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Under the service of Xiahou Yaoyao and Ji Ruolin, Li Youyang was also extremely comfortable in the screams of seeing this scene for a long time, and felt worthy of his life.

He also sang the song "The New Concubine Drunk" just now, this "The New Concubine is Drunk" is from a generation of geniuses in the earth's Chinese music scene, and it can be said that Li Yugang, who is the first contemporary male and female double voice singing method in pop music. At the same time, the song itself has a lot of origins.

Li Youyang clearly remembers that there is a song comment:

From a local drama "Drunken Yang Concubine" in the Qianlong period, to "The Drunken Concubine", which has become a classic representative repertoire of the Mei School after Peking Opera master Mei Lanfang devoted his life's work to carving, processing and embellishment, and then to "The New Concubine Drunkenness", which organically integrates folk songs, dances and Peking Opera, China's national musical instruments Xun, Xiao, drums and pipa are perfectly integrated in it. This process is a process in which our Chinese art is constantly evolving with the times, and we see that music with Chinese styles is constantly innovating.

Chinese-style music: The lyrics with the connotation of Chinese classical culture and the melody, singing and arrangement techniques of modern pop music are used to achieve the perfect combination of nostalgic Chinese background and modern rhythm, so as to produce a song style with a subtle, melancholy, elegant, and brisk atmosphere. A large number of Chinese musical instruments are used in the arrangement of music: such as erhu, guzheng, xiao, pipa?? Chinese folk songs or opera are used in singing; The subject matter uses ancient Chinese poems or legends.

The following will discuss the Chinese style characteristics of the new concubine's drunkenness from four aspects: melodic characteristics, lyrics and themes, national musical instruments and singing voices.

1. The melodic characteristics of "The New Concubine is Drunk". "Chinese music is melodic music, and the main tone of this melody is simple, soft, beautiful and demure, and the sound of the piano is broken not in the vigorous dance but in the quiet gaze. "The New Concubine Drunk" takes the soft and brisk melody as the main line, and the words are close together. The reason why this melodic form is touching and can arouse the universal resonance of the nation is that the secret lies in the "heterogeneous isomorphism" correspondence and resonance between its melody line or sound structure and the aesthetic and psychological structure of the nation. And this kind of music with Chinese elements is therefore loved by the listeners and has had some influence on it.

2. Lyrics and themes with classical Chinese artistic conception.

"The Drunken Concubine" tells the story of the favorite concubine Yang Guifei and the Tang Ming Emperor about a banquet in the Baihua Pavilion, who knew that the emperor had transferred to the West Palace, and could not go to the banquet as scheduled. And the new concubine was drunk and changed the tone of her period, with the main theme of praising the love between them, with a well-known theme, and a familiar melody that is easier to resonate with everyone. With lyrics rich in classical artistic conception, people are brought into that era to feel the love story between Yang Yuhuan and Li Longji, which is more infectious. "There were too many left next to Huaqing Pond that year", "Worrying about gorse hairpin and jade scratching my head is a gift you gave me" brought the listener into Bai Juyi's "Song of Long Hatred". No one took the flowers, and the emerald gorse scratched her head. When these two sentences appeared, Yang Yuhuan was already dead, leaving a golden hairpin empty, so that Li Longji missed Mo Ming. Of course, in addition to the drunkenness of the new concubine, this Chinese style is also fully reflected in other songs.

3. The ingenious integration of national musical instruments and the use of Peking Opera singing.

In "The New Concubine Drunk", some elements of ethnic music include the use of national musical instruments such as Xun, Xiao, drums, pipa, etc., and the use of ethnic singing, such as Peking Opera. These ethnic elements are integrated into the "national melody, which conveys national feelings through the familiar scales, keys and undulating contours of the lines. It is the most important means of expression of national music. Xun, Xiao, drums, pipa and other instruments fully represent the concept of Chinese style. They are used to play national melodies and combine content and form well.

In addition, some Chinese musical instruments, such as the erhu, are good at expressing sad people and events, and the famous song "Erquan Reflecting the Moon" reflects the sadness of loneliness. In Jay Chou's East Wind Break, Erhu is also used, aptly showing the choked and long thoughts at once, as if a person who thinks alone under the moon, recalling the nostalgic good times in the past, revealing the loneliness and loneliness of the present, and fully embodying the classical Chinese artistic conception. As the quintessence of China, Peking Opera is integrated with the new popular singing method. The use of ancient singing to interpret new forms of music has also become a major feature of Chinese style. Peking Opera has a long history, and its artistic expression is the essence of Chinese national artists who have explored and precipitated it for many years.

Whether it is Tan Dun, Li Yugang or Jay Chou, as representatives of Chinese style, they have created popular Chinese music full of Chinese characteristics. Chinoiserie is becoming known to the world. "Only the national is the world", this sentence is still proven to be correct in the contemporary Chinese music scene. After passing through the stage of Taiwanese love songs represented by Teresa Teng, the combination of pop music elements and Chinese folk music elements in the late 80s gave rise to the "Northwest Wind" music with a strong northwest style, which made the Chinese people notice that only by presenting their own unique national elements can they gain a place in the contemporary music scene. At the end of the 90s, the pop music scene was diversified, with songs of different forms and contents sweeping the world, and new songs and new artists emerged one after another. I believe that Chinese-style music will go to the world!

……..

Therefore, this "New Concubine Drunk" is definitely not a saliva song, but an out-and-out big song, and Li Yugang's proprietary two-voice singing method, combined with traditional Peking Opera, adds unique characteristics and unique difficulty to this song.

This is also the most important reason why Li Youyang decided to include this song in the ten difficult songs, because there are too many singers on the earth who have sung this song after Li Yugang, but except for Li Yugang, the other versions are either sung by the female duet or solo, and there is no other male singer who can sing directly in double voices like Li Yugang.

And once the male singer doesn't have to sing this song in two voices, then the charm of this song will be greatly reduced, just like Ximen Yun always feels that something is wrong with him, something is wrong in this place, and at the same time, the soundtrack of the song is also very particular, typical Chinese style, combined with various elements, can be a huge project.

However, if Li Youyang doesn't show his singing now, then based on the simple score and lyrics written by Li Youyang, if you don't study it carefully, you really can't see these, especially in the climax of the singing method to integrate Peking Opera into the first time, no one can think of it at the first time, after all, as Ximen Yun thought, this is not only one, but there are also nine other songs, in comparison, the other nine songs at first glance have a bigger impression than this one for them.

In particular, although Li Youyang has finished singing now, but who will play better in the IMCS league finals, Li Youyang is still hard to say, because, although Li Youyang has finished singing in double voice today, but he does not have the appearance of a Peking Opera girl when Li Yugang always sings this song on stage, so if Ximen Yun is smart enough, once someone can give priority to this trick, then compared to having the upper hand in the finals, it will surprise the four!

Li Youyang is looking forward to it, and his mood is even more refreshing.

So after a simple adjustment, I really finished the fight with the fighters in Sanda, and after a short intermission, I returned to the stage.

"The following song is really powerful, I think it's very powerful, let's sing it to everyone!"

As Li Youyang's simple interaction fell, a very powerful song sounded again......

The kind of happiness that belongs to us that others will not understand

It's just that after walking too much bitterness and being able to hold hands, I was moved

No matter how hard it is, you just look at the sky

I'm afraid I'm worried and silent

……