At the beginning of the new year, the Chinese media was once again swiped by "Cheng Xiaoyu", whether it was because of his eye-catching lawsuit, his chaotic private life, his ambiguous relationship with the neon princess, and the three of Xia Shamo and Xu Qinning, or his documentary-style interview filmed by Shizumi Ijiin, or a series of unreleased singles "Snow の Hua", "Unravel", "Tokyo Love Story" and "Under Mount Fuji", all of which are the focus of public attention and topics. Pen ~ fun ~ pavilion www.biquge.info

And the melody of "Snow Hua" craze has not yet subsided, "I don't care about an era, I only care about Cheng Xiaoyu" at the end of the Cantonese song "Under Mount Fuji" Cheng Xiaoyu played and sang by himself, and completed the dominance of several major music websites in just one day, and even the "Idol Project" that had just launched a new song was slaughtered, and both clicks and downloads were left far behind.

Su Weilan, who saw these data early in the morning, was about to explode in his lungs, he was angry in the mirror in the office alone, loosened his tie and tied it, and repeatedly strangled himself with a red face and red ears before he could control his anger.......... The huge shadow of the three consecutive falls kept him awake at night, and after the New Year's Day, there was not a day when he could sleep peacefully.

After packing up his emotions, Su Weilan called all the big and small leaders of the production department, and held a meeting with a calm expression, once again emphasizing that the new album of the "Idol Project" is only allowed to succeed, not failure, and must use all its resources to ensure that it sells well.

When the Shanghai market opened in the morning, the stock price of "Shanghe" fell again, Su Weilan did not panic too much this time, he was not without business acumen, and he just "went to the river" Only fell more than a quarter of the market value, stabilized the form, although today ushered in Cheng Xiaoyu's first stroke, but this time Su Weilan had already prepared, asked people to prepare the annual report of the previous year, and instructed the secretary to find a lot of financial websites and magazines to write soft articles, he believes that after the announcement of the annual report, the market can restore confidence, after all, last year's income is still quite good.

It's just that after these things, Su Weilan still found out very sadly the importance of Cheng Xiaoyu to Shanghe, which cannot be replaced by half of his layman, let alone these mediocre talents in the current production department, and as a record company, everything is false, and whether the music is good or not is sold for money is the only criterion for testing the results.

Su Weilan sat on the boss's chair and couldn't understand how things suddenly became like this, in fact, he didn't want to break with Cheng Xiaoyu at first, in his opinion, anything related to interests is to compromise with each other and make concessions to each other, and everyone will talk about any dissatisfaction, but he didn't expect that Cheng Xiaoyu didn't play cards according to the routine at all, and ran away without saying a word, and even transferred the shares to Su Yuxi, leaving no room at all.

In his life, such willful people are almost all losers, but at this time, Su Weilan felt that he couldn't understand Cheng Xiaoyu at all, couldn't understand what this illegitimate son was thinking, said that he didn't care, he had been trying his best to fight for control of "Shanghe", saying that he cared, he didn't even want shares, and went to neon for trial.

Su Weilan sighed, and in desperation, he had no choice but to call Su Yuxi, hoping that Su Yuxi could help make peace, no matter how to get Cheng Xiaoyu back, this time the avalanche of stock prices has already caused tens of billions of losses to "Shanghe", and he can't afford to fail again.

It's just that Su Weilan doesn't know that he is trusting anyone at all, and he doesn't know at all that the reason why "Shanghe" has fallen for three consecutive days is that Su Yuxi, the sister who can be said to hold the most shares of personal shares, is manipulated behind the scenes.

Su Yuxi hung up Su Weilan's phone, opened the K-line chart of "Shanghe" with a blank face, and immediately sent a message to several stock studios controlled by her, telling them to prepare to enter.

For her, slowly encroaching on "Shanghe" is just a game of cat and mouse without difficulty, this kind of undifficult thing, Su Yuxi can do it in a few months to make Su Weilan roll up the cover and roll back to the capital, but in Huaxia, business can not be completely separated from political factors, so the control of "Shanghe" is actually not critical.

And Su Yuxi's purpose has never been to "go to the river", "on the river" is just a battlefield, she is hidden in the heart of the Su family on this battlefield, carefully tempting, and patiently looking for the flaws of the Su family.

Only when this huge family collapses can she gain true freedom..........

..........

Last year's "Golden Dragon Award" was a little boring because of the lack of Cheng Xiaoyu and "poison", but Cheng Xiaoyu's lawsuit was reversed at the beginning of the year, as well as the wonderful performance of Cheng Xiaoyu and Xia Shamo in the "Red and White Song Competition", coupled with the hit of the documentary that Cheng Xiaoyu was interviewed for the first time, set off a wave of Cheng Xiaoyu craze in Huaxia and Neon.

In Neon, many big-name artists contacted Cheng Xiaoyu through NHK and asked to buy the copyright or cover rights of "Snow Hua", and many record companies learned that Xia Shamo had terminated the contract with "Shanghe", and even waved a lot of money to help Xia Shamo release the record.

And the Cantonese song "Under Mount Fuji" was also popular all over the country overnight, and it was praised by the majority of listeners as a revival of Cantonese songs.

And Cheng Xiaoyu actually wrote a Cantonese song, which really broke through the public's glasses.

Even senior "medicine powder" Hao Yifeng wrote an article deconstructing "Under Mount Fuji" to praise Cheng Xiaoyu's talent.

"I have been trying my best to avoid becoming a 'feather blow', but I found that this avoidance is futile, compared to the antelope horns hanging on the horns and no trace of the 'poison' works, Mr. Cheng has always been a typical professional music author, but the height and breadth of his works seem to have no rival in the Chinese music scene at present.

Because other authors write a few good works, it is enough to mix for a lifetime, such as the familiar Huang Mengla, Zhao Taisheng, Tan Baoshuo, Long Xiangrong, Jin Jun, etc., but like Cheng Xiaoyu, the lyrics and songs are shoulder-to-shoulder, and the first is a classic, except for the footsteps of Teacher Cheng who can barely catch up with 'poison', others can't compare in the number of classic works, it's not that the previous one is bad, but the latter is too strong.

We have always focused on Cheng Xiaoyu's ability to arrange music and compose melodies, but we have ignored his other magic skill, lyric writing ability. Not only does he write lyrics in Chinese, English and Japanese, but he can also write lyrics in Cantonese......... It's amazing that some people are born God's favorites.

As a Cantonese person, I have feelings for Cantonese songs, and I was fortunate to help fill in the lyrics of a few songs, but I was a little embarrassed to look at my works, and there was no scum left that was crushed by a Shanghai turtle, and my heart was very broken at the moment.

In the eighties and nineties, the Guangdong music scene was the most dazzling corner of the Chinese music scene, and countless classic songs were dedicated to everyone, but now it is gradually declining, and I have some regrets in my heart, but today Mr. Cheng's song "Under Mount Fuji" made me see a trace of the glory of the past.

Why do I say that writing words is one of Teacher Cheng's magic skills, you must know that the rhyme of lyrics in each language is completely different, even Cantonese and Chinese, although the language is the same, but the difference in rhyme is also very different, just being able to use multilingual rhyme is enough for Teacher Cheng to call him a god.

Careful interpretation of this "Under Mount Fuji", the use of rhyme can really be said to be superb, although it can be clearly seen that he prefers the rhyme of o, but his use of different rhymes is very even, and he can change the rhyme in the most reasonable place, and the use of false rhyme is also very reasonable.

And the most important thing is that Cheng Xiaoyu will use the sound rhyme to the maximum extent in all places where it can be used. Looking at Cheng Xiaoyu's other lyrics, for the use of rhyme, whether in terms of quantity or proportion, Cheng Xiaoyu should be the highest one in the Chinese poetry world. This sensitivity is unique in the Chinese word world.

Generally speaking, if you don't have ten years of experience in word filling, I'm afraid it's impossible to have this touch.

In the first sentence, the word "flower" in "the rain is like a snowflake" rhymes with "A", which is different from the "O" rhyme at the back. Different from the pre-nasal and post-nasal sounds in Chinese, the difference between "a" and "o" can be heard very clearly in spoken language, but when singing this song, ordinary people basically can't hear that these are two different rhymes, and this technique is called rhyme. This is a very important skill in Cantonese words, because there are many friends who live in non-Cantonese-speaking areas who want to learn to fill in Cantonese words, and most of them will hold a rhyme book to compare, so they will not use fake rhymes at all.

Finally, in the chorus part, Cheng Xiaoyu used the rhyme of "KO". Because the modern Chinese sound system has disappeared, it may be difficult for many northern friends to understand - because there are relatively few Chinese characters in the sound, and there is no "yang ping in" in the 9 tones of Cantonese (10-11 in colloquial language), so there are few opportunities to rhyme with the sound in popular songs. And like in "Under Mount Fuji", it is very difficult to use the same "sound rhyme" for so long, and it is not a first-class lyricist who generally chooses to use this rhyme so riskily.

But if it's just rhyme well, is it a good word? Obviously not.

There are also people who think that writing lyrics is an easy task, but in fact, writing lyrics is the same as writing poetry, and you can't write good lyrics without aura. Let's interpret the sharpness of the lyrics of this song "Under Mount Fuji".

To understand this song "Under Mount Fuji", you must start with this name, why this song is called "Under Mount Fuji" instead of "Under Mount Hua", "Under the Yellow Mountain", and even "Under the Tianshan Mountain", because there is a place called "Aokigahara (Aoki ヶ原)" under Mount Fuji, and the Aokigahara under Mount Fuji is called (Suicide Forest), so the title you ignore is the entry point of this song, and Cheng Xiaoyu uses the title of "Life and Death" to unfold this song full of Zen.

The second important point that you may not have noticed is that the English name of this song is called ", that is, "Sadness is Meaningless", which is a literal translation of the English name of "Under Mount Fuji".

The English name expresses the attitude that Cheng Xiaoyu hopes the grieving person will take towards grief: grief is meaningless.

Let's analyze the lyrics word by word: The rain is like snowflakes, are you freezing when you cry?

A few numbers depict a sad scene, "rain" represents sad emotions, and if it is "snow", it is more sad and beautiful, "crying" is tears like rain, which translates to this, this rainy weather, it seems that the raindrops are colder than snowflakes, and you who are sad and crying, will you not feel the coldness brought by the rain?

......... (I won't translate them one by one, don't call me water......... ）

"Forget my grudge against you, how many times have the cherry blossoms bloomed? "There seems to be a spoiler of Mr. Cheng's emotions here, but there are too many people who have been to Tokyo with Mr. Cheng, and it seems that they can't find the answer.

Forget the grudge between "me" and you (why use grudge here? It shows that the entanglement between the two is very deep, not just love), this is the first time that the cherry blossoms have bloomed? It seems that the trip to Tokyo has been separated for a long time. (The impact of the "Journey to Tokyo" was very profound for the two of them, and it changed the "I" of "I".) A turn, a decision, a path to take, may be completely different. ）

"You're not enough, I'll give you this old coat to relieve the spell. ”

Isn't it enough for you to comfort or give you? Then I leave this "windbreaker" (the one with the "corsage" above) for you as a souvenir, hoping that it will help you free yourself from the curse.

Although this song mainly wants to convey the meanings in "Relief", we see more of the inability to let go.

This is a song about: "life and death", "love", "living in the moment", and the listener can also stand in multiple roles, comforter, comforter, spectator, etc. to unfold the story.

There is no doubt that this is a rare classic in the Chinese music scene, and it is also a new peak of Cantonese songs that have declined in recent years.

In the entire Chinese music industry, 'Poison' and Cheng Xiaoyu are currently the most accomplished.

Two geniuses, Cheng Xiaoyu is a reflective and 'poison' is an activist.

Therefore, the former wants to talk about too many things in a poem, and sometimes it is even a little "separated".

The lyrics of "Poison" are very whimsical, antelope hanging horns, and Cheng Xiaoyu presents a completely different beauty, especially the Chinese style lyrics of "Poison", which can be called a must.

In fact, the two of them have different styles, and they really shouldn't be compared with each other anymore, which also stems from the dilemma of the scarcity of musicians in the current music scene.

When the Chinese music scene was at its peak, Zheng Jiangheng, Li Shaoming, Lin Guozhen, Pan Liang, Chen Yuqi, Zhou Honghui, Pan Shaoyuan, Zhou Mao, Liu Fenghui.... A hundred flowers are blooming, and now there are only these two people, which is really sighing.......

But in this era, if you don't know what music to listen to, you have to have Cheng Xiaoyu, who you can't read, maybe it's enough..........

(Complete the 8,000-word update today,A new month,I hope you will support a lot.,Although there is no mark and more,It's actually been making up for the update that is owed.,This month will speed up the pace a little.,Change your own problem of being too literate.,Dedicate a more exciting plot to everyone to enjoy....... ）

(To be continued.) )