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However, it has become a fact that Chinese online literature has conquered the world market.

If you still don't want to believe it, then the experts will give you the answer.

"Why Chinese online literature conquers the world, there is actually a very important one, that is, Chinese online literature is simple and straightforward, suitable for translation. ”

A scholar from the United Kingdom said after studying China's online literature: "We know that each country has its own language, and writers from various countries have written a series of classics in their own words. However, it is also because of the difference in words. Therefore, even if it is considered a masterpiece in one country, I am afraid that no one will care about it in other countries. It's not that the work is badly written, it's that the work has lost the essence of the original work after it has been translated.

There is a joke about translating a famous book written in English into Chinese and Chinese into Japanese...... After translating more than a dozen languages back into English, we will find that this work has become unrecognizable. Therefore, to fully show the charm of a work, you must have a good translation. However, there are very few world-class writers, and likewise, there are very few world-class translators. Therefore, most of the more complex works will be subject to such and such restrictions in translation. However, China's online article is a special feature. Chinese online literature has gotten rid of the literary and youthful thinking of many writers, and they use a very direct and very simple writing to create. And in the translation of such works, you will find that there is no difficulty in translating. And because of the relative simplicity of translation, this has created a large number of opportunities for Chinese online texts to enter the world. ”

However, researchers from Japan do not agree with this view. In his blog post, Nakamura Guam said: "Although simplicity and straightforwardness are a major feature of Chinese online writing, simplicity and straightforwardness are not what attract global readers. The factor that really made China's online literature popular was because Chinese online literature found the key that other countries failed to find. This key is to be cool. What is called cool point, this is more difficult to say. To put it simply, it's something that excites you, makes you feel refreshed, and makes you feel entertained. In fact, Hollywood movies, including our Japanese comics, also have countless plots about cool points. However, maybe there is more to what we are looking for than just cool. But in terms of coolness, Chinese online articles have achieved the ultimate. I think that Chinese online writers must be experts who have studied human psychology professionally, so when they write any seemingly simple paragraph, we will exude an incomparably refreshing feeling from the inside out. ”

In addition, the Harvard School of Liberal Arts is also conducting a professional analysis of why Chinese online literature can conquer the world as a topic. However, they do not very much agree with the writing of Chinese online texts and some specific plots of Chinese online texts. They argue that this is not the point, and that their American writers can do the same. They believe that China's online literature can enter the global market in large quantities, and it must have its own unique mechanism.

It's like a Hollywood movie. A Hollywood movie can't affect the world at all, but after thousands of Hollywood blockbusters were introduced to the world, Hollywood movies became a symbol of American culture. Harvard Liberal Arts says Hollywood has found their Hollywood model. So, does Chinese online literature also have this model?

A little research, they found the truth.

This truth is competition.

Compete.

This doesn't seem like a much-researched subject.

There is competition in almost all industries in the world.

Isn't the competition in China's online literature different from other industries?

The Harvard Faculty of Arts will tell you, of course, it's different.

"In fact, while almost all industries in the world are competitive," they said. However, in the cultural industry, in fact, the competitive pressure has been relatively small. This has to do with the fact that literature is a work of art, and many people have always believed that writing is a personal thing, and writing is also an artistic thing, and it is not a commercial thing. So, it's not about how hard you want to work to make you write good work. There are too many uncertainties about whether your work will succeed or not, and a good novel is too much. Therefore, there is no competition in the literary world at all. If there is, it is a competition for talent. I'm more talented than you, so the novels I write sell better than you. Even if you work harder than me, there is an incomparable gap between you and me.

However, it is precisely this kind of competition that seems to have no competition in literary creation, and in China's online literature, his competitive pressure is greater than that of any industry in the world. According to the Harvard School of Letters, according to the mode of operation of China's online literature, his approach is to have all writers write novels on the same website. And for their work to be successful, they must compete with all the writers on the same page. There is competition here for new book lists, competition for collection data, competition for monthly passes, and competition for subscriptions. If you win the competition, then you can stand out in the eyes of everyone. And if you lose the competition, then you will disappear from the masses. And the works we have seen are all works that have stood out from countless competitions.

However, we don't know that as a result of the success of this competitor, hundreds or thousands of works have disappeared.

According to the data survey, there is a system called "contracting". That is, if your work is well written, then the website will sign you up. However, not all works written by authors can get this kind of contract. In general, only 1 out of 10 authors will be signed. However, what the masses may not know is. Signing a contract does not mean that the road to writing has begun, signing a contract is just a recognition of you by the website, whether your work can be recognized by readers, that is not necessarily.

So after signing the contract, it was also set up on the shelves.

Putting on the shelves means putting it on the shelves, which means that your novel can be sold for money. However, not all signed works can be listed, if your work cannot be approved by readers after signing a contract. Then, your work will not be on the shelves, that is, you will not have a penny of manuscript fee income for these months, even if you write hundreds of thousands of words.

In the data, it is like this, among the 10 contracted writers, only 1 contracted writer's work can be put on the shelves.

So, do you think the novel will be over when it hits the shelves?

Boy, you're still too naïve.

Is putting it on the shelf the first step in online writing?

Editor-in-Chief 314 will tell you that although your work is on the shelves, how much money you can sell after it is put on the shelves is still the key. If your contribution fee income is only blocks, then some such works will still disappear in the near future. Maybe you ask why, do you still need to ask? I'm afraid that if you just go and move a brick for a day, will you spend a few months writing a novel and then get these 100 pieces?

314 once said in his blog post that don't take writing too seriously. Let me tell you, in fact, out of 10,000 writers, only one can really survive through writing.

That is, this is a 1 in 10,000 chance.

Therefore, at that time, some Chinese media reporters compared starting point writing to a game of "raising Gu", that is, putting tens of thousands of Gu together, and the last one who survived was the Gu King.

Perhaps, only now do we know why Chinese online literature can conquer the world. (To be continued.) )

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