If Ye Qiu is allowed to take a look, Ye Qiu, who has experienced the poison of the Thunderman Anti-Japanese War drama in later generations, will think, why is this also a thunderman? You are too OUT, how rare and weird. Pen | fun | pavilion www. ｂｉｑｕｇｅ。 ｉｎｆｏ

The clip that was complained about by domestic netizens and island country netizens, in fact, the Lei Ren index is really not high in Ye Qiu's opinion.

The name of that film is "The King of Guns in the Anti-Japanese War", and the scene of Lei Ren is that the actor of the TV series, with a bow left and right, and two pistols, actually shot down two fighters with two shots like a bird.

Well, it's really thunderous enough, but, with the future generations, tearing devils, becoming Super Saiyans after being strong, killing all sides, hiding thunder in the crotch, **saluting, self-touching, etc., is a complete small problem.

And such a thing was finally known by a high-ranking military officer, and he was furious on the spot, and the "Anti-Japanese War Gun King" was naturally clicked off, along with the company that produced the film.

But what really makes Hua Zheng embarrassed is that this matter fell on his head, who made the anti-Japanese war dramas filmed by the TV department, which is a state-owned factory giant, not popular?

This time, the top has a dead task, asking the TV department to make an anti-Japanese war drama, not only can it not be thunderous, but it must also give a good score.

But how easy is that?

The people at the bottom took out a lot of notebooks, but they were all killed in the end.

The reason is very simple, how easy is it to be accustomed to making that kind of orthodox old-fashioned script, a script with an obvious didactic taste, and suddenly want to make a commercial anti-Japanese war drama?

And no one can understand what kind of anti-Japanese war dramas the audience really likes to watch?

Looking at the current anti-Japanese war dramas, there are several characteristics, that is, our army is very smart, the enemy army is very brainless, our soldiers are versatile and invincible, and the enemy army is very obscene.

For this reason, Huazheng did not have a good way, so he could only cast a wide net to catch more fish, and sent invitations to state-owned factories and film and television companies in various places for the script of the anti-Japanese war drama.

It's just that for the time being, there is no script that can satisfy the TV department.

As Ye Qiu, who single-handedly created "Soldier Assault", which triggered the craze of military dramas, his Dianjin Film and Television Company naturally received an invitation.

For many film and television companies, this is a very good opportunity, if they can cooperate with Bayi Film Studio and finally succeed, then the impact on the company's development is huge.

It's just that, so far, except for those old anti-Japanese war dramas that are still in the embryonic stage of film and television in the early years, in recent years, almost no anti-Japanese war drama can be called successful.

Therefore, no one can know what kind of anti-Japanese war dramas the audience likes to watch.

This is also considered a propositional essay.

Of course, this proposition is not difficult, the benefits are great, but the risks are also very large, this time the TV Department of Bayi Factory has invested heavily to make a different anti-Japanese war drama.

Once it succeeds, it's easy to say anything, but once it fails, the film and television companies that cooperate with it will not only fail to reap the benefits, but also will definitely have to bear this black cauldron.

So, although everyone is very interested, there are not many people who are actually confident.

This is also where Hua Zheng is depressed, the invitation is sent out, but there are very few really good scripts.

If the series doesn't meet expectations, then the fate of him, the director of the TV department, will also be ugly.

When Ye Qiu knew about this, he was also a little surprised, because in his memory, in his previous life, it was not until ten years later that the war against the thunder drama was regulated, but in this life, there were already signs from now.

However, this is also a great opportunity for Dianjin Film and Television.

Don't look at Dianjin Film and Television has made a lot of money with a few variety shows, but in TV series, except for "Soldier Assault", Dianjin Film and Television has done nothing.

And Ye Qiu happens to have a ready-made script, and there are countless thunder people anti-Japanese war dramas in his previous life, but there are also many classics.

Writing scripts is also familiar to Ye Qiu, and a story version of the script was quickly copied by Ye Qiu.

At the moment, it is placed on Huazheng's table.

The strategy of casting a wide net to catch more fish is not bad, and after screening by the TV department, three relatively excellent scripts were finally selected.

Two of them were sent by large Chinese film and television companies, and the other one was sent by Ye Qiu's Dianjin Film and Television Company.

They were all selected after being reviewed by several senior directors of the TV Department.

Hua Zheng first opened the "Decisive Battle" sent by Zhongyi Film and Television Company, in general, this hero of the Anti-Japanese War still makes Hua Zheng more satisfied, compared with the current Thunderman's Anti-Japanese War drama, this "Decisive Battle" is obviously much more positive, and the plot is also relatively innovative.

The screenwriter is Dong Lei, a veteran and famous screenwriter in China.

Putting down this "Decisive Battle", Hua Zheng picked up the script of Xuanhuang Film and Television Company again, "Die Hard", which is a script based on real people.

Compared with "The Decisive Battle", which is more inclined to a battle of wits, this "Die Hard" is more bloody, although there are some exaggerated artistic processing elements, but it is also a good script.

However, these two scripts have common characteristics, that is, the theme is clear, the position is very positive, and the characters are in line with the image of our army.

Putting down these two scripts, Hua Zheng picked up the third script, which was written by Ye Qiu.

For Ye Qiu, Hua Zheng naturally knows that "Soldier Assault" and "Real Man" are all from Ye Qiu's hands.

Just started reading the script, Hua Zheng's brows furrowed slightly.

Different from the first two scripts, Ye Qiu's script is a little rough, the first two scripts, at a glance, you can know that they are from the hands of professionals, but Ye Qiu's script is a story script.

Of course, this is not the reason why Hua Zheng frowned, the reason why Hua Zheng frowned was that the protagonist in Ye Qiu's script was a little outstanding.

deviated from the previous image of our army as a tall soldier, not only that, but the protagonist's character shortcomings are obvious, there is no culture, and there is a reckless atmosphere.

This is a bit contrary to Hua Zheng's idea, after all, this is the main theme drama, although it feels more down-to-earth, but is this shortcoming a little too obvious?

However, Hua Zheng quickly forgot about this, unlike reading the previous two scripts, watching Ye Qiu's script, Hua Zheng was gradually attracted.

Hua Zheng is also a soldier, although he is a cultural soldier, but he is also a soldier, Ye Qiu's script is a little different from the previous two in that in this script, each character has distinctive characteristics, and it must not be regarded as tall and complete, everyone has their own shortcomings, but it gives Hua Zheng a very different feeling.

And the description of the war scenes, Ye Qiu's script, is more direct and more tragic, unlike the previous two parts, which focus on large-scale wars, Ye Qiu's script of this drama depicts small battles.

Putting down the script, Hua Zheng began to struggle again.

The three scripts, if you put aside the others and only talk about the script, it is obvious that Ye Qiu's one is the most exciting, but this makes Hua Zheng even more entangled.