After the live broadcast ended, Qin Han uploaded the painting to Station P and named it "King Arthur", and then he didn't pay much attention to the things on the Internet.

Can this kind of historical celebrity's creation and chaos theme be popular?

Qin Han never doubted this question.

Examples of previous lives, in addition to the enduring Fate series, there is also a very popular mobile game before the Qin and Han dynasties - "King Pesticide".

This kind of theme can first attract attention with the popularity of historical figures, and then use people's psychology of liking "Guan Gong vs. Qin Qiong" to arouse heated discussions, and constantly expand the world view, and finally form a huge IP.

Of course, those basic things, such as character design, story, power system, etc., must be done with heart.

Otherwise, it is not impossible to take the menu of the full banquet of the Manchurian and Han people, and finally burn a table of dark cuisine.

For the first live broadcast of painting, the number of viewers of Qin and Han exceeded 20,000, and after that, there were constantly niconico members who used the time machine function to replay, creating a small ratings miracle.

There are also many enthusiastic fans who upload the recorded videos to video websites in Huaxia, the United States and other places.

That night, Qin Han's Twitter followers broke through the 35,000 mark, and the popularity caused by this wave is far from over, and there is still great room for growth.

There is also a small surprise, that is, after deducting the website's share, the gift received by Qin Han Live actually brought him more than 200,000 yen in income.

After the summer CM fanfair, Qin Han repaid the money he borrowed from his friends, and he had almost more than two million yen on hand. But later, Tiger's Den contacted him to reprint 5,000 copies, and almost all of the money had to be invested.

It's no problem to rely on live broadcast to do a side hustle every week and earn some living expenses.

After the live broadcast, Qin Han's Twitter was full of messages of praise and exclamation, kneeling and licking, and a joyful atmosphere.

And on the Twitter of "Manga Ah Liang", or Ryo Misugi, it seems to be Tokyo bombed by Li Mei's incendiary bombs, a hot scene.

"Delete ID, delete ID!"

"At your level, you're still playing with raw broadcasting, don't be kidding!"

"Insiders (laughs)~"

"You're an assistant at best. If the old Qin teacher doesn't want to draw the same people, his commercial debut is also a relaxed and happy thing. ”

In addition to all kinds of overt and covert ridicule, there are many more direct and unsightly insults.

And the person who speaks for "Comic Ah Liang" is basically not found.

After all, it was he who provoked first.

It's good to say if he wins, but he loses, and he loses ugly.

When Qin and Han had completed all the work, Sanshan Liang's painting was only half colored. Not only is it lagging behind in terms of speed, but it is also completely incomparable in terms of the quality of the paintings.

Ryo Sansugi was a complete failure.

He flipped through the Twitter messages, but without looking at them twice, he was so angry that he wanted to drop his phone.

However, Ryo Sansugi is just a comic assistant with an unstable income, and he is reluctant to vent his anger by smashing things.

At this time, Toshima Ryuzo called.

"I already know the thing. It seems that people like you alone can't suppress Qin Han. In the end, I had to do it myself. Comic script thing, let's talk about it later. ”

What do you mean by "people like me"!

Ryo Sansugi felt very uncomfortable.

On the phone, Ryuzo Toshima's voice was undisguised with disappointment and reproach. But Sanshan Liang did not dare to show the slightest dissatisfaction. Because he is the only hope for Ryo Sansugi.

"Don't pay too much attention to things on the Internet, re-register a few accounts, and it doesn't take much effort. Toshima Ryuzo was comforted and hung up the phone.

Although the other party said it easily, Sanshan Liang was still very unhappy.

Re-register the account, so the popularity and fans he has accumulated for so many years of careful operation are gone?

The more important problem is that even if he changes his account, he can't change his painting style for a while.

The cartoonist's drawing is his unique ID card.

Not only the style of painting, but also the use of lines and many small habits, etc., all have distinct personal characteristics. The layman can't see the doorway, but the insider is easy to recognize.

The online world is huge, and at any point, someone will find their vest.

So Ryo Sansugi knows that unless he spends a few years completely changing his painting style, he is very likely to be recognized on the Internet.

It can be said that on the Internet, the cartoonist Ryo Sansugi is dead.

"Now, I can only rely on Ryuzo Toshima. But this guy can't be relied on, and he said at first that as long as he framed Qin Han, he would give me a comic script that could be serialized in JUMP. As a result, it turned out that he had to help him suppress Qin Han before giving it to me!, am I a donkey who is being fished by carrots and keeps moving forward!?"

The more Ryo Misugi thought about it, the more angry he became: "This guy Toshima Ryuzo, it's better not to lie to me, otherwise ......"

Then, there was a burst of remorse in his heart: "Alas, why did you listen to his bewitchment in the first place, and go to frame Qin Han as soon as his brain is hot?"

Qin Han did not leave a message on the Twitter of "Comic A Liang".

For him, doing his own thing is the most important thing. After the victory, he deliberately pretended to be slapped in the face, which was too boring.

The second character set produced by Qin Han is the second female lead of "FATE/stay-night", Rin Tosaka.

This double ponytail tsundere sorceress wearing a red close-fitting sweater, miniskirt, and black over-the-knee socks is probably more popular with otaku than the heroic King Arthur.

As for the male protagonist of the story, Emiya Shilang, Qin Han is going to keep it for a while, carefully consider it, and then release it.

Because in his opinion, although this guy has some advantages, in the final analysis, he is a righteous spring and has a neuropathy of self-sacrificing.

Dongying in this parallel world is very different from the original world, and the audience may not be able to accept such a role, so Qin and Han cannot copy it, and it must be changed.

Every era has its own unique temperament and memory.

Take Dongying in the previous life as an example.

The animation supervisors who are familiar to the otaku are from different eras and have their own unique imprints of the times.

Hayao Miyazaki and Yuki Tomino are post-40s generations who experienced the defeat of eating mushrooms and the difficult recovery after the war. So they focus on the grand narrative topics of war, peace, and the fate of mankind.

After the 50s, the generation of Mamoru Oshii and Katsuhiro Otomo experienced movements that collapsed social values such as "all-hands fighting", and the proposition of concern was narrowed down to the country of Toei.

Then there is the representative of the post-60s generation, Mamoru Hosoda, who grew up in a depoliticized social environment, and his works mainly focus on elements such as bonds and family affection in small groups.

The post-70s generation like Makoto Shinkai, who grew up in a commodity society with great material abundance, and experienced the ups and downs of the bubble economy, prefers themes like love, and the temperament of his works always reveals a nostalgic and sad tone.