Qin Han looked at the two people in front of him who were gushing and expressing their admiration to him, and felt that it was really amazing.

Because of his own influence, an old driver was determined to go ashore and no longer draw R18 comics.

A pure young man who has been drawing orthodox shonen comics, but inspired by his own comics, is ready to go to the sea to draw erotic comics that promote web consumption.

Forget it, no matter what, I wish you two a wider and wider path of creation.

After Gan Jieliutai and Keya Shu left, Qin Han didn't enjoy much of the food time alone, and his editor-in-charge, Xiong Zexin, came over with a young cartoonist.

Well, he is now a pillar cartoonist of "young_animal", and it is understandable that others want to meet and chat.

If Qin Han went to attend the JUMP annual meeting, he would definitely try his best to say a few words to Toriyama Mingdajin.

"Teacher Qin Han, this is Kentaro Miura." Xiong Zexin introduced.

"I'm Qin Han, please give me a lot of advice." Qin Han nodded.

In his previous life, Kentaro Miura's "Legend of the Sword Wind" can be said to be the absolute signature work of "young_animal", and his status is unshakable, but in this world, this position has been replaced by Qin Han's "Dragon Sakura".

Through Xiong Zexin's introduction, Qin Han knew that Kentaro Miura had just finished the serialization of "King Wolf".

"King Wolf" is a historical comic that tells the story of the hero and heroine who are Dongying people who travel to Mongolia in the thirteenth century, and Genghis Khan in the comic is actually the legendary general Yuan Yijing in the history of Dongying.

Although this work is only a short volume, and its commercial achievements are far inferior to the later "Legend of the Sword Wind", the comics include many later fashionable elements such as time travel and alternate history, and it is also a very special work.

It is worth mentioning that the original work of "King Wolf" is the original Wu Lunzun of "Beidou God Fist".

Kentaro Miura once studied under Tetsuo Hara, and it was precisely because of this relationship that he was able to invite Takeronzun to cooperate.

After the end of "King Wolf", Kentaro Miura was unwilling to only be a painter, so he began to create his own story. Because of the personnel transfer of the editorial department, it happened that Xiong Zexin also became his editor-in-charge. So Kentaro Miura asked Xiong Zexin to meet Qin Han.

"Teacher Qin Han, the ink and wash comics you created in the last drawing contest are really amazing."

As soon as they met, Kentaro Miura was so excited that he held Qin Han's hand.

Speaking of which, although it was the first time the two of them met, they had crossed paths at the painting contest held by the Agency for Cultural Affairs before.

Although Kentaro Miura lost to Qin Han, he won the third place with his superb painting skills inherited from Tetsuo Hara.

However, he did not become complacent, but after watching the video of Qin Han painting a life-size portrait of Kenshin Uesugi with a brush, he realized that there are people outside the world, and there is a sky outside the sky, and the road of painting is endless.

After that, he worked harder to hone his drawing skills, and after the end of "King Wolf", he devoted himself to the creation of the next comic.

"Teacher Qin Han, when I meet you today, in addition to wanting to express the reverence in my heart, there is one more thing." Kentaro Miura said, "My new work, the European medieval fantasy style, is a manga that I have always wanted to create. There are some scenes that I've been imagining since I was a student. It can be said that this work embodies my life's work. Kumazawa was also very optimistic about this manga, but after the manga name was handed in, it caused some controversy in the editorial department, so much so that I began to waver myself......"

After listening to Kentaro Miura's words, Qin Han, who knew the direction of history in his previous life, knew that in this world, a generation of dark fantasy classic "The Legend of Sword Wind" was about to be born in the hands of this young man in front of him.

It's just that now, Kentaro Miura didn't know that his work would become a classic, and he was still torn by the controversy of the editorial department.

The current "young_animal", popular comics, in addition to the outlier of "Dragon Sakura", a considerable part of them are soft erotic comics that are not much different from R18 except for no dew point.

The pillow offensive is quite an effective means in entertainment works. If a rookie cartoonist wants to get ahead, quickly accumulate popularity, and make quick money, drawing this kind of comic is a shortcut.

At that time, the latecomer of "Weekly Shonen JUMP", relied on Hiroshi Nagai's "Breaking the School of Shame" to stand out from the encirclement and form a three-legged trend with "Weekly Shonen Sunday" and "Weekly Shonen Magazine".

The bosses of the industry used this kind of trick back then, and it is not surprising that latecomers such as Baiquan Club have learned from each other.

Kentaro Miura's "King Wolf" plus the biography is only two volumes. It can be said that his current qualifications are quite shallow in the eyes of the editors of "young_animal".

If it were a cartoonist like Qin Han who had already proven his commercial value and came up with "The Legend of Sword Wind", the editorial department would definitely not be entangled in its dark and bloody style, which was incompatible with "young_animal", and would immediately make a decision and start serialization.

But Kentaro Miura's weight is clearly not enough. Even if the work is clearly of high quality, it will still be doubted, so much so that it will affect the judgment of Kentaro Miura himself.

"Teacher Qin Han, I just finished drawing the name of the first and next four words, can you take a look and give me some advice?"

Xiong Zexin also said: "Teacher Qin Han, I like this comic very much and think it is completely a first-class work. I don't want this manga to be buried! ”

Qin Han nodded, took Kentaro Miura's mobile phone, and began to flip through the original manuscripts stored inside.

After reading it, Qin Han praised: "The style is sharp, the monster shape is very Cthulhu style, and the combat is simple and rough - don't get me wrong, this is a compliment." Dark, bloody, lustful, killing...... These elements come together nicely. I'm sure this manga will be a hit. ”

After listening to Qin Han's comments, Kentaro Miura, who was originally a little nervous, finally breathed a sigh of relief.

"Thank you, Mr. Qin Han, I have confidence again."

Kumasawa said to him, "Miura-san, at the next serialization meeting, let's try to get this manga a chance to be in the magazine!" ”

Seeing Kentaro Miura's excited look, Qin Han was also very happy. Today, it was a great feeling to meet three future people who would have achieved extraordinary things in their respective fields in the manga industry, and each of them used him as a guiding light.

"Don't thank me. The success of a manga magazine cannot be achieved by one or two comics alone. We work together to dedicate more excellent works, and we will definitely make "young_animal" the best-selling youth comic magazine in Dongying! ”

"Teacher Qin Han, your words are really exciting, I'm about to burn!" Xiong Ze said excitedly, "One day, we will surpass Weekly Morning!" ”