"The third is, this painting...... is wrong. ”

Su Tuo's words made several people quiet. It's just that this is so strange, we all know that there is a difference between good and bad paintings, but I have never heard of a right or wrong one.

What does it mean to draw a mistake? Is the posture of the pen wrong, or is the ink color wrong, or the painting technique is wrong, or the three views of the painting are wrong? Even if there are the above problems, it cannot be called a mistake, but only that the expression of the painting is not good, the realm is not enough, the painting style is dark, and so on.

Liu Qing was not happy and said: "You have a good eye, you have a deep understanding of Chinese painting, and the comments just now are also commendable, we no longer treat you as a child." But you can't talk nonsense because of this, I have been painting for many years, this is the first time I have heard that there is a painting wrong, I hope you can have a reasonable explanation. ”

After Liu Qing finished speaking, he looked at Liu Danqing and Tong Zhiyuan, and neither of them stopped him. He was happy in his heart, this time he was betting on the right treasure, and the two of them really didn't agree with this statement.

Feng Long's eyes were a little confused, he didn't understand, so he could only wait for Su Tuo to solve his doubts. Feng Ling didn't know when he took off his hat, his long black and shiny hair and bright eyes and bright teeth were like an elf, which was indeed amazing. At this time, she blinked her big black eyes, and did not look at the painting, but turned around on Su Tuo, like a curious baby.

Su Tuo didn't sell Guanzi, nor did he care about Liu Qing's questioning, and said flatly: "Professor Liu may not have lived in the countryside, I have lived in the countryside since I was a child, and I happen to have raised chickens. That's why I just know that chickens don't eat beans. We have a proverb there: chickens don't eat beans, and children don't beat uncles. The chicks in this painting are clearly surrounded by soybeans, and the chickens in the painting are still pecking. That's why I say it's wrong. ”

After listening to this, Liu Danqing was noncommittal, and muttered in his mouth: "Do chickens really not eat beans?" Tong Zhiyuan also didn't know about this and didn't comment.

Everyone looked at each other, and the atmosphere in the small hall became strange. It's no wonder that from the discussion of tall art, he was directly pulled by Su Tuo into the interesting story of raising chickens in the countryside, and anyone had to be stunned for a while, except for one person.

That is Feng Ling, since she came to the small hall, all the discussions are about Chinese paintings, and she has not been able to interject. This interesting story of raising chickens surprised others, but she became interested. Preemptively said: "You mean that chickens don't eat beans, probably because the chicken's mouth is too small to eat soybeans." They also have little strength and can't peck soybeans before eating. ”

Su Tuo replied: "No matter whether it is a big chicken or a small chicken, they don't eat beans. Most of the soybeans in the painting are crushed beans, and Professor Liu may have thought of this knot when he was painting. ”

"That's why I made this painting with the intention of painting millet. However, the millet is too finely chopped, which is not conducive to the composition after painting, so it is changed to soybeans. Unexpectedly, the chickens did not eat beans, alas, this was a heavy blow to me. I will definitely learn a lesson in the future, and I must be more rigorous in my paintings, and I will not make things up without permission. Liu Danqing was embarrassed and reviewed it seriously.

Liu Qing jumped out here and said, "Teacher, things haven't really been clarified yet, so you don't have to admit your mistakes." It sounds extremely unusual and counterintuitive for chickens not to eat beans. I don't believe we can do a survey in Huamei, I estimate that more than 90% of people will think that chickens eat beans. So, even if it's really chickens that don't eat beans, it's understandable. Besides, now the truth is still undecided, for example, I don't believe in chickens and don't eat beans. ”

Liu Qing paused when he said this, looked at Su Tuo and said, "For example, if I break the soybeans a little more, similar to millet, don't you eat chicken?" ”

"You just grind it into bean noodles, and you don't eat chicken."

"So, if it's not soybeans, what about mung beans, black beans, or cowpeas?"

"I don't eat either."

"Alright, alright, I'll go to the chicken farm and find out about it thoroughly when I go back. Fortunately, there is Su Tuo's reminder that if this painting appears in an art exhibition or magazine, wouldn't it make people laugh off their teeth. ”

Liu Danqing interrupted Liu Qing's nonsense, and then said: "I am very grateful to Su Tuo Xiaoyou for not letting me out of the ocean this time." I'll take this painting back today, make another one, and paint millet on the ground. If you think about it carefully, the predecessors really gave beans to eat when they didn't draw chickens, hahaha. ”

"Professor Liu, you have an overreputation, I just happened to raise chickens, it's nothing."

At this time, Tong Zhiyuan said: "Not necessarily, there are many people who raise chickens, and I don't necessarily know that chickens don't eat beans." Again, this is the result of your observations. ”

"I don't agree with you, chicken keepers must know that chickens don't eat beans, they just need to feed the beans and they will find out." The crisp sound was naturally made by the wind spirit.

"Haha, Ling'er, this is that your experience is not enough. In our lives, the average person follows the rules. For example, raising chickens will be fed according to the experience of their predecessors, who knew that chickens do not eat beans, so naturally they will not add beans to the chicken food ingredients. Later generations will not know if they feed it like this, which is called a blind spot of knowledge, just like the blind spot of the eye, sometimes things are clearly in front of you, but you can't see it. ”

"It's still not right, when the chicken growers decide to feed the beans for themselves, they can still find out."

"Hehe, for example, if you raise chickens, do you do it according to the simple and effective experience of your predecessors, or do you try it yourself?"

"I'll try it myself."

"Well, forget it, when I didn't say, let's look at another painting."

Su Tuo and Fenglong heard the conversation between the old and the young, and they couldn't help laughing, and their bodies trembled slightly.

A few people came to another painting, which was a picture of a plum blossom peacock.

In the painting, a stout plum tree stands diagonally on the soil slope, and its main trunk sticks out of the painting to the right, with vigorous branches and lush flowers. One peacock perched on a rock, the other walking towards it. Two more dried plums appear horizontally from the upper right of the picture, slanting towards the lower left of the picture, occupying most of the space, and naturally directing the viewer's gaze to the dirt slope grass under the trees.

The few people in front of the painting did not speak, and their eyes turned to Su Tuo, as if waiting for his comment. Su Tuo smiled helplessly, just look at the painting, how did he become a commentator? After looking at the eyes of a few more people, he finally had to speak.

In terms of expression techniques in this painting, the painter has adopted both fine brushwork and freehand, and the bird body mostly uses the boneless method, focusing on realism. The brushwork is delicate, the hook and dye are combined, only the mountain stone is written with an axe, the plum blossom trunk is written in ink and water, and the peacock is delicately depicted, the whole picture is between the virtual and the real, the layers are distinct, and there is an obvious contrast, the color is bright and vulgar, and the picture effect is harmonious and unified. ”

After saying this, Su Tuo looked at Liu Danqing and Tong Zhiyuan. The two just nodded slightly, without meaning to speak, Su Tuo had to continue.

In the painting, several pheasants stand on plum branches, coupled with dense plum blossoms and camellias, adding to the momentum of flying, the picture is lively and interesting, and strongly renders a fun, vivid and cheerful artistic atmosphere. This work makes extensive use of the Song Dynasty color and boneless method, shuttling between the fine brush and freehand, with ease, although Seiko but elegant. ”

After Su Tuo finished speaking, he looked at the two of them again, still smiling. Su Tuoxin said: "You guys are going to be stupid boys, right, if you don't speak, I'll force you to speak." ”

Su Tuo paid attention to the painting again, and then said: "It is a masterpiece to create this work with strong brushwork and dripping ink. But it's a pity ......."

Speaking of this, several people really straightened their necks and stared at Su Tuo waiting for the following.

Su Tuo pretended to be quite regretful and said: "This painting ...... Also wrong. ”

"Puff~Puff~"