Similarly, the rise of China's economy has only been more than 20 years, and it can be said that the rich people of China have all been produced in these ten or twenty years.

In this way, the background is not a little bit worse.

When the problem of food and clothing is solved, we become rich, and we have spiritual and cultural food, but in this regard, we can only learn and develop at the same time.

Let's take awards as an example, so many awards have been made abroad early, while most of them in China have started to do so when the other party already has great influence.

The starting point is different, and if you want to catch up, you can't do it overnight.

Therefore, if you want to smash the money out of any world-class award, even if it is smashed, it can only be short-lived.

Just like philanthropy, the healthiest model of philanthropy is one that is self-sufficient.

Most of the foreign awards have established brands, and the brand ability can achieve self-sufficiency, which has completely escaped the category of needing to be smashed with money.

So if you want to do awards or something, it's obviously not enough to just use money to smash it.

However, with the rapid development of the economy, with the advent of the Internet era, the Internet era, and the mobile Internet era, people's habits, hobbies, and so on have also undergone subversive changes.

Therefore, this gives the possibility for latecomers to subvert the pioneers.

For example, traditional literature has been subverted by online literature in business.

How long has it been since the development of online literature? However, in terms of influence, it can be said that it has surpassed traditional literature.

Therefore, it is obvious that it is impossible to smash authority with money to engage in traditional literature and artistic connotation, but if it engages in online literature, it does not need authority.

Because online literature has not yet reached the point where it can replace traditional literature.

Especially in foreign countries, although there is also online literature, it is not as prosperous as China's online literature.

So in Ye Qiu's opinion, this is a good starting point.

In this area, Huaguo is really ahead of the world.

The globalization of online literature? This is really difficult, but if you use money to smash it, it really doesn't necessarily mean that it can't be smashed.

And Dianjin Group has a Qidian Chinese network, so it is completely possible to build a Qidian international network.

In fact, Qidian Chinese Network opened the international site two years ago, and although the results are also very good, in fact, most of the works on the international site are domestic translations of past works.

On the contrary, the promotion of foreign network authors is still in a state of stagnation.

A domestic university research team has conducted a survey of online literature in Europe, America, island countries, and southern dynasties, and was surprised to find that neither the Chinese online literature nor their native language online creation in these countries has seen such a prosperous situation as China.

The reason for this situation is, on the one hand, because of China's official support for online literature, and on the other hand, because it has enjoyed the dividend of China's population market.

What traditional literature has not done, Huaguo's online literature, which has never been liked by traditional literature, has done it and gone to the world.

If you want to turn China's into the world's attention, you must first have advantages that others do not have, which is the foundation and the premise.

And online literature meets this premise.

Because the prosperity of China's online literature is definitely the world's top, and this unique online literature culture is also China's leading world.

In fact, some netizens joked that the reason why Huaguo's online literature can develop so rapidly is thanks to Huaguo's piracy.

Because the piracy of Huaguo first made the first printing industry of Huaguo, the traditional literature of Huaguo began to gradually lose the market, and countless pirated copies appeared as soon as a book was launched.

As a result, China's publishing industry began to fall into a depression, and because of piracy, the content of any physical book can be read for free on the Internet, which has led to people's reading habits beginning to shift from paper to computers and mobile phones.

In foreign countries, because the cost of piracy is too high, and the public has long been accustomed to paid reading, there are still relatively few cases of pirated physical book content on the Internet abroad.

As a result, many times, foreign readers still need to buy books if they want to read them, rather than watching them directly through the Internet.

While this is not all the reasons, there is some truth to it.

Of course, the prosperity of Chinese online literature is also gradually cultivating the habit of paying to read, and China has also begun to crack down on piracy round after round, so there is today's situation.

Therefore, Ye Qiu was thinking about whether to do something on online literature.

To promote the internationalization and globalization of online literature, the more Ye Qiu thinks about it, the more feasible he feels.

However, before that, you need to build momentum!

Of course, this campaign is aimed at foreign countries.

First of all, in terms of income, vigorously promote the high income of Chinese online writers.

The second is the low threshold for promoting online writers.

Different from traditional literature, the advantage of online literature is that although there is a threshold, it is much lower than traditional literature.

It can be said that any literate person can become an online writer, of course, it may not be successful, but at least, it does not want to be like traditional literature, it needs to be well-known, and the only monetization channel is to publish physical books.

For ordinary people, this basically blocks their literary path.

This is arguably one of the biggest advantages of online literature.

Secondly, because of the low threshold, there are naturally many more people engaged in online writing than traditional literary writers.

How many writers of traditional Chinese literature are there? The number of online writers is at least 1,000 or even 10,000 times that of them.

In other words, online literature has created millions of jobs in China.

In Europe and the United States, where employment pressure is huge, employment is definitely a key issue, and many politicians are inseparable from the topic of employment when they run for election.

And when a news item says that there is an Internet company in China, and one company has created millions of jobs, it immediately blows up countless foreigners.

It's natural to wonder what kind of company, so awesome, can create millions of jobs?

Then it is natural to know that this job position refers to an online writer.

And what surprised them even more was that this was actually true!

For a time, online literature has become a new topic of heated discussion among netizens in Europe and the United States.

Especially after understanding that the threshold for online literary creation is so low, any profession and anyone can enter this industry.

Although not every one of them will be successful, it has at least opened a new window for countless unemployed.

If you're unemployed, why can't you give it a try?