39 Revealing small seams and aiming at people

Wukai is actually just an illusion, because Journey to the West has already been completed, and Flying Dragon Babu is nearing completion, Dragon Ball is a comic and not a novel, only the Romance of the Gods and the Legend of the Swordsman of Shushan were written at the same time.

And these two books, one is Gu Bai, and the era when the Shushan Swordsman was passed down has undergone vernacular reform, although there is a shadow of Gu Bai, but it is already very white.

The history of ancient literature is the history of language becoming more and more white.

On the one hand, ancient classics, poems and songs, there is not much change in terms of genre and words.

On the other hand, from the Han Dynasty vernacular "Historical Records" to the Republic of China vernacular "The Legend of Shushan Swordsman", it has almost evolved into another script, from grammar to line, from words and independence to the individual meaning of each word.

Therefore, from the ancient white novels of the Ming Dynasty to Shushan, the gap is huge, and it will not be confusing to write.

The prospect is bitter because the memory fusion is incomplete, and the memories carried by his original world are also blinded, and now he has experienced the cultivation in the countryside, and the fit is getting higher and higher, and he remembers more and more things.

When Feilong Babu started, Jing Ku even felt that he couldn't write ancient novels, but now Jing Ku has the confidence to write ancient books.

However, after weighing the pros and cons, Jing Ku did not do it for the time being.

The reason is very simple, the books of Jin Gu and the two can be compared with one of their respective characters.

Expose small seams and aiming at people.

Ancient books are like small cracks, slow writing, few words, flowers, many things, leaving a lot of room for revision, the ancient self has been revising his own books, and incorporating some Western thinking, there is a feeling of peeping.

His style of writing is refined and special, coupled with the large space between the story structures, giving people a huge space for imagination, and a small gap is left to make people think about that graceful posture.

And Jin Lao's book is like aiming at people, it is upright, adheres to traditional Chinese thinking, and has a very wide audience. And he writes quickly, and the story is compact and complete, so that people can't find the gaps. He doesn't leave room for your imagination, but keeps searching.

Reading his books, it's not that you're looking for the excitement in the book, but that the excitement in the book fits in with you.

If we say that from the perspective of guiding creation, then the old is undoubtedly stronger.

But if in terms of attracting popularity, Jin Lao is a few points stronger.

Since copying the Eight Divisions of the Flying Dragon, Jing Ku has decided to focus on attracting popularity, and as for guiding the creation, it is better to hand it over to the Shushan Swordsman.

Jin Lao once said that the legend of Shushan Swordsman is the first strange book in the world, not without reason, any new school of martial arts can find the shadow of Shushan, not that Shushan is bland, but because Shushan, as a classic of the founding of the sect, is really great, so that future generations can not get around.

Using Shushan as the first shovel for Xianxia to open a mine is undoubtedly twice the result with half the effort.

As for the Romance of the Gods, it is to sort out the mythological genealogy and let the torrent have a traceable shadow.

In the meantime, Jing Ku deliberately said that many magic weapons and characters that did not belong to the Romance of the Gods were added.

For example, Hongjun, who glimpsed in the Romance of the Gods, did not have such a thing as creating a jade butterfly, but after adding this magic weapon, it is undoubtedly equivalent to putting forward an idea.

Hongjun was born to be the Tao, and it is unimaginable to upgrade the monster fighting novel to enter that realm for no reason.

But if there is an innate spiritual treasure in the name of the Tao as a sustenance, it will be different.

The Tao is very Tao, the Tao cannot be spoken, it exists in the invisible, and with the creation of the jade butterfly, it leaves the possibility of upgrading to the torrent.

This is like the transformation from the nine-rank Zhongzheng system to the imperial examination system, and the road to the rise of regularization, giving people hope.

When writing myths, you can't avoid Journey to the West and Fengshen, you have to choose one of the systems to structure the worldview.

Although the two worlds have many overlapping characters, they are completely different, and it is difficult to mix them up.

"This character called Shen Gongbao is really interesting, and he can still play like this. ”

"I don't think I think it, when I see the lotus root turning into a person, I feel that the arms and limbs of the person are really similar to the lotus root. ”

The two books, "The Legend of the Swordsman of Shushan" by the lord of Huanzhu Mansion did not make people feel amazing at the beginning, and although the Romance of the Gods is not as good as Journey to the West in terms of writing, it sets up another world view, which makes people feel interesting.

In terms of gas volume, Shushan is like a small world where there are all kinds of things, and Fengshen is a huge world, so in the early stage, readers with a new starting point love Fengshen more, so there are more discussions.

Because of the large number of words, there is a very large space, and the lord of the Pearl Mansion is imaginative, and often the two parts of a story can only be connected to each other after a long time.

And here, it also creates a routine that online novels must have.

That's out of context.

The story of the new generation of swordsmen is based on the third Emei sword fighting as a clue, and it has been explained in the book that the battle between good and evil will soon begin - the third Emei sword fight, this sword fight is a final competition between good and evil characters, all grievances are over at this time, and in the gap between the story, the owner of the Pearl House often cunningly reveals the results of the sword fight. This keeps the reader's heart in mind about this big battle.

However, until this atmosphere is set up, the stronger, tighter, and brighter timeline structure of Fengshen is undoubtedly more advantageous.

However, there is still a big difference between medium-length and extra-long.

If you blindly use a clear timeline structure to structure a super long book, I am afraid that halfway through the reading, a large number of readers will not be able to read it, because they can predict what will happen next, which is nothing more than a reincarnation between levels, at most changing the soup without changing the medicine.

Of course, this kind of writing is very tiring, but fortunately, Jing Ku is copying rather than writing, and there is no need to think hard about the structure.

If you insist on finding a modern novel to compare this way of writing, the three-body problem should be relatively similar, the protagonist appears very late, and the stories are interspersed very strongly, so that readers are worried about the results of several different events at the same time, and they can't stop.

It took a week of events for Jing Ku to complete and send out the opening part of Shushan, and many readers saw some clues.

"I'm afraid this is a super long book!"

"It's been a long time, and it turns out that this is what I started with, so many words if other novels have ended, and I just talked about a beginning here. ”

"I'm afraid I'm wrong upstairs, to be exact, this is the beginning of the beginning, according to my calculations, the author left a few pits may not be pits, but other lines, if you write it in the same way, three million words to the bottom. ”

This is the reason why Jing Ku finally chose Shushan, the owner of the Pearl Building.

Online novels are known for being super long, and in order to guide readers to be interested in this kind of book of the same height as the book after the publication of the entity, it is necessary to cultivate the habit of chasing more for a long time, and let them adapt to the rhythm of super long novels.

In fact, at the peak of the development of online literature, basically one million words is a foundation, and without a million words, no one will read it.

On the one hand, there is a bit of a watering in the language, and the fact that there are not a million words means that there may not be any wonderful architecture. On the other hand, it takes a long time to make people immersive.

Electronic reading is far faster than physical books, and after a week's worth of physical novels become electronic files, they can read them in one night, and without the support of super long length, there is no way for people to enjoy reading.

"Nima's five-sided rock is a tentacle monster, and this is also very fast. ”

"Phew, it must be a manuscript, just like Journey to the West. ”

The huge workload made Jing think about making trade-offs.

Two schemes, one is to write only the most classic, and don't write anything with a slight flaw.

Another option is to provide scripts for others to write.

It's been another week of hard work, and Jing Ku has finally lost his hair.

I passed the first and second tests of the driving school test before, and the second test room test of the actual operation also took the time to take the test when I was crazy to write a book recently, but I failed the road test.

Jing Ku gradually realized that human energy is limited.

A lot of things in the previous life can be completed here with an idea or brainstorm, and I don't have so much time to get so many books.

Some time ago, there was a reporter from the water fox who claimed that it was impossible to change 10,000 words a day after trying it himself, and the speed of the daily change from the new starting point must be a fake hype, and as a planner of a new starting point, Jing Ku Ri changed tens of thousands of words and finally didn't want to write a word that he was tired of.

"I'm still going to let it out. ”