Nestled in the midst of a mountain ring, Makin Airport is like a pearl embedded in the mountains, reflecting the sun's brilliance. From the front, the airport's terminal building is resplendent in gold. The silver-grey runway extends into green...... As soon as I walked down the suspension ladder with the flow of people, I saw that a passenger plane had just taken off, and the plane slowly landed at Yingde Airport.

A thin mist of water sprays on the ground to bring a hint of moisture to the otherwise hot and dry weather. Lanfeng International Airport. I saw that there were all kinds of planes parked on the boundless airport, and the aircraft was composed of five parts: wings, fuselage, tail, power plant, and landing device.

Walking along the cobblestone path, you will see the big and round gliding airport, which is so big, almost twenty or thirty meters long. Excited, my dad and I toured every corner of the airport in the hour before the guests arrived.

We walked among the fragrant flowers, as if we were in a paradise of flower fairies. Follow the tree-lined edge of the airport into the palatial airport concourse. Early on Saturday morning, we took an hour's drive to the Western Suburbs Airport. As soon as I entered the gate, my eyes suddenly opened up. On the western suburbs airport, there are green lawns and pure white skies. The grass is made up of different shades of green, and flat concrete floors make up the airport floor, and in the distance are scattered a few small buildings, some green trees, and the occasional plane taking off.

At half past 12 noon, we were finally able to board, we carried simple luggage and found Gate 20, the boarding passage is a long square corridor, the boarding gate is connected by rubber and glue, which is used to seal the transmission of oxygen. Twenty years ago, this was our village's paddy fields, full of green crops. But now it's a modern airfield. The endless tarmac is filled with all kinds of luxury aircraft. Walking into the terminal, there is a steady stream of passengers from all over the world.

The five cities are high, hundreds of thousands of square meters of waiting buildings, decorated not only with splendor, but also all with automatic induction boarding, and there is not even a single waiter. The airfield is no longer as small as it used to be, but now it is the size of seven national squares! As far as the eye can see, the airport is full of planes from all over the world, and every half minute a plane takes off from the runway! Ah! Lanfeng Airport has become an international airport with hundreds of international flights! On the smooth bluestone tiles, a figure walks slowly, wearing a long white dress, an Italian-style sunhat, and a pair of French Ora sunglasses that look domineering. The crystal slippers on the feet are very conspicuous, shining the entire airport, and also shining the tourists and passengers in the airport, attracting a lot of people, and the return rate report.

Those passengers waiting in the airport waiting room couldn't help but take a few more looks, and even more, some otaku even looked at this beautiful beauty walking towards them intently. Here, not only do I think of foreign poets' descriptions of the combination of Chinese and Western, square, beautiful and female, but here it is really completely reflected.

The young girl was walking out of the airport. In this airport-like room, round, with a ceiling of rose-colored glass and light coming down from the ceiling, she was leaning back on a blue silk chair cushion with silver dots, her head resting on the back of the chair behind her, one hand supporting her head, and her graceful arm holding a long chimney in her mouth, which was extremely precious, made of coral, from which rose a smoke full of the most wonderful floral scent.

Although her posture seems natural to an oriental, in the eyes of a French woman, it is a little coquettish. She wears Epirus [Epirus is a place in ancient Greece. The woman's costume was a pair of silk trousers embroidered with pink roses on a white background, revealing two small and delicate feet, which might have been mistaken for marble if they were not for the small slippers inlaid with gold and silver beads, and a blue and white striped blouse with wide cuffs trimmed with silver thread and pearl buttons, and a waistcoat with a heart-shaped notch in front of it, revealing the upper part of the ivory neck and breast, and the lower end of which was locked with three diamond buttons.

The junction of the vest and trousers is completely covered by a colorful belt, whose brilliant colors and gorgeous silk tassels must have felt very precious in the eyes of Parisian beauties. On her head she wore a small hat embroidered with gold and beads, a purple rose on the other, and thick hair, black and blue. The beauty on that face was purely Greek, with large, dark, watery eyes, a straight nose, coral-like lips, and pearl-like teeth, all peculiar to her kind of people.

The icing on the cake is that Haidai is at the prime of her youth, she is only nineteen or twenty years old. - Alexandre Dumas's "The Count of Monte Cristo" is very delicate and profound, that is, now when you think about it, it feels very earthy, and no matter how beautiful a beautiful woman wears a pair of pants with pink flowers on a white background...... The ancients wrote about beautiful women most bluntly and impressively.

The Song of Solomon: Thy body is a palm tree, and the milk and the house are like the fruit on it, and drooping therein. Always impressive, very classic. "The Book of Songs" "hands are like soft wattles, skin is like clotted fat, collars are like grubs, teeth are like rhinoceros, mantis heads and moth eyebrows, clever smiles, beautiful eyes and longing", Chinese literati have written for thousands of years, but they still haven't exceeded these few sentences. yes, she's so charming, it's so intoxicating and loved. This kind of woman who combines the elegance of Western women is something that anyone can like and love. Her name is Yumi and she is a Chinese girl.

In his early years, his father moved to the United States for business, and the family lived in the United States for several years. She had excellent grades since she was a child, and when she grew up, she was successfully admitted to Harvard University, during her studies, she was deeply influenced by her teachers, and had a strong interest in various Chinese organs, formations, and machinery, and during her college years, she has been obsessed with the artistic research and artistic perfection of Chinese and Western architecture. Moreover, she later went to Cambridge University in the United Kingdom to study Chinese and Western architecture, and she has a soft spot for Chinese and Western architecture, and has made great achievements in the study of Chinese and Western architecture, becoming the first Chinese young girl to obtain Chinese and Western architecture at Cambridge University in the United Kingdom, and has been appreciated and admired by many Western scholars.

In the West, those who have great attainments in Chinese and Western architecture are already over half a hundred years old, and their temples are gray, and people like Yumi who have such great attainments at a young age are the first people in China and the West through the ages. She believes that before the emergence of modern architecture, all the world's mature building systems, including Indian architecture belonging to Oriental architecture, are basically built with brick and stone as the main building material, and belong to the masonry structure system.

Such as the pyramids of Egypt, the temples of ancient Greece, the Colosseum and aqueducts of ancient Rome, and the churches of medieval Europe...... All of them are made of stone, and all of them are historical witnesses left in this "stone history book". Only China's classical architecture (including neighboring Japan, Korea and other regions) is made of wood as the main structure of the house, which belongs to the wood structure system, so it is known as the "history book of wood". The choice of materials in Chinese and Western architecture, in addition to the different natural factors, is more important due to the result of different cultures and different concepts, which is the general reflection of concentricity in architecture.

The primitive economy of the West, which was dominated by hunting, created a primitive mentality of heavy objects. From the affirmation of stone by Westerners, it can be seen that Westerners seek wisdom and truth, and emphasize that man is the master of the world in the relationship between man and nature, and that man's strength and wisdom can overcome everything. China's economic mode, which is dominated by primitive agriculture, has created a primitive civilization that emphasizes selection, collection, and storage. The traditional Chinese philosophy derived from this preaches the cosmology of "the unity of heaven and man".

"The unity of man and nature" is the revelation of the relationship between man and nature, nature and man are closely related to the whole, man is a link in nature, Chinese wood is selected as the basic building material, it is the importance of its affinity with life, the result of attaching importance to its traits and the relationship between life. From the perspective of the spatial layout of the building, Chinese architecture is a closed group of spatial patterns, spread out on the ground plane. No matter what kind of architecture in China, from the residence to the palace, it is almost always the same pattern, similar to the "courtyard house" model.

The beauty of Chinese architecture is also a kind of "collective" beauty. For example, the palaces of the Ming and Qing dynasties in Beijing, the Ming Tombs, and the Confucian Temple in Qufu are the buildings of a huge scale with many courtyards set together, and the various buildings are arranged in a regular manner with the main and the right and the right, which embodies the introverted characteristics of the ancient Chinese social structure, the patriarchal ideology and the ritual system. In contrast to China, Western architecture is an open monolithic spatial pattern that develops towards the sky.

Compared with the Forbidden City in Beijing and the Louvre Museum in Paris, which were built and expanded in similar years, the former is a magnificent and imposing architectural group composed of thousands of individual houses, forming a series of courtyards around the axis, and the plane is spread out extremely large, while the latter adopts the upward expansion and vertical superposition of "volumes", and forms a majestic and magnificent whole from huge and varied shapes. Moreover, since the city-states of ancient Greece and Rome, colonnades, doors and windows have been widely used to increase information exchange and transparency, and to surround the building with external space to highlight the physical image of the building. This is related to the fact that Westerners have long interacted with each other regularly by sea and the practice of slave democracy within society.

The extroverted character and spirit of scientific democracy in ancient Greece influenced not only ancient Rome, but also the entire Western world. At the same time, if Chinese architecture occupies the ground, then Western architecture occupies space, such as the Colosseum in Rome with a height of 48 meters, the "Pantheon" with a height of 43.5 meters, and the medieval Hagia Sophia with a central hall dome of 60 meters above the ground. St. Peter's Basilica, the most splendid work of Renaissance architecture, is 137 meters high. This majestic building certainly reflects the fanaticism of Westerners to worship gods, but also makes use of advanced scientific and technological achievements to give people a kind of spiritual strength to strive for progress. From the perspective of the development process of architecture, Chinese architecture is conservative. According to the literature, the architectural forms and materials used in China have remained unchanged for 3,000 years.

Unlike China, Western architecture is constantly changing, and its structures and materials evolve rapidly. It has been more than 2,500 years since the first temples appeared on the Acropolis in Greece, and the architectural forms of ancient Europe have continued to evolve and leap forward. From the classical column style of ancient Greece to the arch and vault roof technology of ancient Rome, from the pointed pillars, cross arches and flying buttresses of Gothic architecture to St. Peter's Basilica in Rome in the European Renaissance, no matter in terms of image, proportion, decoration and spatial layout, it has undergone great changes.

This reflects the spirit of Westerners who dare to break new ground and innovate. From the point of view of the value of architecture, Chinese architecture focuses on information, and Western architecture focuses on real objects. The structure of ancient Chinese architecture does not rely on calculation, does not rely on quantitative analysis, and does not rely on formal logic to conceive, but on the way of master and apprentice, word and hand teaching, practice, and experience. Our understanding of ancient architecture, especially the architecture before the Tang Dynasty, is mostly informed by documentary materials. The tombs and dwellings of the emperors of the past dynasties were operated according to the theory of feng shui and the principle of mutual growth and restraint of the five elements.

In order to seek harmony with heaven and earth and all things in nature, to avoid evil in order to seek good fortune and avoid evil, and to attract fortune and blessings, in the power of mountains and rivers, the settlement buildings are located on the mountains and face Pingchuan. This kind of "looking up at astronomy and looking down at geography" is a unique culture in China. The geometric aesthetics and mathematical logic pioneered by Pythagoras and Euclid in ancient Greece, and the rationalist "harmonious beauty theory" of "unity" and "order" founded by Aristotle, have had a decisive impact on the structure of the entire Western civilization, and all sciences and arts, their paths have been determined by this idea.

Turning over the history of Western architecture, it is not difficult to find that the conformational consciousness of Western architectural beauty is actually geometric shapes; the shape of the Partilon Temple in Athens is two squares; from the dome of the Pantheon in Rome to the ground, a sphere with a diameter of 43.3 meters can be inserted; the "control line" of the Duomo of Milan is a regular triangle, the façade of the Arc de Triomphe in Paris is a square, and its central arch and the "control line" are two full circles. Even natural objects such as landscaping, flowers and trees, after artificial cutting and deliberate carving, also present a neat and orderly geometric pattern, which is in sharp contrast with the natural "artificial beauty" that transcends nature and controls nature, and the natural mood of Chinese gardens, which is "made by man, as if it is opened by heaven".

It's too busy on the weekend, no updates, it's still the old rule, two chapters today, two chapters tomorrow!