After attracting everyone's attention, Li Jian stopped talking, but slowly turned the square seal in his hand and let others watch. In the rotation of the square seal, the eyes of the people stared at the patterns on the four sides of the square seal for a moment, and their eyes were full of shock.

Simultaneously.

Originally, Li Jian referred to it as the 'Red Sun', but now it has become a real 'Red Sun'. The sun, which is as red as an egg yolk, I don't know whether it is a sunset or a rising sun, is half covered by the clouds, as if faintly radiating a soft light. The original messy yellow and white stone patterns turned into a continuous sea of clouds under Li Jian's skillful carving knife. Like cotton and yarn, it is connected into a piece, and it is vast and mighty.

The pale red, which was originally not strong enough health, has now turned into the glow of the clouds that reflect the brilliance of the red sun, the yellow and white, which were originally just impurities, have turned into continuous clouds and gradually deepened, and the original ugly black and brown have turned into the cloud lines between the clouds and the shadows in the direction of the back sun.

The whole relief picture is clear and clear, excessively natural, and vivid.

Even in a trance, the whole pattern seems to be in motion. The red sun seems to be slowly rising, and then it seems to be slowly sinking. The clouds dyed with red glow seem to be changing with the stirring of the wind. It's real, almost supernatural.

……

Simultaneously.

The two small groups of vermilion, which were previously referred to as 'Crane Peak' by Li Jian, also came to life completely at this time. Two red-crowned cranes, with these two clusters of vermilion, flapping their white wings with black feathers, fluttering and dancing in the sea of clouds, looming.

Vaguely, everyone seemed to feel that the sea of clouds was connected with the previous sea of clouds, moving and aggregating in rhythm. Vaguely, everyone seemed to hear two clear cranes, echoing in the sea of clouds in the mountains. A wild atmosphere away from the world came to the face.

……

Simultaneously.

The messy black-brown texture of 'Lonely Peak' and 'Mighty Ancient Pine' has become an abrupt and isolated, imposing lone peak with the potential of clouds.

The stone is as black as iron, and the lines are rugged and rigid. It expounds thousands of years of wind and frost, revealing hardness and vicissitudes.

At the top of the peak, an ancient pine tree with cascading scars and branches breaks through the rock. Ancient pine copper branches and iron stems. The form is like a dragon claw to the sky, the branches are as hard as iron, and the pine needles are as dark as clouds, the posture is extremely beautiful and powerful, although the ancient atmosphere is strong, but there is no old twilight. On the contrary, it exudes vitality, and the indomitable spirit shines through.

……

Simultaneously.

The texture that was originally referred to as the 'old man in the Confucian robe' seems to be alive. Turn into an old man on the top of a mountain peak, on the shore of a sea of clouds, when the wind stands sideways, looking up at the sky. The original messy black color turned into a black Confucian robe, and the Confucian belt fluttered, as if he could hear the fierce sound of Shan Lan's agitation. What was originally a mixture of black, brown, and white textures turned into a diagonal upward gaze. The side of the pale head. Look carefully, faintly similar to Old Man Lu.

The old man's temperament is extremely dusty, and his fairy aura is fluttering, as if he is not a mortal in the world, as if he can ride the wind at any time.

………………

This...... This......

When everyone saw the embossing on all sides in the rotation of the square seal in Li Jian's hand, they all froze, and the shock was beyond measure.

What Li Jian created was not art at all, but immortal art, an immortal art that packed a world into a square seal.

What everyone saw. It is as if it is not a floating carving on the surface, but through a layer of glass, looking at another world, that world is surging. There are high mountains that connect the sky and clouds, wild cranes that sing wildly, and ancient pines that are vigorous and grand......

There is also a Confucian robe immortal who looks like the old man of the road, standing on the bank of the sea of clouds on the top of the peak, standing in the wind, ready to ride the wind at any time.

The world seems to have unimaginable magic. It seems to be able to suck people's souls into it, feel the wind from the pavement on the top of the mountain, touch the strength of the mountain rocks and ancient pines, and listen to the Qingyue with the cry of the wild cranes. In the real world, there is only a shell left, which cannot be seen, heard, or felt!

There is no doubt that this is a masterpiece, almost demagogic!

Looking at a group of people stunned and unable to react for a while, Li Jian's heart was full of pleasure of 'pretending to succeed'. However, he didn't show it, but decided to 'carry out the pretense to the end', so Li Jian pretended to continue:

"Still can't see clearly? It doesn't matter, although printing it will make the charm lose eight points, but it is also more intuitive. ”

After speaking, Li Jian opened the seal clay that came with the seal stone, and pressed the seal stone in his hand horizontally into the seal clay. This ink is not the usual vermilion, but a rare inky black!

The people who were captured by the Fang Seal World before, until Li Jian pressed the seal into the seal clay and could no longer see the seal relief, finally sobered up because they couldn't see it, and the soul possessed sobered up. When the spirit suddenly saw that the 'world' that was included in the square seal was about to be 'defiled' by the inky black ink, he couldn't help but exclaim:

"Stop!"

"Don't!"

……

In the face of the crowd of people, facing more than a dozen pairs of 'you are committing a crime' eyes, Li Jian calmly spit out four words:

"Don't be impatient!"

Then, he continued to roll the square seal in the ink clay, until the four sides of the relief were completely covered by inky black in everyone's sad and even hateful eyes, Li Jian took out an eight-open white paper from under the coffee table, and put the square seal on it and rolled it.

Ancient pine, old man, cloud crane, red sun...... Four patterns appear one after the other.

Soon, the patterns embossed on the paper on all four sides joined together to form a whole picture.

When the complete pattern appeared, Mr. He, as a master of Chinese painting, couldn't help but be stunned, and then cheered.

"What a picture of the rising sun!"

The heavy black ink seems to have turned this pair of four consecutive prints into an excellent splash of ink landscape. On the top of the peak, the old man in the Confucian robe stood with his hands in his hands. Behind him is the vigorous ancient pine that breaks out of the rock, and in front of him is the vast sea of clouds. In the sea of clouds, two cranes are frolicking and flying, and at the farthest end, a red sun is rising.

This ink-splashed landscape painting has a deep artistic conception and a wide opening and closing style. Although no matter the clouds, the rising sun, or the ancient pine, everything is jet black. However, the artistic conception rendering and layered texture make people see the red of the sun, the white of the clouds, the color of the glow, and the green of the leaves from the black.

Although the rising sun hovers quietly above the picture, it gives people the feeling of striving upwards and being full of vitality. Like a seed that has just sprouted, although it is difficult, nothing can stop it from breaking through the ground. Just like a newborn baby, although weak, it has infinite vitality.

Driven by this feeling, the old man on the top of the mountain, the crested crane among the clouds, and the pine behind him all seem to be full of vitality and vitality!

Although this splashed ink painting, because it is printed rather than drawn with a brush, there is no sharp edge of the brush in the words, but just by virtue of this artistic conception, it can already be called a master's work!

……

When you were still studying this ink painting, which Mr. He called "The Rising Sun", Li Jian did not stop moving, but turned the square seal in his hand and pressed it on the paper again.

The old man, the crane, the red sun, and the ancient pine, the four patterns appear one after another, turning into a splashed ink landscape again.

However, even though the order of the four paintings has only changed slightly, the artistic conception of the whole painting is already completely different.

Because the farthest red sun has become a pine, the red sun is no longer the rising sun, but the sun at ** o'clock. The feeling is no longer the mildness of the rising sun, but a dazzling and warm feeling. Because of the change of the red sun, the whole picture has also changed greatly.

If the previous painting "Rising Sun" represents vitality, like a newborn child. Then this splashed ink painting, which can be called "Picture of the Rising Sun", has infinite vitality, just like a vigorous childhood and youth.

Whether it is the half-hanging morning sun, the tumbling sea of clouds, the frolicking crested cranes, or the old man standing in the wind, the ancient pine, and the lonely peak, all show indescribable vitality in this painting. It seems that every inch of the picture is alive and moving.

Especially the old man in the Confucian robe, just a glance will make people can't help but have a sentence in their hearts - the old man talks about juvenile madness!

……

When the old man He gasped and was shocked inexplicably because the picture printed by Li Jian was similar, with a completely different charm and artistic conception, Li Jian's movements did not stop. Instead, he changed the seal in his hand and printed it again.

Once, twice!

Soon, two more ink-splashed landscape paintings with similar pictures and different artistic conceptions were born.

The third painting, the crane, the red sun, the ancient pine, and the old man.

The red sun turns into a blazing sun. The mountain peak at the old man's feet has completely become a lonely peak surrounded by a sea of clouds, and the old man who originally faced the red sun has also turned his back to the red sun.

If you have to give this painting an apt name, then "The Burning Sun" is undoubtedly the most appropriate.

The artistic conception of the picture seems to be in the prime of life, and the whole picture is full of a sense of power. The scorching power of the scorching sun, the boundless power of the sea of clouds and the wind, the power of Cui Wei of the lonely peak, the power of Gu Song to grasp the mountains and rocks without fear of wind and rain, and even the lines of the old man who were originally fluttering seem to be stiff, as if there is infinite power hidden in the thin body.

The charm of the whole painting has become extremely rigid, extremely strong, and extremely hard!

……

The fourth painting, Red Sun, Ancient Song, Old Man, Cloud Crane.

The red sun became mild again, turning into a sunset. The crane frolicking in the clouds has become a homing crane. The mountains and rocks are more cuiwei, the ancient pines are more vicissitudes, and the temperament of the old man has also turned into a dull.

This painting can be called the picture of "Sunset Clouds and Sea Map", although it does not have the vitality of "Rising Sun", the vitality of "Rising Sun", and the power of "Burning Sun", but this gentle, this plain, this fleeting beauty, can be called the first of the four paintings!

The most beautiful is the sunset red!(To be continued.) )