"Three!"

"I guess at least four!"

"Four? No way! ”

Mochi smiled and slowly opened his hand, and there were actually seven coins inside. Hide three pieces in the palm of your hand, one in each of your four knuckles, and the skills are amazing!

"Wow, what an idol!"

"That's awesome!"

"When will I get to this level?"

Mo Qi waved his hand and said easily: "The most powerful coin master can hide up to nine coins, of course, the flexibility is greatly reduced, professional magicians generally practice hiding coins at least three coins in their hands anytime and anywhere, eating, holding things, and even sleeping are practicing." ”

"Some senior enthusiasts have practiced their skills proficiently, but they always feel unconfident when performing in public, or the effect is not good, and I still don't have the details in place!"

"I'm going to talk about guidance in magic, and what is called guidance today is not misguidance, but it's very similar. Let's imagine if you were performing a prop magic trick for an audience, such as a hidden line levitation poker trick. ”

"The principle is to stick the hidden line directly behind the poker, and then the other side is glued to the hand, like a tarantula, and now you levitate a poker. If the performance continues to hover like this, as a spectator, you will definitely suspect that there is a thread or something between your poker and your hand, and if you don't receive the guidance of the performer, the audience will be driven by curiosity to take the poker away with their hands, and if you find the thread, then it will be exposed. ”

"Of course, this curiosity is normal, when you see a magic trick, if the magician only does a performance and doesn't do a guide or explanation, you will also go to see the props."

"So how do we do it? First of all, let's start with the eyes, when doing prop magic, it's best to look at the audience with your eyes. Of course, it's not to look all the time, pay more attention to his eyes, the purpose is to make the audience follow your eyes. ”

"Then there's language, and magicians, especially close-up magicians and street magicians, have a very high level of language ability, and in fact, this language ability is the ability to guide. Take the hidden line as an example, before performing the magic trick, you first glue the hidden line to the corner of the poker, and you have to explain it to the audience before the performance, so as to dispel his doubts about the magic trick. ”

"For example, you can try to shake your other hand up and down on a poker and then stare at the audience, to show that there is no such thing as a line in poker. At this point, you can get closer to the audience and draw a random card from a stack of pokers to the audience and let the audience do it with you. ”

"And then keep communicating with the audience, when you hold the hidden line with your other hand, you have to pay attention to the movement, don't be too stiff. If the audience is staring at your hand that is holding the hidden line, slow down and let the audience watch his poker play with you, at which point you can talk to the audience more. ”

"Of course, the spectator's poker can't be suspended, yours will be suspended. It's not over here, the next thing to do is to end this magic trick a little faster and move on to the next one, if one magic keeps going like this, the audience will have doubts. ”

"Here's an example. If Liu Yiqian wears glass in his hand in the 2010 Spring Festival Gala, after his hand enters the glass, after holding the coin, his hand is stuck in the glass, and then he keeps going up and down, which will make the magic magically halved. ”

"Because the magic effect is mainly done in an instant, and it is also reminding the audience to look everywhere, once the magic effect comes out, it must end quickly, so that the audience has no time to think about why. Once the magic is over, you don't have to panic and take the props away or hide them, everything should be natural, and you might as well distract the audience and inadvertently shift the props, or some props don't have to be moved. ”

"If the audience wants to check the props, this is normal, and people who watch the magic show have a kind of mentality, that is, they all want the magician to fulfill their wishes, and once it is satisfied, as long as the performers grasp their psychology, often the audience will not ask for the inspection anymore."

"For example, if you want to perform a magic trick now, you take an ace from the bottom of the poker to the top of the poker, and then you put the top card in the poker card, blow a breath, and the ace goes to the top again."

"The magic is very simple, Ace makes a BREAK when he is below, then takes the last 2 cards and puts them on the board, and then puts the first card on the board. At this time, the first card is not an A, and it is put into a stack of pokers, and the Ace is of course on top. ”

"If the performer is acting very directly like this, you, as an audience, will definitely suspect that the performer is not an ace or a 2-card from below, so you might as well do a few more feints."

"The first time you perform, tell the audience what you're going to do, and then you take the cards in your hand, and you take the aces. Then put it on the board, and in the process say that you put the ace into the poker in a moment. At this time, turn the poker over, the audience can see the A, insert the card into the general, and then ask the audience to put the A on the bottom of the card. ”

"Then it's the second performance, and that's when the real show begins, but watch your eyes, don't stare at the poker, look at the audience, just like the first time, laugh with the audience, and then slow down a little bit faster. It's better to be a little faster than the first time, but not too fast, and then you're done with the magic, asking the audience to check if there are multiple aces in the poker before you're done. ”

"I see, today I finally know the biggest difference between amateur and professional!"

"A magician should not only be fast, but also have a playful look!"

"Every magician is a good actor!" 10