Chapter 90 Chinese Aesthetics

"Wow...... Is this a domestic animation? The Hollywood animation diehard in the front row couldn't help but sigh directly: "This character is really alive~"

Everyone looked at the animated characters on the big screen, and even the mountain demons, at first they were intoxicated by their rich Chinese ink and oil paint style, but immediately, after aesthetic appreciation, they began to stop appreciating these characters as an object. Pen & Fun & Pavilion www.biquge.info

but as a person, a person with a living soul......

No matter what kind of animation story, the most difficult point is to give this virtual character constructed with color pen and ink real life, so that the audience feels that he is really a living and thinking person, which is the most difficult point.

Especially when the plot rhythm is tight and there are not many lines and layouts, how to give life to these animated characters who are not known to everyone and make them come to life?

This detail is actually the most difficult, but the animations of "The Return of the Great Sage" have done it, and the expressions and eyes of Jiang Liuer's parents are not dull, and they look extremely vivid and emotional.

"It's the degree of production of the character's facial muscle movements, which is really not lost to Pixar's animators." Jiang Wen in the back row smacked his tongue again and again.

The layman can only see the excitement, and the insider can see that in such a few simple shots, it shows how strong the strength of Fenglin Art Factory is.

You must know that most of the previous domestic animation companies are island country animation style, even if they take the 3D line, they are very preliminary, which avoids the biggest problem of the characters' facial expressions.

The Japanese are good at working with flat surfaces, but in 3D animation, the facial structure of the characters cannot be shown in the way of "light bulb eyes, awl faces, and nose lines".

The face of a 3D character, a muscle can indicate a character, a wrinkle is a story, and a variety of lives are in the permutations and combinations of these muscles and frowns.

And when it was amazing, Jiang Liuer's parents had been killed by the mountain demon, and the beautiful mountain road on the big screen had been switched into a beautiful river.

Jiang Liuer was picked up and raised by the old monk in the river, although this plot is only to explain the background, but careful people have found out that the scenes have changed more than 7 times in the past few minutes.

Zhang Mou couldn't help but ask Han Pin next to him in surprise: "Didn't Mr. Han build a good scene in this movie, throw the characters into the scene, and then choose different shots for shooting?" ”

"No...... Director Lin did an aesthetic design for each shot. Han Pin sighed: "In order to conform to the expression of the characters and shots, many exquisite scenes only appear for less than 10 seconds and then no longer appear...... It's a pity. ”

Zhang Mou didn't speak, but he felt deeply shocked in his heart, how much manpower, material resources and time would it take to make such a production......

This seemingly wasteful technique is like carving the buttons on the sleeves, and although it does not play a decisive role, it is a subtle expression of the texture that rises to a higher level.

This makes this animated film not only a human life, but also a "living" scene, which is the so-called one flower and one world, which is beautiful.

What makes Zhang Mou even more incredible is that Lin Feng did not completely imitate Hollywood and the island country, but created a new aesthetic structure, with vivid characters and scenery, all of which have a sense of beautiful and flexible ink painting, so that you can know that this is Chinese animation at a glance.

It's like the first time he saw "Little Tadpole Looking for Mother" a long time ago, and he didn't think it was an ordinary bedtime story for coaxing children.

This kind of beauty is pure beyond reason, straight to the bottom of the heart, just like the art factory "Haha Mirror Flowers", "Rubik's Cube Building", "Landscape Love", adults to see, children to see, that kind of simple beauty has changed from simple depiction to art, directly flowing into your heart, making people feel happy.

And "The Return of the Great Sage" has achieved such a sense of Chinese animation in three-dimensional animation, which completely surpasses the artistic sense of all today's animation works.

Who said that there are no top animators in Huaxia, who said that Huaxia animation has no technology, who said that Huaxia animation has no artistry~!

Zhang Mou couldn't help but feel his heart beating violently when he looked at it, all this in front of him made him feel extremely amazed, he, a person educated by the Soviet system, found that Huaxia animation was so beautiful for the first time, and couldn't help but sigh from the bottom of his heart:

"Only the masters of the art factory can make such outstanding works......"

At this time, in the camera on the big screen, a group of villagers squatted and watched the shadow puppet show of "Havoc in Heaven", and one applauded, as if their reaction in the theater just now was exactly the same, and the audience couldn't help laughing.

"Sun Wukong will not die~"

With the child Tong Jiang Liu'er, who was chased and beaten because of his naughtiness, the perspective of the moviegoers suddenly entered the heart of this child.

And the naughty child who laughs and mutters "Monkey King" every day and dances around with a wooden stick is not exactly what everyone did when they were children?

Xiao Jiang Liu'er dubbed, the words are not clear, the grasp is extremely accurate, and the truth is reversed, just like a bear child sitting in the front row, and the children in the front row are also wide-eyed, as if they have found themselves in this strange world.

The innocent and naughty little Jiang Liuer, and the gentle and friendly god under the close-up, almost half of the face of the bearded old monk are full of childlike fun and warm dialogue, which caused the audience to burst into laughter.

Everyone is not the same as Jiang Liu'er, in the face of the teacher's nagging, they will also say similar frivolous words.

"There are mountain demons everywhere outside, and chanting scriptures can't scare them away."

"And what do you want?"

"I'm going to ...... Learn to punch and kick well, fight mountain demons~! ”

When I was a child, what was the use of studying, when I encountered injustice, it was like raising my fist and beating those bastards who did evil.

The old factory director couldn't help but smile at Jiang Wenjun when he heard this: "When you were a child, you also said so, if you want to beat those gangsters on our street, you will be beaten by others and your nose and face will be swollen." ”

Jiang Wenjun couldn't help but blush: "Old man, this is our premiere, don't you mention this kind of thing~"

On the big screen, under the warm plot, the camera slowly zooms out, and you can see the bustling streets, buildings, shops, and people flow of Chang'an City, like a beautiful classical picture scroll slowly unfolding......

But suddenly, I saw that under the top-down lens, black dots like ant colonies were surrounding Chang'an City.

The music suddenly became tense, and everyone heard the vibration of "boom" in the stereo, and the camera slowly advanced, and the audience saw the close-up of the thousands of fierce mountain demons. (To be continued.) )