"In the room?"

"In. ”

"Have you and Yunhu packed their luggage, I came by car, I will help you deliver it to the post office and mail it back to your hometown, it is too troublesome to have large bags and small bags on the road. ”

"That's a good idea, everything is in Yunhu's place. ”

"Okay, then you don't care, I'll go directly to Yunhu, we can do this for the two of us, and we don't need you. ”

"Oh, Ling'er doesn't have to go, you let her come up and wait for me. ”

"She didn't come. With that, the wind dragon hung up the phone.

Su Tuo was a little strange, he had always followed his wind spirit closely, but this time he didn't come, which made Su Tuo feel a little unaccustomed. Enlighten yourself in your heart: Maybe something is wrong with her.

Su Tuo shook his head, putting aside this strange thought. first registered Weibo, then plugged in the charging cable, and slowly looked at it.

It's really a mess on the Internet, which is even more chaotic than Fu Xingzhi said. Looking at the process, it should be after Fu Xingzhi's phone call, and there has been a new development in the situation.

Su Tuo smiled helplessly, where is this, because of the two paintings of the same person, they have become a pot of porridge. He no longer paid attention to those pinching each other, and came to the Weibo of Editor-in-Chief Gu, where the discussion was relatively calmer and more rational, and the level was also high.

Su Tuo thought that this editor-in-chief Gu had actually become his "relative", and then thought of that elf-like girl. Will she be embarrassed to face herself because of something on the Internet? This is not a small possibility.

In Gu Ran's Weibo, most of the people are still denouncing the magazine. On the one hand, the main demand is to remove the watermark, and on the other hand, it is to scold the magazine for deleting comments. Indeed, after a while, these comments disappeared again, and it seems that there are special people who have come to delete the comments.

The comments that were deleted were all shouting nonsense;

Dong Wangchuan, Dean of the School of Art and Design: "This painting is such a realistic representation of the evening scene of the woman's troubled mulberry elm that we may be shocked and discouraged. However, if we can suppress the disgust at first sight, we may be able to achieve a great reward, because the sketch is so lifelike that it is a masterpiece. ”

Dongfang was defeated: "It's better to say than to sing, I just can't suppress the disgust at first sight, you come to bite me?" This comment probably hasn't had time to be deleted.

Wang Xiaoshu, professor of architecture at the University of the Arts: "Su Tuo loved his mother deeply with almost religious feelings, and he did not hide the vicissitudes portrayed on her almost deformed face, because he would not have thought it was terrible and ugly, on the contrary, he saw in it the dignity of human beings that has never been extinguished." ”

Liu Danqing, professor of Chinese painting: "Beauty is the result of continuous labor, and it is a constant gathering of inspiration. It appears in this world with pain, like everything that is supposed to exist. People seek pleasure and comfort from it, so it should not be a passing impression, or influenced by stale traditions!

Liu Jinghong, editor-in-chief of the Western Painting Department of Fine Arts Magazine: "Although "Portrait of Mother" is a sketch work, and there is no standard for 'beauty' under the public perception in the image, how can his vivid portrayal of his mother's demeanor not arouse the perception of some people. I think there will be people who stop in front of his paintings, look at the mottled lines, and admire Su Tuo's vivid depiction of the image of the elderly and sick mother, and at the same time, some people will feel ugly. However, judging from the subject matter alone, the image of the mother is generally not ugly, but more brilliant and great, whether it is his realistic display or intentional comparison, it has brought you a deep touch, which is the beauty of art. ”

Tong Zhiyuan, head of the Department of Chinese Painting at the University of Art: "When I first saw this painting, I thought it was very incomprehensible, because when we usually mention mothers, we often think of beauty, love, and kindness, just like the Virgin Mary in the master's pen. But Su Tuo's mother is a figure, like a withered tree, with demented eyes and an ugly face. But when I learned about the background of Su Tuo's painting, my doubts were cleared. ”

Gu Ran, editor-in-chief of Fine Arts magazine: "People like to look at beautiful things with their eyes, which is a natural tendency, and artists are also good at capturing the beauty of these appearances. We often reject the ugly things because of the beauty we see in our eyes. However, the beauty of the world is not only visible to the eyes, but the true art lies in the essential emotions. Su Tuo must be full of love in the face of his mother......

In this "Portrait of Mother", the simple and rhythmic lines outline the mother's sense of vicissitudes, and when I saw this work, I was deeply attracted by it and couldn't extricate myself. Therefore, in the next issue of Fine Arts magazine, Gu's clumsy work will be published, which will deeply analyze the dialectic of beauty contained in the work: how an aging woman with a dragon bell can reveal a unique sense of beauty with the technique of sketching. ”

Huang Xuan, President Emeritus of American University: "Since ancient times, 'painting is not about form', but about the likeness and artistic conception, and the taste is a traditional feature of Chinese freehand painting. 'On painting to resemble the form, see the neighbor with the child'. If the quality of a painting is based on the quality of the painting, it is not the standard to draw the image of the image. That's a child's insight, and everyone despises it. Therefore, throughout the ages, countless painters, especially masters who have made unique achievements in art, have pursued godlikeness.

Chinese painting has the abstraction and tension of poetry, and it also has the artistic conception and appeal of poetry. It impacts the viewer's senses in the form of generalized brush and ink, stimulates artistic associations, produces artistic extension, and resonates with emotional appeals. Painting like, far from being disliked, feels very similar, and has more artistic value.

Traditional Chinese painting emphasizes 'the beauty lies in the similarity and the dissimilarity, too similar is kitsch, and if it is not similar, it is deceiving the world'. The most prominent feature of Chinese painting in terms of aesthetics is the spirit of freehand, emphasizing the relationship between 'truth' and 'beauty'.

Painting creation is the true expression of thoughts and feelings, and we can only learn from the hearts of the ancients and follow our own path. The reinvention of the artist's artistic thought is the true reinvention of the essence of nature, not a copy of nature, but a deep understanding of the painter's inner world of natural life, and how the painter expresses himself in painting. The creation and appreciation of calligraphy and painting as a work of art must be grasped through mental understanding, and it is difficult to obtain it with concrete and tangible things. The painting method should be similar and dissimilar, similar and similar to the basic requirements of the painting method. The best thing is that you can not only see what the painting is, but also read the afterglow of the painting from the painting, so it is said that the beauty of calligraphy and painting is between the similar and the unlike. ”

Gu Ran, editor-in-chief of Fine Arts magazine: "Brother Huang's 'wonder lies between the similar and the unlike, too similar to kitsch, and not similar to the world' artistic conception is lofty and admirable. I wonder if Brother Huang can write an article on this theory and publish it in the magazine "Fine Arts". ”

Huang Xuan, honorary president of the United States University: "Brother Gu praised it falsely, and he has this intention. ”