter how bitter they are, did they suffer in the east back then? People were hungry to run the Xiangwen Society, but now they have survived?

Now look at other people, a commercial performance can earn hundreds of thousands, plus Xiangwenshe Small Theater still has hundreds of thousands of dollars in the account every month, ho, this money is like a hand-draw.

And the reputation is good, the media is about to lift people to the sky, it is really fame and fortune.

Therefore, although the road is tortuous, the future must be bright, Marx is sincere, do not deceive me.

The seniors in the cross talk industry are also mixed, and everyone can foresee that after next year, the cross talk gardens in Beijing will definitely spring up like mushrooms after a rain.

But whether this matter is good or bad, no one can say. He Xiangdong and Xiangwen Society are successful, but this does not mean that others can also succeed.

In the old society, all the artists performed in the garden, and that era was indeed the heyday of the development of cross talk, but now the times have changed, and no one listens to cross talk now.

It is said that where you fall, you will get up, but the current cross talk world is no longer allowed to fall to it, and now so many people have gone to the people, if you fall again, then I am afraid that the cross talk world will never be able to get up again, this consequence is too terrible.

If you succeed, everything is fine, but if you lose, no one can afford to lose this thing, and you can't say that cross talk really has to become history.

But if there is no change, boiled frogs in warm water like this, cross talk will still go to the end of the road.

Change, on the contrary, risks and opportunities coexist.

It's tangled, it's uncomfortable.

It is definitely not enough to save cross talk and rely on the Xiangwen Society's family, this is clear to everyone, even if he He Xiangdong is iron-beaten body, he can exchange a few nails.

All he can do is a leading role, he can become the leader of this industry, tell everyone the direction of progress, and be a guiding light for everyone, but relying on Xiang Wenshe alone, He Xiangdong alone cannot save the entire cross talk world, this must rely on everyone's joint efforts.

Compared with the apprehension of the predecessors of cross talk, He Xiangdong is much calmer, and he is also a lot more relaxed, because what he has been doing is to create a good environment in the cross talk world, learn art well, and work hard.

In his opinion, TV media is the best way to promote cross talk, but folk theater is the foundation of cross talk, without this foundation, cross talk on TV will cease to exist.

The best model is that the actors perform in the folk, perform close to the audience, and temper their skills, only in this way will the audience know what the audience wants to see, and will also know how they want to perform, and the audience will like it, which is fundamental.

Only with this kind of foundation, after being on TV, can the things performed by the actors be better accepted by the audience and better promote cross talk.

This is what He Xiangdong wants to do.

After so many years of hard work, the cross talk world has finally developed in the direction He Xiangdong expected, and He Xiangdong is very comforted.

The actors of Xiangwen Society are also very energetic, and every actor has become a sought-after commodity, and many theaters in Beijing are spending high prices to poach people, and some have paid a lot of money to invite them to perform in caves.

Anyway, the situation is very good.

He Xiangdong's previous promised special cross talk performance to commemorate Mr. Poor is not afraid of being afraid is also carried out in the small theater of Xiangwen Society, which is still very popular, and scalpers are also eyeing Xiang Wenshe and are ready to stay here for a long time.

Qiao Yu made a lot of money last time in the commercial performance of Xiangwenshe, and the company finally relieved himself, he thought about it carefully and found that Xiangwenshe still has a lot of potential to tap.

So, he discussed with He Xiangdong and decided to hold a few more commercial performances, and in December, Xiangwen Society successfully held three large-scale commercial performances in Beijing again, all of which were very successful without exception.

This move shocked the Beijing opera industry and the entertainment industry, and He Xiangdong and Xiangwen Society were famous for a while.