Chapter 302: Why Can't You (Part I)
He Zhixiang's performance was the first to be affected, it is an indisputable fact that the teachers' performance level is much higher than that of the students, but in fact, the repertoire played by the teachers is also several levels more difficult than that of the bear children, especially the last rose of Paganini's summer, which is not a plane at all.
So in other words, teachers and students face similar performance skills.
Another point is that the teachers surpass the students not only in terms of skills, but also in their performance experience, which is also the advantage that He Zhixiang brought back his good and proficient piano experience at the moment of being affected.
What is called the Divine Comedy, in fact, the concept of the Divine Comedy is very vague, generally refers to the song with extremely strong toxicity, great repetition of rhythm, and wide spread, it is obvious that among the three poles, the first two are the most influential.
"You are my little apple, I can't love you too much, my red face warms my heart, lights up the fire of my life, and the fire is ......"
The rhythm of brainwashing made He Zhixiang hum unconsciously, and then played with his fingers...... One person on the street.
The difficulty of the repertoire chosen by Akiho Yoshikawa is average, and it has only started for a minute, and his forehead is already covered with fine sweat, although there is no mistake in the current performance, it can be seen that Akiho Yoshikawa's performance is very reluctant.
As for Baili, it was very water-free, and the moment the Divine Comedy was released through the five sounds, he stopped with ten fingers, got up and shook his head, and said, "It's too difficult, I can't do it." ”
In fact, anyone with a discerning eye can see that Baili did not try his best.
On the other hand, Tang Lei, who recorded the whole process at the request of Mozart. Concentrate on the completion of the work very seriously, and the rest of the bear children whispered a discussion.
"We don't blame us for not being able to do it. You see, you look at Teacher He Zhixiang, and Professor Baili can't succeed. ”
"Yes, yes. It's too hard. ”
"Why would the principal give us a question that even teachers can't complete? ”
Talking in a whisper, whether it is an adult or a child, will always find a suitable reason for his own shortcomings, not to mention that this reason is the truth.
There was only Mozart and Paganini's violin playing at the scene, Lu Shichen looked at the two with interest, and when the performance was close to the middle of the performance, Lu Shichen stretched out his hand and signaled again.
Instantly!
The five large speakers placed in the shape of a pentagram were all playing the Divine Comedy that was also on Earth a second ago. In the next second, the five 3D stereo surround speakers will be played.
As mentioned before, Blue Star has a striking resemblance to the historical trajectory of the Earth and some celebrities, so many of the Earth's famous Divine Comedies have reappeared.
"Little Apple" and "The Most Dazzling Celebrity Style", the two divine comedies, they have a common feature that they are both very loud, and the chaotic scene is even more chaotic in an instant, more noisy than noisy.
Two voices, two rhythms, as if two invisible dragons in the air were fighting for an inch of land and biting each other. Compared with just now, it's really not as simple as 1+1, and the difficulty has climbed at least three times compared to the song just now.
The ears are actually very similar to the eyes, and they have a strong processing ability. But there is a limit to the number of things you can handle, and you don't have to say anything to forget everything around you if you forget about playing it.
Strictly speaking, selflessness is the ability to discard all external influences. But in the realm of self-forgetfulness, do you think you can really enter it casually?
Niu is like Lu Shichen, and he is only in such a state when he plays the two pieces of "Immortal Movement" and "Norma's Memories". When Mozartra reached a legato note, two strands of sound intertwined. The wrist shook slightly, which slightly affected the bow, and the performance of the stud note was incomplete for a moment.
"Z!"
Mozart's high brow bone was pressed against the skin, and the arm movement was slower, and the playing speed slowed down, which meant that he was no longer sure that he was going to finish the performance according to the original plan. of
Whether it is a piano or violin performance, the tempo of the repertoire is an extremely important point, and a metaphor slows down and slows down Norma's recollections, and now Pan Jun and others can barely perform it, because the difficulty of this piece is speed, not the technicality of "Bell".
The difficulty of Mozart's violin repertoire is the fusion of speed and technique, and now without speed, Mozart's technique can still be guaranteed.
"Put on a different song, oh my God. ”
"It could have been much harder. ”
"Before, I was dual-minded, imagining the singing in the background as a whole, which was still okay under idealism, but now Principal Lu is really perverted. ”
"Dual-minded, you can do what you want, see it or not, even Mr. Mozart has been affected. ”
"I've said it's ideal, what words do you drill. ”
It's already a perverted difficulty, but now it's even higher, to paraphrase it with an Internet famous saying, it's 'my little friends and I were stunned', and I was stunned with my mouth open.
"Look at Mr. Paganini, what a great way to play. Suddenly, a violin bear shouted.
Brush Brush Brush!
All eyes turned in the direction of Paganini, and even Tang Lei, who was concentrating on shooting, was attracted to take a few steps back, and was able to film the wonderful performances of the two teachers.
In contrast, Paganini was more influenced on the repertoire.
"The Last Rose of Summer" analyzes the performance skills, the rich and dazzling double strings and chord skills of the repertoire are the most daunting factors, and it can also be ridiculed that "The Last Rose of Summer" is a difficult practice question.
It's really quite a standard 'practice questions', the repertoire contains almost all the difficult technical difficulties of the violin, this 'practice questions' are not only standard, but also classic, because it contains all the knowledge points.
Double tone tenth, octave, big and small sixth, fifth!
Decrease by 5 degrees, increase by 4 degrees!
The size of the third degree, the size of the second degree!
Same interval and artificial overtones, artificial double overtones!
Paganini's eyes were unrelenting, Paganini's cheeks, already emaciated, seemed to have been baked under the scorching sun for days, a sickly flush, a bruise on his forehead, and a white shirt that was thoroughly soaked with sweat.
The last rose of summer, withering in the sun.
The three-note and four-note chords are the main chord means of playing, and Paganini's performance has also reached the zero threshold, pulling with the right hand, the bowstring seems to be stacked with afterimages, and the crazy Paganini has to completely add a fast multi-note up and down phrase at this time!
"Whew"
Like, the roses are singing, and the cold wind is whistling and applauding.
As if the last beauty of the summer rose before it withered, that touch of red, more gorgeous than the red of cinnabar, more presumptuous than the red of the sunset, more graceful than the red of the cuckoo, this bow directly pushed the technical difficulty of the repertoire to the apex. (To be continued.) )