Ning Zhongyuan finally woke up at this time, after this guy was in a coma just now, after being woken up by the forensic doctor, he has been unclear. Li Yi motioned for Xuanle to bring www.biquge.info things, and the sad Xuanle completely became a marionette at this time, and put the painting from the briefcase in Ning Zhongyuan in front of Kuang Lao like a wooden chicken.

Li Yi knew that he couldn't be joking at this time, otherwise if Gu Lao was mad at himself, then things would soon be out of control, and he didn't want to affect the teacher-student relationship between himself and the fourth elder because of a misunderstanding.

"Look, teacher, I promise you to find a famous painting, so that I can truly become your student!"

Kuang Lao saw Li Yi open a clumsy painting, and at a glance he saw that this clumsy painting was a copy of Zheng Banqiao's authentic handiwork just now, but the painting skills of the copying person were too bad.

"Hey, this is the true work of Zheng Banqiao and Jin Nong!"

When Gu Lao and the three of them heard it, they hurriedly got up and came to Kuang Lao's side, and Li Lao was even more polite, and directly pulled Li Yipao aside.

"Elder Kuang, isn't this a child's graffiti?"

Among the three elders, Li Lao is proficient in porcelain, many exquisite porcelain in ancient China have extremely strict requirements for painting, and even many paintings on the national treasure porcelain are the proud works of famous paintings at that time, so Li Lao also has a deep attainment in calligraphy and painting, but he can't catch up with his research on porcelain.

Ma Lao is a master of gold and stone, and he is also a famous painter, and he also saw the secret in the graffiti works in front of Kuang Lao. Gu Lao is one of the four old antiques all-round, although he will not repair famous paintings, repair porcelain, but all kinds of antiques have a deep research, not at all other three old differences, itself is also a domestic contemporary calligraphy master.

In the face of Xuanle's puzzlement, Kuang Lao said with a smile: "In China, there has always been a despicable technique of stealing paintings, that is, uncovering paintings, which is not to restore framed paintings, but to steal famous paintings. ”

With Kuang Lao's explanation, everyone at the scene, including Li Yi, understood that there has been a method of stealing paintings in China since ancient times. The paper used in the painting of the ancients was not ordinary paper, the earliest was painted on silk fabrics such as special silk, or on cloth, and later with the increasing maturity of the special rice paper technology for painting in the Tang Dynasty, a very secret technique of stealing paintings began to prevail.

The framed painting can be divided into three parts by the clever thief, which is divided into the surface, the inner layer, and the bottom layer, which comes from an allusion to the wood.

The master of this allusion is Wang Xizhi, a calligraphy master who has been passed down through the ages in ancient China and is well-known at home and abroad.

It is said that the emperor at that time ordered Wang Xizhi to inscribe on the wooden board, and then carved by the craftsman, but the craftsman found that Wang Xizhi's pen power penetrated the wooden board for three points, so there was an allusion to the three points of the wood to describe the strength of the magic pen.

With the popularity of rice paper, famous paintings and calligraphy works can be maintained for thousands of years, so in order to steal famous paintings, the technique of exposing and stealing paintings began to appear. The resolver steals the middle inner layer of the painting, and then uses a series of techniques such as repainting to obtain an authentic masterpiece.

This practice will lead to the fact that once there is a problem with the famous painting of the original owner, it can no longer be repaired, and the stolen famous painting cannot be preserved for a long time because it has lost its surface and bottom layer.

This practice is actually an important reason for the destruction of many famous paintings, which is no less than the loss of calligraphy and painting works caused by historical reasons such as wars.

After Kuang Lao finished speaking, he had already used some very ingenious tools to remove the outer layer of Zheng Banqiao's clumsy copying work, revealing the true face of Lushan inside.

In this rare work by Zheng Banqiao and Jin Nong, the two styles of bamboo complement each other, echoing each other to achieve a state of perfection that leaps onto the paper.

Even if Xuanle has only an ordinary level of appreciation, Li Yi can see that the bamboo in the painting expresses the artistic conception of the owner of the painting who is unwilling to be mediocre, tenacious and unyielding, uninhibited, and difficult to find.

Zheng Banqiao and Jin Nong are famous literati, calligraphers and painters in the Qing Dynasty during the Kang Yongqian period, the two of them have superb attainments in poetry, calligraphy and painting, Jin Nong's attainments in poetry and literature are slightly longer than Zheng Banqiao, after all, this is the old gentleman in his early fifties before specializing in calligraphy and painting, and only began to flower and bamboo at the age of 60; and Zheng Banqiao is in painting, especially in the painting of orchid, bamboo and stone as the theme of the painting attainments are superb.

Both of them are masters of poetry, calligraphy, painting, literature and art, and generally speaking, they have their own merits and strengths, and they do not distinguish between them, but they have their own emphasis; Jin Nong is good at plum blossoms, especially Momei; Zheng Banqiao's bamboo is called Zheng Zhu, and its profound attainments can be seen.

Mei Yu among the four gentlemen, the artistic conception is a downright arrogant bones, noble and refined; bamboo among the four gentlemen is called a humble gentleman, elegant and chic; from this rare painting, it just reflects the superb painting skills of Zheng Banqiao and Jin Nong, and the character of being honest and open, noble and ambitious.

In the painting, the bamboo completed by two people is located at the foot of the mountain, complementing each other, with Zheng Banqiao's bamboo as the mainstay, Jin Nong's bamboo as the supplement, different styles but integrated into one, it is really a rare masterpiece;

From this painting, it can be seen that Zheng Banqiao and Jin Nong admired each other, admired each other's character and the superb realm of poetry, calligraphy and painting. The two sides who are close friends with each other inscribe poems in the painting, praising each other.

The simple sketches of the mountains and rocks in this painting faintly reveal the author's style, and the noble Mei Lanzhu pushes the artistic conception of the painting to the peak.

"This painting is really a stroke of genius, and it can be called a national treasure!"

Kuang Lao's evaluation is not at all, whether it is Zheng Banqiao or Jin Nong, they are the peak of Qing Dynasty poetry, calligraphy and painting, and they are unique, self-contained, and the works of the two of them are probably rare in the world.

According to historical records, there are also some calligraphers and painters who cooperate, most of them are inscribed by one person and painted by one person, and this kind of work completed by Zheng Banqiao and Jin Nong is really rare.

It's a pity that this painting was polluted by the ill-intentioned Lu Mingyuan and the others, although Ning Zhongyuan stole the middle layer, so that Gu Lao and others saw the true works of Zheng Banqiao and Jin Nong, but this national treasure was divided into two parts, one of which was obviously damaged.

So Gu Lao and the three of them frowned and looked at Kuang Lao, although Kuang Lao was able to return the inner layer of this painting to its original position, but the surface and bottom layer of the painting contaminated by chemical agents could not be restored, which meant that it was difficult for this national treasure to survive for a long time only in the middle layer, thinking of this, the four old people's hearts were extremely heavy.

"Ning Zhongyuan, you are so bold, you dare to destroy such a precious national treasure, I think you have lived enough!"

To Li Yi, Ke'er and Xuanle's surprise, Kuang Lao actually knew Ning Zhongyuan, and the unlucky Ning Zhongyuan immediately fainted when he heard Kuang Lao's words.

The room full of criminal policemen, Secretary Xuan, and Li Yi didn't dare to look at the four elders at this time, and their hearts were heavy. Li Yi suddenly let out a sigh of relief, which caused Gu Lao to be very dissatisfied.

Gu Lao was about to speak, Li Yi hurriedly smiled and said:

"Teacher, I have a way to restore this painting to its original state, I only need the cooperation of four teachers!"

"You're telling the truth?"

Hearing this, Gu Lao stared at Li Yi for a long time before nodding slightly, and the fourth elder whispered a few words in a low voice, and then Gu Lao said to Secretary Xuan:

"Xiaojing, no matter whether the last painting can be restored or not, none of the criminals involved in this painting can be spared! This is a national treasure, these people are the scum of the nation!"

"Yes, Gu Lao!"

Gu Lao and the three of them pulled Li Yi aside, and Li Lao explained things to Secretary Xuan alone, after all, only Li Lao was still the person in charge of the State Administration of Cultural Heritage.

"Ayi, you kid can't joke about this, the stakes are very high, if you really have this ability, you will have to pick up this thousand pounds of burden!"

Gu Lao's meaningful words made Ma Lao and Kuang Lao nod again and again......