I can't finish writing today.,I'm sorry for the friends who have subscribed to this chapter.,Please cancel the book from the bookshelf tomorrow or later today and then re-add it to the shelf.,You can see.,I'll finish it overnight.。 Pen × fun × Pavilion www. ｂｉｑｕｇｅ。 ｉｎｆｏ

I'm really sorry that there were too many things going on tonight.

。

Chixia understands the meaning of water without moonlight.

A big reason why Shui Wuyueqi didn't punish Sayuri afterwards was that Sayuri took the initiative to surrender to Shui Wuyueqi on New Year's Eve.

Based on the situation that night, Sayuri informed Shui Wuyueqi of Jingjia's news in time, which can be said to have played an almost decisive role. Otherwise, when the family's combat troops are gathered first in the name of Jingjia Cangdou, it will be unlucky that Shui Wuyueqi will be.

It is precisely for this reason that Sayuri not only did not slowly squeeze herself to the edge of the power stage by Shui Wuyueqi, but now she is more powerful.

Up to now, no one knows whether Sayuri reported the news that night purely to repay Shui Wuyueqi for appreciating her kindness, or if she just saw in advance that Shui Wuyueqi had already arranged, so she jumped ship in time when the Jingjia Brothers and Sisters Mansion was about to tilt.

But in any case, at such a time, Sayuri should not easily sell Shui Wuyueqi anymore. Even if she changes to the court, others will never dare to believe her, because no one knows if she is blowing herself up. Therefore, although Sayuri used to betray her lord, but now this has become her credibility, and the world has changed, which is also wonderful.

After listening to Shui Wuyueqi's words, although Qianxia couldn't fully understand the many twists and turns behind this, she knew Shui Wuyueqi's skills, and she still subconsciously chose to believe in Shui Wuyueqi's decision.

Since already

。

Ai Iijima, a generation of famous people, was found dead at home on Christmas Eve in 2008, and her life is undoubtedly a shocking reality version of Matsuko.

I know some of Ai Iijima's life experience, in her sensational semi-autobiographical novel "Platonic ***", she does not shy away from talking about her unbearable past: she was beaten by her father since she was a child, eloped with her little boyfriend when she was 13 years old, but she didn't expect him to be an addict, and after her boyfriend was caught, she asked her boyfriend's friend for help, and she was raped on the first night of living together. fell in love with a man but was a cowherd, and he also used Ai Iijima's body to make money and help himself get out of the sea of suffering. committed suicide twice, but failed to commit suicide...... Years of career have left behind a scarred body: tingling in the back, kidney dysfunction, stinging in urine, and rumors of AIDS and depression.

Her insulted and damaged life is very similar to the pine nuts that have been disliked all her life! She has loved love and the world all her life, but she has been abandoned by love and the world all her life, and she died sadly after writing "I'm sorry, I was born to be a human being." Even more strikingly similar is that both have Daddy Issues. Cai Kangyong mentioned in the book that he asked Ai Iijima at the time: "Isn't it contradictory that you hate your father so much, but you want to see him again?" Ai Iijima replied with a Japanese-style honorific, "Teacher, life is originally made up of contradictions." Matsuko has not been loved by his father since he was a child, but he desperately wants to make his father smile. If their lives are a series of injuries caused by men, then the first men to cause harm are none of them their fathers.

So, are their lives the sacrificial objects of a patriarchal society? The soul-destroying moans in Japanese AV are all consumed by men as a commodity. It is difficult to say that there is still a single bit of dignity in the bodies of those women after being dripping with the saliva of countless Japanese, Chinese, and Korean uncles. In the world of seeing and being seen, peeping and being watched, coveted and coveted, they are always watched, watched and coveted. And in the real world, because of their natural weakness: they regard feelings as the supremacy, and become the prey of men who regard interests and rationality as the supremacy, and become the realistic version of Wang Jiazhi: Ai Iijima has intensified her efforts to use her body to earn money to maintain her relationship after knowing that the last ** boyfriend is using her, so what kind of sadness is that!

And to blame this entirely on a patriarchal society is to risk "simplification". In "Decameron on Sex Workers", what is striking is the oppression between the oppressed: ducks insult chickens, chickens in turn insult ducks, mom sang insults chickens, chickens insult each other, and Zu'er, a transgender person, tears apart the traditional group portrait of a "oppressor" like a man. When families shout "they forced me to be good" and "I want to protest against them for depriving me of my right to be a chicken", the cries of intellectuals fighting for the rights of chickens become a kind of narcissistic wishful thinking, and their rhetoric such as "patriarchal society" and "sex worker" becomes an awkward drifting voice in the air, a fist that has nowhere to fall. Reality is always richer than theory. Women are always hurt by men, but women are always inseparable from men and cannot do without men's love.

It's like a pine nut, I'd rather be deceived a thousand times, despised a thousand times, than be lonely for a minute!

And men can't live without women. In Su Tong's "Red Pink", even in Red China, which is determined to eradicate prostitution, a criminal form of class oppression, the prostitutes still maintain a simple belief that men cannot live without us girls.

What can we say about this? In addition to asking women to have self-esteem, self-love, and a more conscious and independent sense of personality (here is a serious question about the ending of the film, trying to make the Madonna of Songzi who sacrificed for men, what is the intention?!), we also ask the men who occupy a relatively dominant position in this society to give disadvantaged women respect from the bottom of their hearts, and not to look at stars like Shu Qi differently (that is definitely their helpless choice.) Besides, why is the society's tolerance for Ren Dahua much lower than that for Shu Qi?), don't use AV to solve your physiological needs and say "Look how dirty this bitch is!"

It's not easy to be born as a human being, so why should we belittle each other?

And to Ai-kun Iijima in the real world, and Matsuko-kun in the world of light and shadow, I want to say a word to you about Shayanara. May there be no more people in Heaven who hurt you, and may you find the warmth in Heaven that you have not found in the world.

It's a timely emotion that is by no means a film review.

Yu freehand comment on the life of the disgusted pine nut 2008-02-29 11:15:05

Matsuko is not a highly conscious woman, her passion for life comes from her own intuition rather than perception. She longs for her lover to be loved and to be loved, and she longs for the world around her to be harmonious. When I was a child, I was a father and sister, I worked as a colleague and a student, and then I was a man. She tried her best to make the other party happy, hoping to make all the troubles disappear, and hoping that people would take the initiative to skip the troubles in exchange for a happy life. The most obvious example of this is when she admits to theft just because she wants to end it quickly so that she can take a shower.