Cheng Xiaoyu sat in front of the piano and thought carefully, the first song he decided to play a piece dedicated to showing off skills, so he planned to play the "Wild Bee Flying" that he often played to practice finger speed, and in his previous life, many people should know "Wild Bee Flying", but in fact, this piece is not Maxim's original, but adapted from the Russian composer Nikolai Rimsky-Korsakov's "The Flight of the Bumblebee".

But Maxim's "Flying Bees" is not suitable for playing here at the moment, because there are not enough piano melodies in this "Flying Bees", and without electronic music and violin accompaniment, the whole "Flying Bees" will be too much less audible. But he still remembers a song by Xue Xiaoqiu's "MR. X", this piano piece is more suitable for performance at the moment, because it is written by combining two difficult piano pieces, "Paganini" and "Flying Bees".

Cheng Xiaoyu made up his mind, touched the keys with both hands, didn't say a word, and started to play directly, unlike the gentle and quiet waltz expressed by Feng Kaiyi, Cheng Xiaoyu ran with his hands excitedly and quickly as soon as he came up, and without hesitation, he used the piano to turn the notes into countless dancing bees and scatter them around, and these bees also formed a regular dance in the air with the sound of the piano.

All the spectators were stunned, even those who could not understand classical music were completely taken into a wilderness full of flowers and grass, where countless bees chased and frolicked each other, a romantic and lovely pastoral scene.

Although Cheng Xiaoyu played an adapted piece of classical music, it was a new recreation, but his expression was not classical music, and the way he played and the inner feeling were a kind of modern music temperament. As a musician who studies real music, I can't help but appreciate Cheng Xiaoyu, a pianist who interprets classical music with a new approach.

Everyone who understands music theory can hear that this piece of music is adapted from Rimsky's "The Flight of the Bumblebee", but compared with the direct purity of the original song, this piece not only retains the characteristics of the original song but also completely melodized, when hearing such music, everyone can feel the speed of Cheng Xiaoyu's fingertips running and the passion of his body and mind, as if every pulse in the body has a sense of rhythm.

Cheng Xiaoyu is playing the song "MR. X", his speed is also quite fast. Lin Xi and Xu Ziqi, who were closest to him, saw it most clearly, and the speed was so fast that it was not like a human could play it. It felt like a trail of afterimages on the keys, which was breathtaking and incredible.

Cheng Xiaoyu's playing style is unique, and the previous musicians' understanding of piano performance is completely different, from the process of Cheng Xiaoyu's performance, everyone can feel the passion, surging heat and the ubiquitous sense of rhythm, everyone feels that they are about to burn, this melody is really unstoppable running and chasing, it really makes people feel so cool.

It's a pity that the time is too short, everyone is still flying in the air with Cheng Xiaoyu's piano sound, and Cheng Xiaoyu stopped playing before he could enjoy flying. After Cheng Xiaoyu stopped his hands, he saw the people around him looking at him like monsters, because the performer of "Liang Zhu" was not him, and this "Liang Zhu" was indeed just a creative cow B, and many of the melodies were adapted from Yue Opera, which could not reflect a very high level of composition. But this "Wild Bee Dance" is completely different, although it is also an adaptation, but it is completely an adaptation in the style of Cheng Xiaoyu, not to mention the difference from the original song, and more importantly, it directly slapped Feng Kaiyi in the face! Didn't you say that I can't write a show-off? I just wrote a song that is pure show-off, but the melody is so beautiful that it explodes.

This is completely different from Feng Kaiyi's use of the good tune to play, no one thought that Cheng Xiaoyu had known that there was such a situation today, so he specially wrote a show off song, in fact, Cheng Xiaoyu really didn't know, and he really didn't prepare, but he just had a golden finger.

The whole hall was silent, not only because the music was cool, but also because Cheng Xiaoyu's hand speed and playing skills were several notches higher than Feng Kaiyi, who was not a professional. Feng Kaiyi's level is not low, but it is not comparable with Cheng Xiaoyu, a Chopin Prize winner and now focusing on piano.

Such a difficult repertoire, Cheng Xiaoyu played smoothly, without any sense of condensation, the melody is like a wild bee flying in the air, the speed is as fast as water splashing, all of which show his superb performance skills.

Feng Kaiyi couldn't help but murmur in the silence, "What's your name?"

Cheng Xiaoyu thought for a while and said, ""Wild Bee Flying", he is afraid to say "MR. X" is suspected of admiring foreign flattery. Then Cheng Xiaoyu looked at the people who were still stunned and said, "I'll play the next song first, this song is called "Broken Rondo". ”

This piece of music is still the work of Xue Xiaoqiu, and this rondo-style work is used by Cheng Xiaoyu to prove that he can completely use classical techniques to write tunes. It was still used by Cheng Xiaoyu to slap his face.

The difficulty and performance skills of this piece are also unattainable for ordinary people, the last exciting and exciting "Wild Bee Flying" uses speed to bring everyone to feel what is called blood boiling, which is not too difficult from the perspective of the piano's expression, but this one is also very fast, but it makes people feel that there are a lot of negative feelings in their minds, chagrin, remorse, pain, Helplessness and struggle, generally this kind of emotion is better expressed in adagio music, but Cheng Xiaoyu uses allegro here, using allegro to express negative feelings, and the difficulty of writing is increased geometrically.

But the melody of the same piece is still beautiful, difficult and melodious, this is the dream pursued by all composers, at this moment with the sound of the piano the audience followed Cheng Xiaoyu into the rainy night of late autumn, such music is like the desolate street scene, neither brisk superficial, nor too sad and heavy, or let everyone's feelings be melancholy just right, like sitting on a speeding train, through the hills covered with maple leaves, and the people in love are getting farther and farther away.

Some of the people present did not understand classical music, and even many people who knew a little about the piano had a very simple criterion for judging whether the piano played well or not. If they do both, they will feel that they can play well.

In this sense, the two tracks played by Cheng Xiaoyu just hit everyone's hearts.

Most people feel that they are moved to cry with the beautiful melody and the explosive piano player speed. Being able to hear such sharp compositions and performances under unexpected circumstances gives birth to a sigh of worthwhile at this time.

Pei Yanchen looked at Cheng Xiaoyu and recalled that time that was extremely sweet for him, and his mood rippled.

At this time, people who knew classical music looked at Cheng Xiaoyu with complicated expressions, feeling that they had lived in vain for so many years.

Feng Kaiyi's face was slightly pale, he was often called a genius before, but at this moment he really understood what a genius was.

Cheng Xiaoyu stood up, looked at Feng Kaiyi, who was lost in his soul, and asked softly, "Do you want to continue?"

(Today's monthly pass has two chapters and one more chapter, and there is a daily update.) Thank you all for your support) (To be continued. )