Lu Shichen's Qinglan Academy has a one-semester homework, that is, within this semester, through your understanding, choose a pianist you like. Pen & Fun & Pavilion www.biquge.info

This pianist can be famous or not-so-famous, talented or technically unlimited.

As for the selection criteria, it can be that you like his style very much, or you want to learn his playing skills, etc.

At the beginning, seventy percent of the students chose Lu Shichen, there is no way to seem that Tchaikovsky and other great gods are too long ago, Lu Shichen can be called a living legend, and it cannot be said that he is the first among the current living pianists, because in terms of technique, no one is his opponent if he dies.

However, the best is not necessarily the most suitable, after a semester the students are almost clear about their favorite pianist, Lu Tao likes Moshkovsky, and Qian Fang, I believe it can also be seen.

He played Debussy's piano pieces many times.

"Debussy's puppet gait dance, in terms of difficulty, is also level 9, but it is just as rare for students to play this. ”

"I've found that the Blue Academy likes to play this kind of rare repertoire. ”

"Debussy's repertoire is a good score, but if it fails, it may get a very low rating. ”

"You said that in the first battle between Qinglan and Junzhu, who won and who lost?"

"I can't say, at the beginning, I thought it was blue, but I didn't expect that the classmate just now, on the surface, was nervous, but as soon as he sat on the piano bench, he was extremely confident, and the level was in the middle of the carnival of Junzhu Academy just now. ”

"It's mainly up to the second classmate. ”

……

The piano piece played by Qian Fang this time is a collection of piano pieces "Children's Paradise" written by Debussy in 1910 for Emma, the daughter of his second wife, after all, Debussy is French, and the unique French is romance.

Although, my personal opinion is that the French are not romantic, but they are romantic, but Debussy's is indeed well written.

"The Puppet's Gait Dance" is the last song in the children's paradise: "Dr. Etude", "Elephant Lullaby", "Doll Serenade", "Snowflake Dance", "Little Shepherd Boy", "Puppet's Gait Dance".

The reason why Debussy's repertoire is successful is that "The Puppet's Gait Dance" uses a lot of syncopations and eighth notes with pauses, which Debussy liked to do.

This is the usual rhythm of Afro-American pastry dance music - ragtime

It depicts a comical image of a small black puppet dancing with a red face, a dull hair, and a strange appearance.

It sounds exotic, but it's a test of piano skills.

However, at this time, the power of Qian Fang was revealed, the fingers were like shadows, beating quickly, and this peculiar style was shown calmly, which caused the judges to can't help but make an unknown sound.

"This student is stronger than the one who just played. ”

"Qinglan Academy is powerful enough for the first game, such a stable trump card, it was laid out in the first game. ”

"Well, if I want to say that my feeling about this "Puppet's Gait Dance" so far is that it is stable, it is really too stable, and many instructors can't reach this point. ”

Qian Fang's face was expressionless, he couldn't notice what he was thinking at all, his eyes were bright, and there was a faint sound of cheering.

The pastry dance was a favorite dance of the black people in the Americas at that time. In their spare time, they often hold dance competitions, and whoever dances well is awarded a cake, hence the name.

"The Puppet's Gait Dance" is the earliest example of the use of black dance music in European music, and together with the overture to Wagner's opera Tristan und Isolde in the middle section, Debussy can definitely be called talented, which is why Qian Fang likes Debussy.

Although Qian Fang is steady, he likes Debussy, who is creative and innovative.

As an aside, in Debussy's time, it was the time when Richard Wagner was the only one in heaven and on earth, and his voice seemed to be the only one in the opera world at that time.

The Ring of the Nibelungen, the Valkyries, Ragnarok, the Gold of the Rhine, etc., these operas are still famous today.

Debussy's juxtaposition with Wagner's opera with the pastry dance is a clear mockery, which really shouldn't be too obvious.

We looked at the stage, and Qian Fang's performance was orderly.

"The Puppet's Gait Dance" is written in a single trilogy, that is: introduction-a-b-a

This result is arguably the most common of piano pieces, starting with a lively intro and then developing from an A-section motive, and of course the "Puppet's Gait Dance" is a four-bar rhythmic pattern.

Under Qian Fang, the tone developed by the theme motive gives people a lively and unrestrained feeling, and he succeeds, and he controls his fingers very steadily, and the strength changes are like a scalpel, accurate to the subtle force. Large but accurate, the money shop is not mechanical, and people seem to see the puppet's light and lively gait, with a bit of funny gait.

"Qianfang is really good. Yuli said that he wanted to applaud, but he was too fat and had a hard time moving, so he gave up on the idea.

"It's really strong. Chu Ke asked curiously: "Between you and Qianfang, squad leader, who is more powerful?"

"This "Puppet Gait Dance", I have rarely seen people play it so steadily. Tang Lei also looked at it curiously, although he was a student with two palace-level talents, he was an electronic piano and a trumpet, so in violin and piano, he really couldn't compare to Shen Mengwei and Pan Jun.

Pan Jun thought about it and replied vaguely.

In fact, as a student that Lu Shichen personally befriended, Pan Jun's performance strength is stronger than that of Qian Fang, but Qian Fang is really too stable, like a reef in the sea, no matter how much pressure there is, it seems that it is still surging in the middle of the tide, and it is also immovable, so stable that it is difficult to describe.

In the second section, the B section is a little slower, and a series of eighth notes with leaning notes begins, which Debussy simulates the sound of the black percussion instrument Bambra, using it to depict the movements of the puppet machinery.

This is where the tempo slows down, the tempo pulls out, the melody descends in chromatic tones, with a hint of sorrow and begging, and a series of eighth notes with leaning notes are played.

As we all know, the two rhythms are easy to mess up, so the most difficult thing to play here is that the two types of rhythms are mixed together, chaotic but not annoying, and the rhythm can not be combined.

Because here, the funny black puppet falls and wants the two rhythms to be incompatible, showing the antics of the wrestling puppet.

This can be said to be the most difficult part of the whole music, it is difficult to express if it is out of place, it will disperse after it, and it will be smooth when it is retreated.

However, the most difficult point seems to be nothing in front of Qian Fang, and it is easy to pass.

In the third movement, section A is reproduced, and Qian Fang steadily introduces the music into the reproduction part, and the whole piece is finished!

ps: I recommend my other book "Entertainment Creator", if you can't read enough, you can go and see it, this book will also be restored and updated, and it will not be a eunuch, above. (To be continued.) )