Since he started watching the exhibition, Fan Weidao has been awkward in his heart, originally he came to cheer for Guan Qingshan today, why is it that he is talking about Su Tuo everywhere. The boneless painting at the door, it's really innovative, and the painting is really good-looking, and I think it's beautiful when I see it. Looking at beauty, you have to find faults, yes, and I showed timidity once.

It's okay to pick out the faults in that painting, but why does this Su Tuo still know how to raise chickens? Uh, no, he should know how to raise chickens, he should also go back to his hometown to raise chickens, what kind of painting to paint, make a mess for people. However, he also knows that there is a record in "Painting Succession" that "when the peacock rises high, it must first raise the left", which is incomprehensible. If there is no evidence from "Painting Succession", he must be more truthful and immediately invite everyone to the zoo to have a look.

With a depressed mood, the group finally finished reading all the paintings in the small hall and began to go to the innermost. At this time, Fan Weidao finally came to his senses, walked among the elders, and began to talk loudly.

"What we saw in front of us were all hors d'oeuvres, and now we're finally going to have a main meal, and from this exhibition arrangement, you can see that the boundary painting is still going to be used for the finale, haha. In front of the experts, I don't dare to brag, because Guan Qingshan has researched boundary painting, I temporarily crammed and learned some knowledge of boundary painting. ”

Huang Xuan said: "Guan Qingshan's contribution this time is not small, boundary painting is one of the thirteen disciplines of ancient Chinese painting, which began in the Qin and Han dynasties and flourished in the Tang and Song dynasties. However, the successor is powerless, and it is eventually lost, well, in fact, it cannot be completely called lost, and its rules and laws still exist, but it is difficult for future generations to make rigorous works. ”

Wu Bozhou said at this time: "Jiehua has always been despised and rejected by literati painters, and the reason is that Jiehua painting needs the assistance of a boundary ruler, and every stroke must conform to the rules and standards, which restricts the free expression and catharsis of literati painters' personal feelings, and the Jiehua is often associated with craftsmen, craftsmanship and vulgarity. ”

Feng Yimo also sighed: "The difficulty of boundary painting is obvious to everyone. The predecessors said: 'The rules of the game are within the criterion, and the magic is outside the law.' That's what it is. ”

"I just know a little bit about the difficulty of boundary painting. Boundary paintings are architectural paintings that accurately depict pavilions, houses, boats, bridges, etc., by drawing lines on the boundary scale. Since it is an architectural painting, it means that it is a comprehensive art that straddles two major art disciplines. This requires the artist to understand both painting and architecture at the same time, otherwise the paintings will be nondescript. This is not the most difficult, the painter also needs to analyze and reproduce the architectural characteristics of the time according to the dynasty of the building he painted. In this way, if you add archaeology to boundary painting, it will become a comprehensive art that spans three categories. "Fan Weidao really understands the boundary painting, and it is the Tao when it comes to it.

Huang Xuan nodded, expressed his affirmation, turned to Gu Ran and asked, "Brother Gu, the West has always been ahead of us in the combination of painting and architecture, is there any good experience to learn from?"

Gu Ran replied: "The most vocal person on this issue is Wang Xiaoshu, he is a painter and an expert in architecture, in his absence, I can only talk about it from the perspective of painting." Throughout the history of Western art, there are similar helplessness to us, as far back as the ancient Greek period, there were many painters who were also architects, and their works were more respectful of objectivity, so many great works were born in that period. Later, under the dark rule of the Holy See, art became an instrument of their rule. ”

"So, the West has also lost its word in this regard?" asked Feng Yimo.

Gu Ran said: "It's not lost, it's just that today's artists are not used to that rigorous way of creation, and the previous skills are still recorded." It is also in recent years that Western art has begun to re-understand and learn about ancient Greek art, which is included in the retro movement. ”

Huang Xuan sighed: "The West's dedication to art is worth learning from, and now we have not discovered and restored the ancient traditional art, and I hope we can also launch a vigorous art retro movement." ”

"Because of this, I think Guan Qingshan is even more commendable, as a responsible painter, he can endure loneliness to learn architectural knowledge, and finally be able to show the charm of traditional boundary painting, which is admirable. When I go back this time, I will apply to the association and give Guan Qingshan more praise. Fan Weidao made a generous statement, and the people in Guan Qingshan and Qingshan Painting Institute were like a spring breeze.

For Fan Weidao consciously ignoring the boneless painting, everyone tacitly agreed, Feng Yimo and Gu Ran also smiled silently, but Zhong Ming couldn't listen to it anymore, and said: "Chairman Fan, this excavation of traditional art, in addition to boundary painting, is there a bone?"

Fan Weidao replied a little embarrassed: "There are no bones, but the importance of the two is not the same, after all, boundary painting is a comprehensive art that praises three categories, and it is more difficult than boneless, right, hehe." ”

"Art cannot be measured by difficulty, we have to look at the level of artistic expression, if we only look at the difficulty, is it possible that Gongbi painting is higher than freehand painting? Zhong Ming was still not convinced.

As soon as the topic was opened, Fan Weidao was immediately stretched thin and didn't know how to refute it. At this time, Wu Bozhou came out to relieve the siege: "Brother Zhong, Chairman Fan just wants to distinguish between the two, not to say that art should be measured by difficulty. Judging from the current situation, it is still very convincing for the painter to create boundary paintings, after all, boneless paintings only need painting techniques, and do not need other types of ......."

Su Tuo majored in architecture, and painting was just his hobby. Someone in the crowd interrupted Wu Bozhou's words, and it turned out that Ma Hui followed again.

At this time, Dong Wangchuan was quite far away from him, and there were several people in between, otherwise Dean Dong could strangle him on the spot, and this pig teammate was simply amazing. I have been working hard to win Su Tuo, Ma Hui is good, and directly said that Su Tuo is Wang Xiaoshu's person, and he is still fighting for a fart.

After hearing this, Huang Xuan frowned visibly, and said to Feng Yimo: "Brother Feng, is this true?"

Feng Yimo smiled and said, "Tentatively, tentatively." ”

"It's better to be cautious about this. Huang Xuan added again.

Feng Yimo smiled and said nothing.

Guan Qingshan saw that the topic ran to Su Tuo again, and couldn't help but feel displeased, and said: "Everyone, the front is a clumsy work in the bottom, the boundary painting "A Fang Palace Map". I hope that all the senior teachers will give more valuable opinions, I will definitely ...... Uh, what the hell?"

Listening to Guan Qingshan's words, everyone no longer thought about anything else, and all looked up at the booth. I saw that above the booth, there were two magnificent landscape paintings, between the mountains and rivers, a large palace stood impressively, brilliant and majestic.

Everyone thought they had seen it wrong, so they subconsciously rubbed their eyes and looked at it again. That's right, it's two paintings, two boundary paintings, and two boundary paintings "A Fang Gong Tu".