"Mr. Fanchen, thank you, thank you so much. Pen ~ Fun ~ Pavilion www.biquge.info"

Wu Shoujing, head of the Chinese Department of Yan University, looked at the more than 100 modern poetry research groups established in China in recent days, as well as the millions of modern poetry fans who suddenly appeared on the Internet.

The master is really a master, and just by relying on the modern poetry of his two hands, he pulled up the modern poetry that fell into the quagmire. This skill is terrifying to think about. Although modern poetry is still immature, although modern poetry is still not acceptable to everyone. However, Wu Shoujing believes that the pace of modern poetry has risen, and the future is only waiting for modern poetry to blossom and bear fruit.

Of course, the more important thing is that these modern poems published by Fan Chen as a member of Yan University, but they have added countless academic exposure to Yan University. Wu Shoujing is very confident that in the latest year's university rankings, they will definitely be able to regain the first place.

"By the way, Mr. Fanchen, now your enthusiasm for modern poetry has been stimulated by you. Have you written any other modern poems recently, and you have sent them out one by one, just adding a fire to the fiery modern poems. ”

Excited in my heart, Wu Shoujing once again asked Huang Yifan for poetry.

"This ...... Yes, yes. ”

Seeing the message sent by Wu Shoujing, Huang Yifan hesitated: "It's that these poems may cause some other repercussions." ”

"Repercussions?"

Wu Shoujing didn't understand what it meant, but after a while, he said with assurance: "Mr. Fanchen, don't worry, we believe in your level." Moreover, modern poetry also needs to be fully accepted by all people, and it is great to cause any sensation. ”

"In that case, okay, okay, I will log on to Yanda BBS in the evening and send out a few modern poems I have written recently. ”

"Okay, looking forward to it. ”

ended the conversation with Wu Shoujing, but Huang Yifan opened the document and prepared to write a few more modern poems.

In fact, Huang Yifan has too many modern poems in his mind. Not to mention anything else, there are a lot of modern poems worth writing during the Republic of China alone. It's just that for those modern poems, Huang Yifan doesn't particularly want to write. I don't want to write because these poems aren't good enough. In fact, the works of many modern poets and poets during the Republic of China are still very good, but these modern poems are good, but Huang Yifan always feels too bland.

Such as the grievances of Rain Lane.

The blessing of spring flowers.

The artistic conception is beautiful, but there is not much passion.

Such poems can only be read by everyone when they are calm, or when they are drinking tea.

The new modern poetry is in great need of popularity.

The new modern poetry needs the approval of all people

The nascent modern poetry needs a myriad of attention.

Therefore, it seems that the power of these slightly bland modern poems alone is not enough. Or it's not that the power is not enough, but that all of a sudden these poems can't burst out with the power they deserve. It may take years, decades, or even hundreds of years for him to shine in a different way.

It's just that Huang Yifan doesn't have this time.

Now that I have finally pulled modern poetry out of the quagmire, I should quickly cut through the mess and let modern poetry directly enter the life and culture of modern people, which is the best strategy.

So, Huang Yifan thought of a poet with a lot of personality - Cangyang Gyatso.

Cangyang Gyatso was a famous poet in Spain/Tibet and a famous political figure in Spain/Tibet.

There are too many myths about Cangyang Gyatso's life. According to historical records, in the 22nd year of Kangxi Reign (1683), Cangyang Gyatso was born in a serf family in Wujianlin Village, Yusong District, at the foot of Nala Mountain, in the corner of the West/Southern Tibet Department, with his father Tashi Tenzin and his mother Ciwang Lham. The family has practiced Nyingma Buddhism for generations. In the 36th year of Kangxi (1697), he was recognized as the reincarnation of the Fifth Dalai by the then regent of the Spanish/Tibetan regent Dipa Sangyel Gyatso, and in the same year, the enthronement ceremony was held in the Potala Palace under the auspices of Sangyel Gyatso.

In other words, in fact, Cangyang Gyatso is the living Buddha of Western/Tibetan legends.

It's just a pity that although Cangyang Gyatso is a living Buddha of the Western/Tibetan people, he has been subject to countless constraints.

In the Potala Palace, the young Changyang Gyatso was strictly supervised to study the scriptures, and he often went out of the courtyard to relax, while the old scripture teachers followed him, begging him to continue his studies, for fear of being scolded by Diba. Cangyang Gyatso came from a family of the Red Sect, and the Red Religious rules did not prohibit monks from marrying wives and having children, while the Yellow Sect strictly forbade monks from approaching women, let alone marrying and starting a family. For all kinds of rules and precepts, it is difficult for Cangyang Gyatso to adapt.

Although Cangyang Gyatso has the name of a living Buddha, he has no real power. Diba has been in power alone for a long time, and the living Buddha can only exist as a puppet. Confined in life and at the mercy of others in politics, Cangyang Gyatso was depressed and indulged in sexual indulgence, both out of his yearning for freedom and love, and because of his deliberate rebellion against the imposed precepts and schemes. According to legend, as soon as he arrived at night, he assumed the name of a man named "Tang Sang Wangbu", and as a noble son, he wandered around the restaurants and houses on the streets of La Sa, and later, he actually "wore silk and satin casual clothes, wore rings on his hands, and had long hair on his head, indulged in singing, dancing and banquets, and stayed overnight in the women's house outside the palace."

It was also during this period that Cangyang Gyatso wrote many, many love poems about love.

It's just that many of the love poems written by Cangyang Gyatso are indeed classics, and they can't be more classic.

But some of the love poems written by Cangyang Gyatso are......

How so?

In his mind, Huang Yifan gave birth to a rogue word.

Yes.

Many of Cangyang Gyatso's love poems are written more rogue than hooligans.

Of course, if it's a rogue poem written by a hooligan, that's fine. However, who is Cangyang Gyatso, Cangyang Gyatso is a living Buddha, such a living Buddha writes poems that are more rogue than a rogue, can you sigh?

That being said, though. If you really know about Cangyang Gyatso's life experience, then you will understand why Cangyang Gyatso wrote these poems.

After thinking about it, Huang Yifan still decided to come down.

No matter how rogue the poems written by Cangyang Gyatso are, this is a side that reflects the character of Cangyang Gyatso. On the contrary, if there were no such rogue poems, perhaps Cangyang Gyatso would not be Cangyang Gyatso, but a real living Buddha.

When in the Tibetan West Shrine

Rinzen Changyang Gyatso

When in the market of Lhasa

Kink/stick Tang Sang Wangbu

Tapping on the keyboard, Huang Yifan wrote a small poem by Cangyang Gyatso.

What do you think?

How is this poem written?

Isn't it flavorful enough?

Isn't it hooligan?

But it doesn't matter if it's a hooligan or not. After writing it, Huang Yifan sent this poem to Yanda BBS.

At the same time, the official BBS of Yanda has already launched a trailer, saying that Mr. Fanchen will release his third modern poem again this evening.

Because of this preview, countless students, readers, are looking forward to it. (To be continued.) )