The great river goes east, the waves are exhausted, and the characters are merry through the ages. Pen & Fun & Pavilion www.biquge.info west of the old base, humanity is: Three Kingdoms Zhou Lang Chibi. The rocks pierced the air, the waves crashed on the shore, and thousands of piles of snow were rolled up. The country is picturesque, and there are many heroes at one time.

Thinking about Gongjin back then, Xiao Qiao got married for the first time, and he was heroic. Lupine scarf, talking and laughing, the canopy is gone. The old country fugue, affectionate should laugh at me, born early. Life is like a dream, and one is still in the moon.

This poem was written by Su Shi when he lived in Huangzhou during the Song Dynasty, in 1082 AD, when Su Dongpo was already forty-seven years old. Because the Wutai poetry case has been demoted to Huangzhou for more than two years. Su Shi's poems are suspected of satirizing the new law, and he was belittled for the new bureaucrats to fabricate crimes, but there was endless sorrow in his heart and there was no way to describe it, so he was depressed when he traveled around. I happened to come to the Red Nose Rock outside Huangzhou City, and saw the spectacular scenery here, which made the author feel a lot. Standing here, Su Shi seemed to have returned to the Three Kingdoms, recalling the infinite scenery of Zhou Gongjin during the Three Kingdoms period, and at the same time feeling that time is fleeting. Therefore this passage was written, and thus it has been passed down through the ages. Su Shi has an open-minded mind, and even though he is frustrated in officialdom, he has never lost confidence in life. This poem also contains his complex feelings, and the style of the words is heroic and ambitious. Moreover, the description of the red cliff scenery, the extraordinary weather on the Yangtze River, and the dangerous terrain of the ancient battlefield all give people a sense of grandeur. But the image created by the author of this poem is Zhou Yu, starting from the "romantic characters through the ages", which leads to the important position of Zhou Gongjin in the author's heart. I think there are two kinds of contrasts in the lyrics, one is the contrast between the real scene and the imaginary scene, and the other is the contrast between Zhou Yu's "majestic and heroic hair" and the author's "early blooming hair". And the author uses "the great river to the east" to look at the eternals, and no one has been able to surpass it for thousands of years. The words are magnificent, concise, magnificent, and philosophical, as if they brought me to the historical atmosphere of the rise and fall of the ages, and at the same time expressed Dongpo's infinite nostalgia and emotion for the heroes of the past. In the lyrics, the poet also uses the scene and nostalgia to express his feelings, such as the description and praise of the red cliff in the first half of the poem, which is allegorical in the scene and the scene is blended. The second half of the depiction of Zhou Yu's image pours out the author's admiration for historical heroes. In the end, he also expressed his feelings by "returning a bottle to the river moon". The artistic conception of the whole word is broad, the feelings are unrestrained, and the language is also very vivid and vivid. In fact, Su Shi's mood is changeable. But in Huangzhou, the feelings of transcendence that have been revealed over the years have been relatively stable. Therefore, although many of his works are intertwined with complex emotions and attitudes of sorrow and expansiveness, birth and accession, depression and heroism, this kind of detachment and adaptability to the Buddhist ideology is still its keynote. However, this does not mean that Su Shi has become a Buddhist and a Taoist, and his genius lies in being good Buddhism but not drowning in Buddhism. What he pursued was not the negative side, but to maintain an optimistic attitude towards the world and maintain the persistent pursuit of things in life, which was exactly complementary to his insistence on Confucianism at that time. In connection with this, the lyrics of the Huangzhou period will inevitably go to the vastness, simplicity and remoteness, and to nothingness. In terms of content, it expresses the complex life feelings of the derogatory period, and this style is fully reflected in its words. In the following years, Su Dongpo's words formed a realm of transcendence and expansiveness. Even though the ambition in the officialdom is not rewarded, the spirit is shocking.