Chapter 541: The Treasure of the Japanese Army (I)

…… When the second canvas is opened, it is also a wooden box that is also stacked, but the wooden box is not as regular as containing gold and silver, and the size is also different.

Liu Dong picked one of them casually, and after holding it down and opening it, two exquisite porcelains surrounded by some rotten hay appeared in front of him, and the rich aura flickering on the porcelain under the light of the relics made Liu Dong can't wait to pick them up one by one and admire them!

Qing Dynasty Qianlong Imperial Kiln 'Pastel Flower Butterfly Pattern Gourd Zun', 22 cm high, in the Sotheby's Hong Kong auction that just ended last year, there is a piece similar to Liu Dong's hand, its auction price, plus the commission of the price is 30 million Hong Kong dollars!

The other remaining one is the Qing Dynasty Yongzheng official kiln 'glaze red sea dragon pattern plum bottle', of course, this Yongzheng official kiln is not as good as the price of the Qianlong Imperial Kiln gourd, but the current market price is also 2 million, and it is still rising.

After carefully looking at each piece, Liu Dong put away the two pieces of porcelain and opened another box again, there is only one porcelain in this box, but the volume is not small, it is a 75 cm diameter of the 'Ming Dynasty Jiajing Nian Qinghua Song, Bamboo and Plum Fu Plate'! In the 88 Sotheby's Hong Kong-Hong Kong auction, its price was 900,000 Hong Kong dollars, and the current market price is estimated to be more than 5 million!

However, in addition to the 'Qianlong Imperial Kiln Gourd Zun' at the beginning, the remaining two pieces of porcelain, among the porcelain that was looted by the Japanese at this moment, the precious Cheng dù can only be regarded as medium, and there are three of the five famous kilns of the Song Dynasty that are even more valuable than them, namely 'Official Kiln Pink Blue Glaze Dragon Pattern Wash', 'Official Kiln Bile Bottle' and 'Brother Kiln Kwai Mouth Plate'. These three pieces of five famous kilns. There are no less than 10 million of any of them.

Plus these three pieces of five famous kilns of the Song Dynasty. Liu Dong already has five official kilns of the Song Dynasty in his hands! If you add Li Lao's collection, it becomes ten! In this alone, it has surpassed more than 95% of museums in China!

And the precious porcelain at this moment, in addition to these three pieces of the five famous kilns of the Song Dynasty, there is also a 'Jin Dynasty Jun kiln sky blue glaze purple spot bowl', which is also very valuable.

There are 7 precious Yuan blue and white flowers here, the most precious of which is a 40 cm high 'Yuan blue and white folded peony peacock flat bottle', which was sold at Sotheby's Hong Kong auction in 88 for 4.89 million Hong Kong dollars. It's definitely worth more than 15 million now!

In the past, the Yuan blue and white, the imperial kiln of the Ming Dynasty, the official kiln added up to a total of 285 pieces, and the folk kiln had more than 900 pieces, such as the value of more than 10 million yuan, there are "Ming Dynasty Hongwu Nian glaze red peony pattern jade pot spring bottle", "Ming Yongle blue and white round flower flat belly ribbon gourd bottle", "Ming Chenghua blue and white year cold three friends plate" and so on a total of 87 pieces!

As for the imperial kilns and official kilns of the Qing Dynasty, there are more of them because of the closer relationship of the times! There are 649 pieces, and there are nearly 2,000 pieces of folk pottery!

And the precious ones such as "Qing Dynasty Kangxi blue background enamel color imperial inscription poem bowl", "Qing Dynasty Yongzheng Doucai Sanduo bowl", "Qing Dynasty Qianlong year pastel hexagonal hollow fruit pattern hexagonal bottle" and so on are also valuable.

These 4,000 pieces of porcelain, plus the 1,500 pieces of porcelain that Liu Dong got from Zhao Rongcheng, plus Liu Dong's own leakage gains, as well as the accumulation in Li Lao's collection and the porcelain in Wang Kun's secret room, all of them add up to the number of porcelains in Liu Dong's hands is more than 8,000 pieces! Although the fine imperial kilns and official kilns only account for one-fifth, they are far less than the Forbidden City and other large museums. However, it is more than enough than the above, and it is not bad compared to the collections of major provincial museums!

"Oops. It's already so late! After Liu Dong simply counted and stored these porcelain, he looked at his watch, and the time was unconsciously seven o'clock in the evening!

If you don't go back, I'm afraid Wang Qiang and Yan Qingqing won't be able to get through to him, so they should be in a hurry! At the moment, Liu Dong didn't care to look in detail, and directly put the remaining six rows of large wooden boxes into the mustard seed space, and then returned to the surface along the same road, of course, seeing the joy of hunting, Liu Dong also collected a large number of weapons, such as grenades, heavy machine guns, mortars, 150mm heavy howitzers, etc., and put them in his mustard seed space. Although Liu Dong can't play with the latter few weapons alone, it is still very good as a collection.

In addition, as a man, Liu Dong, like most gentlemen, also has a soft spot for heavy firepower weapons!

After closing the outermost steel gate again, and then recovering the stones in the mustard seed space, Liu Dong found his Land Rover and drove back to the city.

Although Wang Qiang did not move here because of the proximity to work, Liu Dong had already begun to slowly fill up the manpower of the entire manor, and even transferred Guan Ping, who was originally in charge of the security of the furniture factory, over.

This deputy of Zhou Jun is a retired sniper of the special forces, with good abilities in all aspects, coupled with being cautious and steady, Liu Dong is also very relieved to be in charge of the security of the manor, but relatively speaking, Guan Ping's combat effectiveness is not too strong, so Liu Dong plans to find a few people who know martial arts from the senior brother to come over, and transfer Mu Gang to the manor, with Mu Gang here, unless he is a master of the Baodan Realm or the peak of the Transformation Realm, no one can beat him.

Putting the car into the garage, Liu Dong walked into the main villa in the backyard, although this manor with an area of more than 16,000 square meters has been filled with 15 security personnel and 25 servants in charge of hygiene, but it still seems very empty.

After saying hello to Guan Ping, Liu Dong walked to the study on the second floor of the villa, closed the door, turned on the light, and began to continue counting his harvest.

In the past, porcelain, followed by Liu Dong's favorite calligraphy and painting, because of the preservation, there are not as many as porcelain, but there are still nearly 2,000 pieces.

Among these calligraphy and paintings, the calligraphy and paintings of the Ming and Qing dynasties accounted for eighty percent of them, Xie Huan, Shang Xi, Ni Duan, and Li Zai in the early Ming Dynasty, the 'Wumen Four Families' in the middle of the Ming Dynasty, Dong Qichang and Lan Ying in the late Ming Dynasty; The "Four Monks" in the early Qing Dynasty, the "Four Kings", the "Eight Monsters of Yangzhou" in the middle of the Qing Dynasty, and the original paintings of Ren Bonian, Wu Changshuo, Zhao Zhiqian and many other masters in the late Qing Dynasty are listed one by one!

With the addition of these paintings, the Ming and Qing dynasties in Liu Dong's calligraphy and painting collection have become a complete sequence, and basically all the authentic works of the Ming and Qing dynasties are available! It's just that the quantity and quality are still different from the top museums in China!

Of course, compared with the Ming and Qing Dynasty paintings and calligraphy, the paintings before the Yuan Dynasty are more precious, but there are only 147 of them, the most precious of which is a Tang Dynasty Yan Liben's "Eighteen Bachelors of the Qin Mansion", the bright red aura on it, and the identification results of the relics show that this is the authentic work of Yan Liben!

Anyone who knows anything about Chinese history knows that this famous master of Chinese painting in the Tang Dynasty is known.

The "Eighteen Scholars of the Qin Mansion" was painted by Yan Liben in the ninth year of Wude, and is the portrait of 18 literati and strategists such as Fang Xuanling and Du Ruhui under Li Shimin, the king of Qin.

And the famous Tang Dynasty Lingyan Pavilion 24 heroes portrait is also from the hands of this master, but it is a pity that thousands of years of smoke, following the Han Dynasty Qilin Pavilion, Yuntai painting heroes after another large-scale political portrait painting activities have ceased to exist.

But this "Eighteen Bachelors of the Qin Mansion", which made Liu Dong very excited, can still get a glimpse of Yan Liben's superb painting skills, as well as the heyday of the Tang Dynasty!

Second only to Yan Liben's "Eighteen Bachelors of Qinfu" is the "Bird Picture" of Huang Zhen, the ancestor of the five dynasties of Xishu flower and bird painting, who is good at painting flowers, bamboo, feathers, Buddhism, figures and landscapes, with comprehensive skills, and the "wealth" of the painting is distributed to the masters of flower and bird painting in later generations. The picture scroll of "Sketching Rare Birds" that has been handed down is one of the second batch of 17 paintings and calligraphy banned from being exhibited abroad! It can be seen that his works are precious.

Second only to Huang Quan's "Picture of Birds" is Guan Tong, who is also a painter of the Later Liang Dynasty of the Five Dynasties, and his landscapes can quite express the characteristics and majestic momentum of the mountains and rivers in the Shaanxi area. Mi Fu of the Northern Song Dynasty said that he "Gongguan River potential, peaks and mountains are less delicate". Guan Tong can surpass Jing Hao's pattern in the conceptual creation of landscape painting, and reveal his own unique style, which is called Guanjia landscape. His painting style is simple, the image is bright and prominent, concise and moving, and he is known as "the simpler the pen and the stronger the spirit, the less the scene and the longer the meaning".

Guan Tong likes to make the life scenery of autumn mountains, cold forests, village dwellings, wild crossings, secluded people, and fishing villages and mountain posts, which can make the viewer feel as if they are in the scene, "leisurely as in the wind and snow of Baqiao, when the Three Gorges smell the ape", which has a strong artistic appeal. Commentators say that his achievements in his later years are more capable of being blue than Jing Hao, and he is a powerful successor of Jing Hao's painting school, and is called Jingguan together with Jing Hao. The Northern Song Dynasty listed him, along with Li Cheng and Fan Kuan, as the "Three Dingzhi", which had a great influence.

And at this moment, this painting in Liu Dong's hand is Guan Tong's real work "Chunshan Xiao Temple Map"!

In addition to these three, there are 2 works of the Five Generations among the remaining 147 paintings! They are the "Horse Husbandry" of Hu Bi of the Tang Dynasty after five generations and the "Female Fairy Doctor" of Ruan Gao of the Five Generations!

Among the remaining 142 paintings, there are 54 paintings and calligraphy of the Song Dynasty, some of which are copied from the handwriting of famous predecessors, and some belong to the real masterpieces, such as Guo Xi's "Ancient Wood Yaoshan Map" and Liang Shimin's "Willow Creek Xinji Map"!

The remaining 88 paintings are all paintings of the Yuan Dynasty, among which there are authentic works of Huang Gongwang and Wang Meng, one of the four masters of the Yuan Dynasty!

In addition to the 147 pre-Yuan paintings, there are also 115 pre-Yuan calligraphy scrolls!

………………………………………………………………………………………………………………………… (To be continued......)