The auction went unexpectedly smoothly, and soon, there were successful bidders for each exhibit. Including the No. 7 exhibit that Lin Hainan has always been suspicious of.

The bidding process for exhibit No. 7 was very brief, and only four bidders participated in the auction of exhibit No. 7 in the huge auction hall with hundreds of bidders. The bidder's outcry was carried out only once, and it became a delivery. The transaction price is only a little higher than the auction price.

In the pitch darkness, it is impossible to see each other's faces, let alone other locations that are far apart.

"Number 57. Lin Hainan heard Feng Jianfei whispering to him, he nodded, and then remembered that Feng Jianfei couldn't see it, so he whispered again. The No. 57 bidders, including the No. 7 exhibit, have already successfully bid for two items, but they are not expensive things, but they are very in line with the nouveau riche style of "putting bottles and cans at home, and wearing jade and rings on the body". When the auction went to the 18th exhibit, it was a maid Tao Yong, and this time the bidding became a little fierce, and the bidding reached the third round, and there were only three bidders left. No. 16, No. 89, and No. 57. In the end, it was sold three times the starting price, and the successful bidder was still No. 57.

Lin Hainan heard that there were already whispers talking about the No. 57 bidder at the scene. Indeed, compared to other bidders, Bidder No. 57 is not quite high-profile, but it is also very eye-catching.

Could number 57 be the person of the Oriental artifact?

According to Lin Hainan and Feng Jianfei's previous analysis, if the oriental artifact appeared at the auction and had a purpose, no matter how natural their acting skills were, it was normal for them to be unrecognizable before the auction began, but after the auction began, they would definitely express a strong desire for one or two collections. In response to this, even though the scene was pitch black, Lin Hainan and Feng Jianfei still did not move like a mountain, and did not act rashly, so as not to startle the snake.

Soon, the auction proceeded to the final item, the finale item - the Buddha's head.

The price keeps flying, and Zephyr is a master of controlling the atmosphere, and the atmosphere on the scene is getting hotter and hotter, and it is gradually getting white-hot. At first, No. 57 was also one of the participants, but after two rounds of bidding, he gave up. In the end, the successful bidder was the 69th bidder, who had been silent. Aside from the price, there was nothing bright about the final auction. After Lin Hainan and Feng Jianfei discussed, they identified the suspects of the Oriental Artifact as Bidder No. 57 and Bidder No. 69.

"It's really an intense and beautiful auction! If you want to experience a rare and valuable auction with a smooth flow of confidential information, come to Xigu! Without further ado, let's look at the time, aha, eight forty, great, then, five minutes, at eight forty, we will start our show as scheduled! Today's performance is different from the past, I believe you must be very curious, what is the mysterious event today? Please stay tuned!"

As the voice of the Japanese wind fell, the lights on the scene slowly lit up, and a minute later, the auction hall was as bright as ever.

The glass shopkeepers at the scene have all been removed. In the second half of the banquet hall, a large black platform similar to a boxing ring was built, except that this stage was much larger than the boxing ring, and the square stage shape and the four sides of the rope were similar to the boxing ring.

"What are you doing? How do you look at it, it's a bit like a holographic projection table?" Lin Hainan was a little unsure.

"Could it be that the so-called mysterious performance is a holographic projection of cultural relics?" Feng Jianfei also asked in surprise.

Although in China, the field of cultural relics restoration has involved holographic restoration, but holographic technology has not been popularized, it still belongs to the field of high-end technology, and in the domestic antique market, the holographic technology market has not yet been developed, today, in an auction there is an exhibition of holographic technology for cultural relics restoration, and regardless of whether there will be money transactions, just the exhibition has made Lin Hainan and Feng Jianfei very surprised.

"Distinguished guests, I've been waiting for a long time!" The lights in the banquet hall gradually dimmed again, and the wind appeared next to the holographic projection table, and a beam of chasing light hit him.

"I'm sure you've all heard that next month in the heart of the Sahara Desert, there will be an ancient artifact restoration competition held by Interstellar Development Group. In China, holographic technology is not broad in the field of cultural relics restoration, but it has to be said that if holographic technology is used in cultural relics restoration, then everyone here is undoubtedly the main consumption power of the market!

Today, I can honestly tell you that our holographic projection exhibition is funded by the Star Development Group! Let us thank the Star Development Group with warm applause!"

Amidst applause, bidder No. 16 stood up and thanked him.

Lin Hainan lowered his head and thought about it, only the maid pottery figurine participated in the auction on the 16th, and Feng Jianfei's voice came from his ears: "That female pottery?"

"yes, do you have that impression?"

"No, let's go back and look at the auction brochure. ”

"Well, that's all there is to it. ”

Zephyr's recognizable voice drew everyone's attention back to the center of the venue, "What I have at hand now is the holographic projection booth, which makes the three-dimensional picture suspended in the mid-air image of the real scene, creating an atmosphere that is both fantasy and reality, with a strange effect, a strong sense of depth, and it is difficult to distinguish between truth and falsehood." The middle of the formed aerial illusion can be combined with the real thing, and the combination of the image and the real thing can be realized. And we don't need to wear 3D glasses!

Watch it now!"

Soon, a temple was projected on the stage, the temple was magnificent, the building was majestic, simple and magnificent, and the eaves of the flying away were vivid.

At first glance, it was very familiar, and when he saw the whole picture clearly, Lin Hainan found that it was the Hengshan Hanging Temple. Hengshan Hanging Temple is the only unique temple in China that integrates Buddhism, Taoism and Confucianism. It is built between the cliffs of Cuiping Peak on the west side of Jinlong Gorge of Heng Mountain, facing Heng Mountain, leaning on Cuiping, uploading dangerous rocks, facing deep valleys, pavilions hanging in the air, and the structure is ingenious. For Lin Hainan and Feng Jianfei, the Hengshan Hanging Temple is no stranger.

Hengshan Hanging Temple is the fine art of ancient architecture in our country, the history is quite long, its architectural characteristics are strange, hanging, ingenious, can be immortal for thousands of years, it is the only existing temple in our country that integrates three religions, is it really as the legend of hanging in the air? The history of Beijing Tanzhe Temple is also quite long, "there is Tanzhe Temple first, and then there is Youzhou City" The saying has existed in ancient times, is this statement accurate? Its architectural style is extremely similar to the Forbidden City, is it the Forbidden City imitation temple or the temple imitation Forbidden City?

The folk recite such a sentence that slips through the mouth: "Hanging temple, temple hanging in the air, the gods are wonderful in the sky, the gods point to the spider web, and the golden dragon appears in the palace." Feng Jianfei didn't know what he thought, so he said it in passing, Lin Hainan nodded, and received: "Hanging Temple, half a mountain high, three horsetails hanging in the air." Indeed, they all say, "There are thousands of cliffs on the top, and there are thousands of mountains below." Stretch out your hand to brush the bright moon, and the cuff is still white. But this hanging temple is not really suspended. Many visitors who come to see the temple will think that it is because it hangs in the air when they first hear the name of the temple. In fact, the name of the Hanging Temple was not for this reason at first, but related to two mysterious folklore from different sources. And the real Hanging Temple, this temple with two eaves pavilions equivalent to three stories high and more than 40 other houses, was actually built on top of this cliff in the sky.

Under the holographic projection, there is no mountain built next to the temple, and the hanging temple suspended in the air has become a real hanging temple!

The whole temple, upload the precipice, down to the deep valley, back rock according to the shrine, to the west is the right, the temple gate to the south. The whole temple is a wooden frame structure, in accordance with the principle of mechanics, the half-inserted beam is the base, the rock is cleverly borrowed, the beams and columns are integrated up and down, and the corridor railings are closely connected. Hengshan Hanging Temple has 40 large and small houses. The overall layout of the Hanging Temple is based on the temple, the Zen room, the Buddha Hall, the Three Buddha Palace, the Taiyi Palace, the Guandi Temple, the Drum Tower, the Bell Tower, the Garan Temple, the Goddess of Mercy Palace, the Jizo King Bodhisattva Palace, the Thousand Hands Guanjian Palace, the Shakya Palace, the Leiyin Palace, the Sanguan Palace, the Chunyang Palace, the Plank Road, the Three Religions Palace, the Five Buddha Palace, etc.

The real Hanging Temple is naturally not something that this banquet hall can accommodate, but it has been reduced in the same way according to the ratio, but it does not affect its beauty and magnificence in the slightest. The distribution of the palace is symmetrical and changeable, there is contact in the dispersion, zigzag loop, virtual and real are born together, small and exquisite, the space is rich, the level is changeable, the small is big, it is not felt that it is the land of projectiles, the layout is compact, the staggered fall depends on each other, its layout is different from the central axis of the Pingchuan temple is prominent, the left and right are symmetrical, and it is also different from the pattern of the mountain palace view gradually rising according to the mountain potential, all according to the cliff wall concave and convex, the shape of the degree of potential, follow the nature, the volley and structure, it seems, the cascades are scattered, the changes are subtle, so that the combination of shapes and the contrast of space have reached an orderly artistic effect。

Looking at the Hanging Temple from afar, like a delicate and transparent relief, inlaid in between the cliffs of ten thousand thousand, looking at the Hanging Temple closely, there is a tendency to fly in the air. Ascend the hanging temple, climb the hanging ladder, cross the flying stack, wear the grotto, drill the skylight, walk the ridge, step the corridor, after several twists and turns, up and down, left and right, look up at the blue sky, look down, the gorge flows long, dingdong into a song, such as being in the Nine Heavens Palace, like a dream of Tengyun.

The hanging temple not only has a thrilling appearance, peculiar, magnificent, the building structure is also quite distinctive, the form is rich and colorful, the eaves have a single eaves, a heavy eaves, three layers of eaves, the mast structure has a beam lifting structure, a flat-top structure, a bucket arch structure, the roof has a positive ridge, a vertical ridge, a ridge, a poor ridge. The overall appearance, ingenious macro system, overlapping and overlapping, resulting in a kind of hole in the building, the building in the hole, half of the wall of the building and half of the wall, the cave and the hall, the hall and the unique style, it not only integrates the art of China's garden architecture, but also does not lose the pattern of China's traditional architecture.

For a while, there was no one in the banquet hall, and they walked around to see the Hanging Temple in front of them.

"How big does this platform have to be?" Feng Jianfei wanted to estimate the percentage of the temple's shrinkage.

Lin Hainan turned his head to look at the front and back, estimated his position, and replied to Feng Jianfei after thinking: "It should be a square, eight meters by eight meters." Last year I attended a seminar in the U.S., and I was introduced to a holographic projection table that was about the same size, but I looked at it as much more advanced than the one I saw at the time. At that time, the projection did not have such a clear resolution. ”

"It's not that far in China. ”

"If there is this technology in China, the preservation and collection methods of cultural relics will be refreshed, especially for the protection of cultural relics in tourist attractions. ”

Lin Hainan's words are not unreasonable. The protection of tourist attractions is already facing a very serious situation. Take the Hanging Temple as an example, the Hanging Temple has a history of more than 1,500 years, and in the peak tourist season, it receives more than 2,000 tourists on average every day. In order to prevent the building from being overcompressed, the local management department limited the number of people who can visit the Hanging Temple to 80 people at a time, and in previous years, the floor slab was thickened, but the damage to the Hanging Temple is still very serious. If all the domestic cultural relics restoration technology has reached the holographic restoration level, it will undoubtedly refresh the collection market of cultural relics.

However, the current situation is that China's cultural relics restoration market still has a lot of room for improvement, and most of the cultural relics restorers are still working hard in the front line of cultural relics restoration, and this traditional restoration method will consume a lot of time and energy of restorers.

And this time the restoration of ancient cultural relics is not only a good learning opportunity, nor is it just a clue to find the truth of his father's disappearance, and perhaps it is an excellent pedal for the rise of the domestic cultural relics restoration industry to a new field - Lin Hainan can't help but look forward to the upcoming ancient cultural relics restoration competition.