Chapter 341, Tanban Gakki

The crew of TBS's new drama "Flying Intelligence Room" in April. Pen Γ— fun Γ— Pavilion www. biquge。 ο½‰ο½Žο½†ο½

"CUT! This section is over, everyone take a break!" Director Yutai Doi signaled that this section is over, and everyone can take a break for a while.

Everyone in the studio responded loudly that they knew, Aragaki Yuki was wearing a white women's shirt, a pair of blue jeans, black high heels, and a brown women's blazer on the outside, which was very like a working woman, after hearing the director's voice to stop, the bright smile on Aragaki Yui's face was immediately put away, and he politely said hello to the other actors, and said: "Hard work!"

"Good work!Gakki-san!" The other actors also said hello to her, and saw Yui Aragaki find a place where no one was, and sit alone to rest, with no expression on her face, her expression was flat, and she was scrolling through her mobile phone.

This drama is the heroine drama, and the No. 1 supporting actor Tsuyoshi Ayano and Miki Mizuno, Yorun, Kiriyama Ryu and others gathered together and secretly said: "Gakki is so gloomy when he's not filming." ”

"Yes, she has always been like that, she doesn't like to talk when she's not filming, and she likes to rest alone. ”

"Speaking of which, Gakki and Uesugi-san are very good friends!"

"Uesugi-san, is that the one that's been hotly discussed lately? 7.9 billion men?"

"Wow! It is said that gakki and 7.9 billion men met in 06 years, so envious!"

A group of supporting characters whispered about the various recent gossip.

The Japanese usually have a lot of work pressure, so almost everyone loves to gossip, especially the whole people know from some of the photos of the selection of the second phase of Nogizaka 46 released before, and now Yui Aragaki and Satomi Ishihara are competing for 6.3 billion men (now 7.9 billion men), so who will Uesugi Soyuki choose is a topic worth discussing.

On the other side, director Yuyasu Doi was discussing with screenwriter Akiko Nogi how to shoot next.

There is a big difference between the Japanese and Korean entertainment circles and the European and American entertainment circles, that is, the status of directors and screenwriters, in Europe and the United States or the Celestial Empire, the director is the controller of the crew, they can decide how to shoot a scene, how to design and change a scene, the director has the final say.

But Japanese directors are different, Japanese filming has an obvious characteristic, that is, they don't like to grind scenes, for example, if a scene, the actor has not played well, then most directors will not choose to slowly let the actor find the state and carefully study how to shoot well, but discuss with the screenwriter and producer: How can we bypass this difficulty?

The reason is that Japanese TV dramas and movies have strict shooting schedules and shooting cycles, and it is impossible in Japan to spend a few years inspecting the Titanic, another year or two to produce, and finally to blackmail the producer to continuously increase the production cost.

In the United States, it is generally the screenwriter who registers his script for a patent in the Screenwriters Guild, and then sends the script to the producer and those famous directors, and then the producer and the director decide whether to shoot the script, so the status of the screenwriter is very low, and there was a general strike at one time, but here in Japan and South Korea, the screenwriter creates the script, the TV station or the producer buys it, and then finds the director to shoot, which leads to the entertainment industry in Japan and South Korea, the screenwriter's status is higher than that of the director, and the director is often only responsible for shooting the story that the screenwriter wants.

After the TV station determines the script, the screenwriter will start to talk to the director, telling him how you should shoot and where you should pay attention, and what the director has to do is only to shoot the script written by the screenwriter according to the schedule and plan, so the director's status is really not high, and he is restricted by the TV station and the screenwriter everywhere, and they are not the creators of the script。

After entering the shooting, if there is no major event, the screenwriter will no longer appear in the crew, if the director has no qualifications and prestige, they can only choose to discuss with the big-name actors in the crew how to shoot, if the director is relatively famous and big-named, then the producer and screenwriter will hand over part of the power of the crew to him during filming.

"Flying Intelligence Room" is a typical pure love Japanese drama, about Inaba Rika (played by Yui Aragaki), who works at Imperial Capital TV, was once considered a promising newcomer, but because of his overly tough work attitude, he caused a lot of disputes during the interview, and was cast idle and scattered as a non-primetime director. Because he was ordered to do a uniform special, he went to the public relations office of the Staff of the Self-Defense Forces for an interview, and met Daisuke Kukai (played by Tsuyoshi Ayano), who was a fighter pilot. Because of a foot injury caused by a drunk driving accident, he had to be transferred to the public relations department to work. Inaba thinks that being able to unearth explosive news in Kuai will be an opportunity for her to return to the front line of TV station, but her tough attitude will definitely arouse Kui's disgust. There is also a group of people with eccentric personalities in the public relations department: the head of the office who loves to follow the trend, Shoji Sagisaka (played by Kyobei Shibata), the beautiful Noriko Yuzuki (played by Miki Mizuno), the number one fan of Sagizaka, Hiroki Maki (played by Takahashi), the number two fan Katayama (played by Retouch), and the instructor Higa of Kuai. Surrounded by these people, will Inaba and Kuai be able to pass this interview, and whether they will be able to get out of the predicament and challenge their dreams again.

Yui Aragaki plays a female reporter who is light and mature in literary and artistic style, characterized by running fast and likes to dig big news everywhere, is a full female literary youth, the TV station arranged for her to shoot a fried chicken food topic, she has to join social thinking, so after messing up some things, she was demoted to an idle position, and therefore met and fell in love with a former pilot who was laid off by a drunk driver.

No matter how many pilots' heroic flight shots are given in the series, "Flying Intelligence Room" is still essentially a pure love drama, and with Yui Aragaki's acting skills, she can't control too many complex roles, so that's about the same.

Sitting alone on the side, Aragaki Yui sighed lightly, recently it was a critical period for her personal relationship, she didn't want to take a job, she wanted to set up a relationship with her ex-boyfriend first, but the firm couldn't let her stop working at all, since last year's legal high, she hasn't taken on a new drama for almost a year, and it's really impossible to say that she doesn't take on a new job.

What has Zong Xianjun been doing lately? I guess I've been busy, right? I didn't come to the crew to visit the class, Aragaki Yui took out his mobile phone, refreshed his INS, and took a look at Uesugi Soyuki's dynamics, as it always looks, Uesugi Soyuki's routine on INS is about one shift a day, and today's update only has three words "Eat!" and then accompanied by a picture of himself eating at Yoshino's house.

Hmph! I'm so happy, I won't come to the crew to see me! Yui Aragaki pursed her mouth.

The short break was soon over, and the actors moved on to the next act.

There was the sound of a car engine at the door of the crew.

A young man in a black suit, followed by a bodyguard, walked into the crew, and the staff at the door of the crew wanted to stop it, but when they saw someone coming, the staff subconsciously let go of their bodies.

"Nothing, I'll come and see gakki. Facing the staff at the door and the gathered reporters, the visitor briefly explained his intentions, and then ignored the reporters who were going to ask questions one after another and walked into the crew.

It was none other than Muneyuki Uesugi and his bodyguard Lance.

"Hello, Mr. Uesugi!" Due to the arrival of Uesugi Soyuki, the filming of the crew had to be stopped, and director Yuyasu Doi and screenwriter Akiko Nogi took the initiative to step forward and say hello to Uesugi Soyuki.

Seeing that Uesugi Soyuki was really here, Aragaki Yui's eyes lit up and she took the initiative to come to the crowd.

"Oooh, oh, it's really here!7.9 billion men!" all the other actors in the crew came together, and they all wanted to get up close and personal with this legendary Forbes billionaire.

"Hey, hey, I have a name, don't call it that, it feels weird. Uesugi Soyuki complained about his title, and then said to director Yuyasu Doi and screenwriter Akiko Nogi: "I'm sorry, I didn't notify you in advance, but I happened to be free today, so I'll come and see Gakki, it's okay, right?"

"It's okay!" everyone in the crew said it didn't matter.

Seeing Uesugi Soyuki, Aragaki Yui seemed to be charged, became a lot more lively, and walked to Uesugi Soyuki's side: "Zong Xianjun, are you here to see my performance today?"

"I'm here to visit the class, I must have come to see you shoot! But it won't be long, I have to visit two classes in the afternoon, which are Ikuta Erika and Ikoma Rina. Uesugi Soyuki nodded, Yui Aragaki had already asked him to come to visit the class N times, so he took some time to come over.

Hearing that Uesugi Soyuki wouldn't stay long, Aragaki Yui's face puffed up: "Hmph! Then you can leave now! ”

"Hahaha~" The people around him all laughed knowingly.

"Gakki, don't do this, Mr. Uesugi took the time to come and see you, why did you just drive people away!"

"yes, don't let down the kindness of Uesugi-san!"

Everyone teased.

"Okay, since Uesugi-san is here to see Gakki, let's take a break and leave time for them!" Screenwriter Akiko Nogi took the initiative to relieve Yui Aragaki who made a big red face, and Uesugi Soyuki paid attention to the order of speech, and then sighed Sure enough, here in Japan, the status of screenwriters is generally higher than that of directors.

In the face of everyone's kindness, Uesugi Soyuki did not refuse, he and Aragaki Yui found a corner where no one was there and sat together.

The woman sat next to him and took the initiative to stretch out her little hand and take the man's big hand: "Why are you here now?"

"Uh... There's been a lot of things going on lately~" Uesugi Soyuki was a little weak-hearted, so he hurriedly snorted, but if the reason for the Ishihara goblin is removed, Uesugi Soyuki is indeed quite busy.

"Is that so?" Yui Aragaki didn't think about anything else, Sony's annual financial report is at this time, and it's normal for Uesugi Soyuki to be busy.

"By the way, Zong Xianjun, can you agree to my request?"

"??? you say. ”

"When this drama is finished, will you join me at the summer festival in Gunma in August?"