As soon as the two old friends met, they first exchanged a few words of greeting, and then Hou Xiling pointed to Jiang Se:

"This is Jiang Se I told you before, the little girl is very smart, and she is going to shoot "Peking Event" written by me, you are a senior, and the acting industry is my teacher, thank you for your trouble, and give me a few times. Pen %Fun %Pavilion www.biquge.info"

He should have told Sanyuju about this beforehand, and after Sanyuju heard what he said, his eyes fell on Jiang Se.

She has dyed her hair black, has a dignified temperament, and may have been in a relationship with the film for many years, and her demeanor is graceful.

With Hou Xiling's introduction, she stretched out her hand and shook hands with Jiang Se, and asked curiously:

"I heard Lao Hou say, you are also a student of the first university, graduated here, what will you do in the future, why do you suddenly want to enter this industry?"

Hou Xiling beckoned the two into the courtyard first, Jiang Se thought about it and replied:

"I think it's interesting."

"Oh?" Sanyu Hu and Hou Xiling glanced at each other, and then asked:

"What's the point?"

"If a person's life is a practice, then it is always very interesting to appear in different movies and interpret different lives."

Her words made Sanyuju laugh and responded:

"I'm going back to the Imperial Capital Grand Theater in the afternoon to guide the rehearsal, and the little girl can go with me."

As soon as Hou Xiling heard this, he asked:

""Returning to the People on a Snowy Night"?"

Sanyuju nodded, "If the little girl is not timid, she can go on stage to practice, which is good for you." ”

After she said this, she turned her head to look at Jiang Se:

"The last time this "Returning to the People on a Snowy Night" Grand Theater was performed more than ten years ago, I guess you haven't seen it."

Jiang Se had just entered her freshman year, and when "Returning from a Snowy Night" was released, she was still young and had not been born for long.

Before she was reborn, Jiang Se had never watched this drama, but she checked the deeds of Sanyu pot on the Internet, so she knew that more than ten years ago, she played the heroine Yuchun in "Returning on a Snowy Night", which caused a sensation at the time.

"This time, the people in the theater intend to put this "Returning to the People on a Snowy Night" on the stage again, and Dong Chaoping in the theater was worried that several drama actors would not perform well, so he asked me to go back and give advice, which was also a coincidence, and you also called."

Hou Xiling responded: "It is indeed a coincidence that when this work was staged that year, it was performed four times in a row, and the Grand Theater was full, and newspapers and magazines reported it. ”

Jiang Se listened quietly to the two of them, and Chang Yuju glanced at her from time to time during the banquet, seeing that she was not in a hurry to show off, she intended to show herself, and occasionally replied politely but not dullly, but she was much closer to Jiang Se.

Although Hou Xiling said that he was treated, when Jiang Se was about to pay the bill after the meal, he was told that Hou Xiling had already paid the money at the beginning of the meal.

Hou Xiling was originally interested and wanted to go to the Grand Theater to see the rehearsal together, but he was temporarily called away by a phone call.

Jiang Se followed Sanyu Ju all the way to the Grand Theater, she used to come here to listen to music recitals a lot, and she had also seen dramas, but it was the first time she came in outside of the performance.

As soon as Sanyuju came in, there were already staff waiting, and when they saw her bring someone over, the people in the theater first glanced at Jiang Se curiously, and then introduced the situation in the troupe for Sanyuhu, and was a little embarrassed at the end:

"The time for the performance is coming soon, this is the second time that this work has been put on the stage, and with you in front of Zhuyu back then, it is inevitable that the seniors who have seen it will be compared when they watch it again, so what Brother Dong means is, please come back and give some guidance to the juniors."

In the rehearsal hall, the actors who starred in "Returning on a Snowy Night" had already arrived, and as soon as Sanyuju came in, someone moved a chair and asked her to sit down under the stage.

"Returning to the People on a Snowy Night" was originally from the Tang Dynasty poems, and was written by the famous dramatist Mr. Wu through this poetic conception.

When the music played, the people on the stage quickly found their place.

The actors on the stage performed hard, and Sanyu Ju stared at the stage with a smile, and talked to Jiang Se with his head sideways:

"Actually, when they came back to me, they were looking for the Bodhisattva." She sighed, "Lao Hou asked me to teach you, in fact, I don't know what I have to teach you in terms of acting, it's not that I want to hide my secrets, it's just that there are a thousand Hamlets in a person's heart." ”

She took a sip of the tea prepared by the people in the theater and took a sip:

"You are a smart child, you should know that if you are as Lao Hou said, I will teach you every move, my speech and demeanor when I perform, and make you strictly abide by it, then I am acting, and you are playing me, and it will not become a big climate."

When Jiang Se heard this, he thought thoughtfully.

"Acting masters once said that an actor should be an artist, not an artist. And the difference between the two is whether there is creativity or not. Craftsmen can only imitate and do it, they have no ability to innovate, they don't have their own understanding of the role they perform, and they can't add their own things, so they can never go further. ”

The music on the stage is wonderful, and the Sanyu pot under the stage is used for two purposes:

"The actor shapes the role, but the role restricts the actor, and after the character in the plot unfolds, the actor can only be loyal to the character's emotions and actions and substitute himself into it." When she said this, she glanced at Jiang Se meaningfully:

"It's just that many people are often too emotionally invested, and they are always difficult to pull themselves out, forming a mental baggage."

So this is also a contradiction, good actors interpret many roles, but at the same time, it is difficult to get out of the role, and the pressure is formed over time, and the pain is not enough for outsiders to say.

"If you want to get into this business, you have to learn to self-regulate. You watch them play once first, and later you also go on stage to play one of the roles, I'll see where you are most deficient, correct it, try a few more times, withstand the pressure, you find the feeling, and it will not be difficult to act. ”

After she finished speaking, she beckoned the people of the theater to come over, whispered a few words in her ear, and the theater staff nodded frequently and turned to leave.

When he came back, he had already taken two scripts in his hand and handed them to Sanyu Hu.

Sanyuju motioned to Jiang Se to read the plot in the script first, leaned back in his chair and watched intently, and stopped talking.

The script is "Returning to the People on a Snowy Night" being rehearsed on stage, which tells the story of Peking Opera male Dan Liansheng and his fourth aunt Tai Yuchun, the president of the court, who fell in love with each other, but were finally separated.

Because Sanyu Ju said that she would let her perform on stage once later, she did not specify which role Jiang Se would play, which made Jiang Se feel a little pressured, but she was a little eager to try. While watching the people on stage perform and watch their movements, I forcibly memorized the content of the script myself.