Here's a way to quickly figure out how it works by watching a magic show. This approach can deepen your understanding of the abstract concept of "magic thinking" and help you understand how to think backwards.

By the way, if you think about it in the long term with the methods provided in this article, you don't just go to see the magic tricks, and you can guarantee that you will have your own original magic tricks in a short time, even if it is just original magic processes.

You have to understand that there are two ways of thinking, the idea of reverse thinking and a magic method called the analysis of positive and negative realities.

Reverse thinking: Thinking about the problem from the conclusion in turn

Positive and negative reality analysis: Analyze the reality and positive and negative sides of a magic trick. Maybe the definitions of the two are more abstract, so let's give you a detailed explanation of how to connect the two

I'll start with a very simple magic trick - a coin is threaded through the bottom of the glass into the glass.

I believe everyone knows this magic, so how do we use the above methods to analyze the principles and secrets?

First of all, think about it in reverse, and then use the positive and negative reality analysis method to analyze the reality of this magic trick, that is, from the scientific and achievable method: [first analyze the non-traversal prop type of crossing] An ordinary coin, an ordinary cup, the coin cannot penetrate the glass anyway, because it is unrealistic. So think about it again, if you want to get the coin into the cup, you can only use the technique, what you have to do now is to think about the technique, of course, you can refer to the basic section of the forum to think about it to see if there is a suitable one.

If not, you can continue to consider whether or not to use magic props, and I won't go into too much detail here on how to analyze which props are them.

In fact, it is very simple, for the average enthusiast, with the above method, it is completely possible to tell whether a magic trick is a prop magic trick or a magic trick that uses To, but this is only a quick method, and this method must also be based on the fact that you already have a lot of magic knowledge. For the general enthusiasts, it is generally difficult to analyze a magic tutorial using this method, but you can try to start with simple magic tricks first, and stick to it for a long time, in fact, even if you don't learn any magic teaching, you can do it when you see a magic trick performance, and you can perform it completely, because magic teaching can never be learned, the key is a good method.

At the beginning of the performance, all the magic lovers and magicians present were deeply impressed by his exquisite skills, and let everyone feel that the strength of the FISM champion is really extraordinary! Today, Ger Copper's performances are almost all processes that I have never seen before, and I am deeply impressed by the master's calm typhoon and stable movements on stage! Today, a total of four magic processes were taught, the first is the method of disappearing coins, Ger Copper explains in detail how to use the stash pocket, making everything look so natural. The second magic trick is a magic trick that instantly finds cards, which should actually be called a method. This method makes it easy to find a random card in a deck of cards that the audience is talking about (which is not a good idea of the design magic secrets). The third magic trick is a very practical process for a general audience. The fourth magic trick is also one of the most powerful processes, Ger Copper's original three-cup ball process, which is the first time that the secret of this process has been revealed, which applies Ger Copper's usual method of stealing the ball and some of the rarely seen three-cup ball techniques! Here are some of Ger Copper's magic theories

Mastery of timing: In fact, a professional magician needs to know all the rhythms and points of the music to match the magic, and then edit the music for your magic, and also need to leave some time for the audience to applaud and reflect, so that you can enjoy the applause given to you by the audience. Because you change a lot of cards when you change cards, it's very good, but if you just play music and perform at the same time, your performance has no soul, no place, no point! So find where you end in any detail, and at the end there must be a point that reminds the audience to applaud. At this point when the audience sees this point, and then sees your movements, he knows that I should applaud. Sometimes you see a lot of illusionists who will always use the same rhythm of music, like the magic of disappearing, and when they disappear, it will still be the same kind of music, and it is better to have all the points that appear to disappear to be knocked on the music. The reason why Lance Bolton is so good is because he knows that every movement he makes is in the second of the music, Copper's advice to young people is to go to the gym first to make your body full of strength, preferably, and then take a little class on jazz dance, so that the movements will look more beautiful and elegant on the stage, on the stage to be self-centered, on the stage must be steady, you can put a book on your head when you usually practice, so that you will find yourself very stable when you practice. On the stage, you must have this kind of model of standing up to the sky and the earth, leaning forward, which is more pressing. You can learn all this if you learn dance. Nowadays, many young magicians like to do some weird moves to attract the attention of the audience, and nature is the best anyway!

In the process of performing close-up interactive magic, if you need to take out a deck of cards, don't say that this is an ordinary poker picture, because in the subconscious of the audience this is an ordinary deck of poker, and if you emphasize it too much, it will make the audience suspect that this is not an ordinary card. When you need to tell the audience about the technique during the magic show, don't say the terminology, the term the audience doesn't understand, you can say an action, or a technique or something. Try not to get into the jargon of the interaction with the audience.