Chapter 573: Subversion

The Steinay piano was delivered to a charity dinner tonight, but it was actually used more as a display of the brand's image.

Steinay's people never expected this piano to come in handy tonight, and the staff bound the microphone to Jiang Se, so that the tune she played later was guaranteed to reach the ears of everyone in the room.

"Sister Tao......"

Song Yi squatted in front of Tao Cen and whispered to her, his eyes revealed: What should I do now?

From the climax of the Amadeus manuscript auction to the venue, the competition between Tao Cen and Jiang Se for the score has firmly captured everyone's attention.

Whether it was Tao Cen's inflated price, or Jiang Se later made an extremely outrageous bid to get this manuscript, all the developments of things were expected by Tao Cen.

Tao Cen's standing up and speaking added a sense of irony to the result of Jiang Se's bid 'winning'.

What Song Yi didn't expect was that Jiang Se would get up and borrow Steinay's piano to play under such circumstances.

Does she think tonight isn't big enough to make tomorrow's news more sensational?

What exactly Jiang Se wanted to do was not only a question in Song Yi's heart at this time, but also the strangest thing in the hearts of many guests at the scene.

Xia Chaoqun watched Jiang Se set up the score and sat in front of the piano, there were many guests at the charity dinner held by "The Style of the Times" tonight, and there were many media reporters, but her every movement was still unhurried, and even seriously picked out one of them, took a deep breath, and pressed it tentatively with her fingertips.

'Knock', the crisp sound of the piano is transmitted to every corner of the venue through the speakers.

So everyone quieted down, looking at the direction where Jiang Se was, she was wearing a light beige sleeveless dress, and the shadow of sitting in front of the piano appeared on the big screen on the hosting stage.

The scene that comes to many people's minds at this moment is the first time she appeared in the camera as a 'goddess' in Zhao Rang's "Ninety-ninth Love Letter" many years ago.

Compared with the girlhood when she was still a little young and immature at that time, Jiang Se at this time undoubtedly had a more outstanding temperament.

Her fingertips touched the keys, and at first, she seemed to be used to the piano, the notes played irregularly, and many frowned when the messy sound began.

"Mr. Chapman. The female assistant sitting next to Chapman looked helpless and whispered:

"Do you want to stop her?"

This piano is handmade, it took a lot of effort from many craftsmen of Steinay, and it is used as a display of Steinay's brand image.

But when Jiang Se played the piano, he didn't pay attention to it at all, but seemed extremely casual, and the messy notes played at this time made the female assistant a little unbearable.

If she stopped Jiang Se now, her face would be embarrassed, and although Chapman didn't like the high profile of Jiang Se when he was competing for the score before, he still hesitated for a moment and said:

"If she continues to bounce like this, stop ......"

Before the word 'she' could be finished, Jiang Se paused, and his voice stopped abruptly.

As soon as the tense heartstrings of the guests in the venue were loosened, Mo Anqi, who was sitting behind, looked dazed, bit her fingers, raised her face, and asked in a low voice:

"Finished playing?"

Xia Chaoqun glanced at her lightly, and explained unexpectedly to Mo Anqi:

"What's the hurry? ”

She has also learned piano since she was a child, which is a compulsory course for every lady and lady.

In recent years, although he has neglected to practice because he has been busy with work, sometimes in order to find common topics with customers, Xia Chaoqun has a lot of theoretical knowledge.

As she expected, after Jiang Seqin paused, when she pointed down again, her expression changed.

The sound of 'Ding Ding Dong' flowed smoothly from her fingertips with her movements, Xia Chaoqun squinted his eyes, and after listening to a paragraph, he knew the score selected by Jiang Se.

She chose "The Feeling of a Summer Night," a melodious and soft tune from Amadeus' famous song.

The touch between the fingertips and the keys creates a wonderful fireworks.

Chapman's expression, which was originally frowning, slowly loosened, and this song "The Feeling of a Summer Night", which was originally slightly melancholy, was given a calm and comfortable feeling by Jiang Se at this time.

It was as if he was not in a crowded venue or in the auction of a charity gala, but in the middle of a summer night with the clean and ethereal sound of the piano.

The long lyrical melody brings the ultimate enjoyment to people's vision, and those beating notes, like the sound of mountain streams, flow happily through the heart.

Tao Cen knew that Jiang Se could play the piano, Xia Chaoqun was strict, and when Tao Cen followed Xia Chaoqun's side, he was also arranged to take such and such courses, piano and dance were just one of them, but she didn't expect that Jiang Se would be so proficient.

"The Feeling of a Summer Night" is not easy to play, and she has mastered the rich tonal changes very skillfully.

Chapman was already familiar with the contents of the three Amadeus manuscripts, and he noticed a few places where Jiang Se was playing a little jerky.

It's not because she's not good at the piano, Chapman knows she's definitely worked the piano from the fact that she dared to challenge the song "The Feeling of a Summer Night".

There are a few tactful points in the score, which she handles very well, which shows that her piano practice is not a short thing.

The reason why she played wrong should have been intentional on her part.

"The Feeling of a Summer Night" is a score written by Amadeus, and one of three manuscripts that Steinay took up at tonight's auction.

What Jiang Ther played was not "The Feeling of a Summer Night" after Amadeus's successful revision, but the source of inspiration at the beginning of Amadeus' creation.

This slight change alone was enough to turn Chapman's impression of Jiang Se around.

She is very attentive and very good at emotional involvement.

When Amadeus wrote this score, he was still in the middle of his fame at a young age, and "The Feeling of a Summer Night" was the embryonic moment of conception in the world-famous song, and it was not as perfect and mature as Amadeus matured and modified it later.

However, Jiang Se combines the two feelings, which not only brings out the youthful era belonging to the great artistic pioneer of Amadeus, but also incorporates the romanticism of "The Feeling of a Summer Night".

The innocent and youthful intentional mistakes are replaced by a touch of melancholy, giving it a new temperament and giving the audience a comfortable feeling.

She slowly wrapped up the music, and when she played the last note, Chapman even felt a little unfinished.

He didn't know what the meaning of these three scores meant to Tao Cen, so that she could argue with Jiang Se before, but at this time, after Jiang Se showed unparalleled emotion, Chapman felt that it was perfect for her to have these three music scores in her collection.

Maybe Amadeus will also be very happy that such an object can fall into the hands of people who really know how to play its role and inspire it, far more than many people just use it to collect.

Set yourself a small goal first: such as collecting:. Mobile version URL: m.