Looking at their expressions, Jiang Wenjun didn't feel anything proud, but felt a little ashamed, in their art factory, there are a large number of old-school painters like Wan Tianlin who work silently every day, they have used their talents in advertisements and posters all their lives, and the most golden art time in their lives has been wasted, and it is not until today that they really found a stage to display their talents, what a pity, how sad!

"Director Jiang, is this concept painting the final draft? Pen, fun, pavilion www. biquge。 info Creech is still wondering at the moment, is this person sent by Jiang Wenjun to deliberately give him a dismissal, this person can't be the top painter of the art factory, right?

"No, this is a black-and-white concept drawing, and the real people and scenery are made of color ink and oil paintings combined with a three-dimensional style. Jiang Wenjun explained.

"Colored ink style, all shots?" Encridge listened and his mind tingled again.

Before coming, of course he thought about what style "The Return of the Great Sage" would use, it was nothing more than two.

Either it's the fresh 2D anime of Japan's Miyajijun animation, or the exaggerated card ventilation of Hollywood, both of which he can guide and show their Disney strength.

Ink style can be colored...... This is a real traditional Chinese art, and even the dream factory that is now making "Luojia Cat 2" (similar to Kung Fu Panda) has tried and failed.

You must know that in this day and age, the gap in technology can be made up with money, but the gap in art cannot be caught up in a short period of time no matter how much money there is.

Japan and the United States, the two major animation powers, have actually spent decades establishing their own animation styles, and after years of carving, countless art masters have invested in improving and perfecting them, until now they are unique in the world.

No matter how much Chinese animators learn in various studios, it is impossible to surpass the artistic connotations of these two styles, at most they are just learning from the surface.

This gets rid of the thankless imitation, but from another height, the competition of commercial technology has risen to the contest of artistic charm between the East and the West......

Will Fenglin Art Factory really have this strength......?

Jiang Wenjun didn't say much, but took them all the way, letting Unkridge and Disney's animators observe the pictures on the computer screens in the studio themselves.

Disney animators, as if they had arrived at a new treasure, were surprised and curious to see the scenes and characters in their minds......

In terms of pictures, the domineering and magnificent Chang'an City, the mysterious and enchanting Hanging Temple, the dream forest like a fairyland, etc., a picture scroll with oriental poetic ink style slowly unfolds, realistic and delicate, beautiful, you can feel that this is the real Chinese mountain, Chinese water, Chinese houses, paths...... It is a beauty that completely belongs to China.

On props, paper-cut shadow puppets, all kinds of gadgets emerge in endlessly, listening to music, and there are zhengqu and kunqu singing everywhere.

Burst...... Totally exploded......

The beauty of those novel and wonderful Chinese art elements in my mind exploded...... It seems that the cultural treasures that have been suppressed for thousands of miles are flourishing, and countless gorgeous and magnificent arts have burst out with dazzling brilliance.

When those "Chinese elements" in the eyes of Westerners face the vast and majestic momentum of the crystallization of real Chinese art, the huge difference in beauty makes them feel a huge sense of inflation in their hearts.

From thrilling, to dizzying, and finally ashamed...... Everyone's face was full of expressions: "Wow, it turns out that Chinese art can be expressed like this, so beautiful".

The 40-year-old animator next to Unkridge even picked up the phone and called his friend directly to DreamWorks:

Heywood...... Don't do "Kung Fu Panda 2" yet, yes, don't be in a hurry to do it yet, I suggest you come to China and visit the art studio with the demon capital...... Really, if you don't come, you're going to regret it, do you remember the ink style you've always wanted to do, but you never got it done......? Absolutely beyond your imagination, I can't describe it in words, you still come in person"

Lin Feng listened to the reactions of some American animators on the side, and couldn't help but feel a little inexplicable, before, when he was in his mind about the "Return of the Great Sage", although he was very excited, but at the same time he felt very regretful, because his biggest feeling was that the crew who shot this movie was very short of money......

As a result, the whole plot is anticlimactic, not to mention, and even there are many flaws in the animation, such as even the model of Marshal Tianpeng has no money to make, and it is directly replaced by Tota Heavenly King...... In the end, the plot was also filmed very shortly.

And what really made Lin Feng feel the most regrettable was that he was pleasantly surprised by the pure ink and oil painting fight in the opening section of "Havoc in Heaven", although the light and shadow effects and color processing were also very rough, but it was amazing, but unfortunately there was only that one......

After that, the whole film never appeared again, until he started to make it and determined this ink and oil paint style, he knew that this style of picture rendering was extremely resource-intensive, and it took time and equipment to pile it up.

The producer in the future must not want to do it, but he really doesn't have the money to do it......

In front of the market, all ideas need to be completed by money...... Everything needs money.

Now, he has accumulated such a strong strength, so that one day, for all the movies he wants to make will no longer be troubled by financial problems, and will not be shoddy in any link in order to save money, so that he can gather China's top talents without scruples and make works that make them extremely glorious, so that the real strength of the world's national animation.

Lin Fengzheng sighed, Jiang Wenjun was beside him, he was also full of feelings, clenched his fists and trembled.

Today, some Disney animators trembled, and he finally had a sense of pride that "I did it".

Although it was his brother, Jiang Wenjun looked at Lin Feng and still had his idea of "this kid is really terrible".

So long ago, how could Lin Feng firmly believe that Feng Lin could grow to this point, and how could he be sure that "Avatar" would bring this new motion capture system to make up for their animators' lack of detail about the characters Although he was his brother, Jiang Wenjun looked at Lin Feng and still gave birth to his "This kid is really terrible".

How could Lin Feng have believed that Feng Lin could have grown to this point, and how could he have been convinced that "Avatar" would bring this new motion capture system to make up for their animators' lack of detail about the characters (to be continued. )