As several old people stepped forward to take a closer look at the paintings, the people behind them gradually surrounded them, until they reached the inner and outer three floors.

Guan Qingshan and the people from the Qingshan Painting Academy were also in the crowd, and in addition to the shock at the beginning, his face was now full of anxiety. Fan Weidao has been on the side and hasn't made much progress, but Wu Bozhou's lean body board actually squeezed into the middle, and he looked at the big stone on the painting very seriously.

Guan Qingshan was afraid that Wu Bozhou would forget the business he had come over today, so he squeezed forward hard, and reached out and pulled Wu Bozhou's sleeve. Wu Bozhou didn't look back, he unceremoniously took his arm forward and broke free. Guan Qingshan saw that this was not feasible, and pulled it hard, and then Wu Bozhou looked back with anger.

Finding that Guan Qingshan was squeezing his eyebrows at him, he was relieved, and nodded to Guan Qingshan, indicating that he knew. Then he turned back and continued to look at the big rock.

Feng Ling was pulled by his grandfather at this time, and in the innermost circumference, no one dared to squeeze this side. But she was not happy, looking at this familiar painting and not knowing what she was thinking, but the lower her mouth was pursed higher, and her face became more and more unsightly, but fortunately, no one paid attention to her now.

"Boss Hu, I have a handkerchief here. Qiu Lihua stabbed Hu Mingquan in the back, because Hu Mingquan was everyone's eyes, so several bosses worked together to escort him to the front.

Hu Mingquan came back to his senses from the painting and whispered, "What are you doing with a handkerchief?"

"Wipe the hara from your mouth. ”

"You're drooling when you go. ”

Ma Shifeng said: "Don't make trouble now, Boss Hu, tell me what's going on with this painting." We can only see that it looks good, and there is an urge to buy it and hang it at home. ”

"Don't discuss it yet, wait and see, and if possible, I hope one of you can take it and designate a significant appreciation in the future. ”

"Husband, this painting is so beautiful, is it good for us to buy it, our newly renovated house is just missing a painting. ”

"This, I also look so beautiful, but if you look at the surrounding situation, this painting should be unusual, and we don't think we can afford it. ”

"I think so, it's a pity. ”

Inside, Huang Xuan looked at Feng Yimo and said, "Brother Feng, let's talk about your painting first." ”

Feng Yimo retracted his gaze, smiled indifferently, and said: "Brother Huang is actually joking, to be honest, I am also like everyone else, it is the first time I have seen this painting." It seems that Ling'er and Long'er were present when Su Tuo painted, and Ling'er was still researching ink, hehe. ”

"Don't show it, just talk about it. "Zhong Ming spends most of his time looking at the inscription and the seal, so he can read it faster than others. Hearing the first few words, the people in the back quieted down and stopped discussing the matter of buying paintings.

"Obviously, this is a pure boneless painting of flowers and birds. The reason why it is said to be pure is because this work was taught in the Northern Song Dynasty boneless flower and bird technique, and on the basis of inheriting the tradition, it completed the ancient restructuring of boneless painting, and brought forth the new. This work is obviously a sketch painting, and it can be said that it has created a new school of boneless flower and bird painting.

In the painting, the flowers and leaves are directly painted with light ink, and then dye the flowers directly with a little rouge...... The whole painting is exquisitely composed, and the colors are bright and beautiful. Affirmation, free and easy, is a masterpiece"

Feng Yimo's evaluation is quite high, and painters who can create a school often have to reach the grandmaster level.

Wu Bozhou immediately retorted: "Brother Feng, I agree with the views of the work. However, you say that this painting can start a sect, I don't dare to agree, but anyone who can achieve that kind of achievement must be a grandmaster. ”

"Brother Wu is serious, I didn't say that the sect was established, the painting master of this painting is ancient and innovative, I think it can be established as a branch of boneless flowers and birds, for example, it is called the boneless flower and bird sketching school, this is a painting method that has never been painted in boneless painting. ”

This time, Wu Bozhou did not refute, because this painting obviously has the atmosphere of inheriting the past and forging ahead into the future.

"Danqing, his research on boneless is much deeper than that of our old guys, come and talk about it. ”

At this time, Liu Danqing was arguing with Tong Zhiyuan in the back, and his face was red, and he didn't know why.

"I'm here, well, this work is inspired by both Xu Xi's brushwork and Huang Qian's color, so as to form its own characteristics - light but not thin, beautiful but not inconsistent, beautiful and elegant, not turbid and not vulgar, crisp and neat, both brushwork and fullness. Liu Danqing said that Xu Xi and Huang Zhen were painters in the Five Dynasties period, and they belonged to the early stage of boneless painting, and the level of boneless painting at that time was very limited. Helplessly, the better techniques of later generations were scattered, so the world had to study the boneless methods of these people.

Tong Zhiyuan squeezed Liu Danqing to the side and said, "Lao Liu is right, but this is just a general talk, not down-to-earth. Let me tell you about a technique I just learned from it, that is, the method of "dotting the flower head": using white powder dipped in a pen with a little rouge, and then rendering it with rouge, we are all dyed directly from the root of the petals. Su Tuo's boneless method is based on various dyeing methods such as jointing, pointing, flushing, flowing and staining, so that his paintings also present the natural beauty of light, elegant, delicate and elegant. In short: chalk with grease, dot dyeing with the same use. ”

Liu Danqing's strength was not as good as Tong Zhiyuan, so he had to push him and said: "Don't rob me, not only that, there are many unique techniques in this work, which need us to study and use."

For example, the painting method of flowers and leaves is also very particular, focusing on the distinction between the old and the new, the front and back, the back, the front and the back, first write with the boneless and heavy green, and then use the Jinyi brushwork to hook the leaf tendons with dark green, and the corolla part uses the change of dry and wet shades to show its position and its old and tender, and the line of brushwork is exquisite, in one go. ”

Huang Xuan looked at the funny appearance of the two, nodded, and turned to Gu Ran and said, "Brother Gu has any unique insights to share with us?"

Gu Ran said: "Brother Feng said just now, this painting has created a precedent for boneless sketching. Sketching is one of the most commonly used methods in the West, so this work has a lot in common with the West, and Su Tuo has a mentality of learning from nature, which may be related to the fact that he is also good at Western painting. Let me pick one point, and that is color. I think all the people who see this painting will have a sense of amazement, whether they know how to paint or not, whether they can draw or not.

The colors of the paintings are beautiful, bright, transparent, pure, spotless, and elegant. The overall posture, color, light, and shape of the painting are beautiful, brilliant and vivid. He uses color as ink, and his paintings are distinctly layered, simple and generous, beautiful and tranquil, and unique. ”

Fan Weidao said at this time: "Editor-in-chief Gu uses the colors of Western paintings to evaluate Chinese paintings, and we have really benefited a lot. I have a little doubt to ask, this painting is indeed stunning and refreshing. However, we should avoid using extreme colors in Chinese paintings, such as flowers should not be too red, and leaves should not be too green, otherwise they will look kitsch and lose their elegance......"

Gu Ran looked strange after hearing this, and didn't want to pay attention to him. I only heard Huang Xuan laugh and said, "Chairman Fan, I think this matter is because you didn't read the painting carefully. If you look closely, can you use any kind of extreme color in this painting?"