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Author: яблуко (from Douban)

Source: https://movie.douban.com/review/6159563/

The first time I knew about Tanmi was because a guy named Masaki Aiba said on his radio show that she was "the female artist I want to see the most recently". So I searched for her photos, and the current impression was: as a photo actress, she has an unpleasant, or rather, unpleasant face.

It was just my personal opinion at the time. From some strange angles, her face always reminds me of Haruka Ayase, but Haruka Ayase has a more translucent, bright texture - I don't mean skin, I mean "people". Even in the nudity of the photographs, Tan Mi always gave me the feeling of being empty and non-human, a subtle and classical sense of taboo, but her eyes made me feel unpleasant - they did not bend gently with the smile, there was no change of emotion, they were overly calm, and they stared intently at something other than the viewer. I always feel that the photo actress is nothing more than a combination of a childlike face and big breasts like Aki Hoshino, whether it is a chest or a face, it is for the same purpose: to please the reader. And Tan Mi, compared to a photo actress, I always think more of Miss Jiang Gutian in "Dying! Jiang Gutian" - two pairs of eyes that are exactly the same.

At that time, I couldn't imagine that she would be able to become popular, but this also made me more impressed by her issue of "Love Continent".

Perhaps it would be correct to describe her as "empty". In the documentary, she mentioned again and again "cutting off her own internal power", and she asked again and again "what do you want me to do" when accepting every job. In the cold winter air, she calmly opened her shirt to expose her skin, stepped into the muddy water and soiled her dress, and only gently "ahh For example, there is a Zen Buddhism that has been mentioned again and again that "the value of a teacup lies in its emptiness", and only by emptying oneself can one accept other things, and the altar honey is also "empty".

Many people were shocked by this paragraph: the interviewer asked her what she thought of her popularity, and she suddenly laughed, saying, "I think this society is too sick." She says that she is "living for the sake of others", that she is such a public empty container, into which people cast their almost "pathological" demands, and through her, they are realized. The honey is empty, hue or other, and what we see in her is actually our own desires. Like a mirror, or even worse, the moon. Isn't the moon a wonderful vessel? We look up at it. We thought we were looking up at its light, but it was visible to us because of the projection of a light source elsewhere. The moon was originally dark, like an empty container, but because of the source of light poured into it from the outside world, it was discovered and noticed by reflecting this light.

Coincidentally, Kazuya Ninomiya also said something similar. I think that "idols are good at observing the atmosphere" so that they can know what others want from them, and that "stifling their own ideas" can be done well...... I used to say, "I've lost myself," but now I understand it. There is a definition of the work of "idols" as "selling dreams": whether it is Janis or a photo idol, if it is "selling dreams", then this "dream" belongs to the audience, readers, the so-called "buyers" - creating other people's dreams and becoming the part of other people's dreams, the first thing to do this is to empty yourself and inject other people's wishes into yourself.

Tsuyoshi Domoto said: "I must be a bridge to somewhere, I cry but you can laugh, that's fine, give up your life to bear it, I am a brave man." "I was determined to get to know Tanmi with some preconceptions and some desire to let go of them, but I was surprised to feel the almost indifferent tenderness from this woman whom I considered "unpleasant". Cutting off the power supply within oneself and becoming a "container" to accept the wishes, desires, and dreams of others seems to me to be incredibly brave and gentle. (1) This article

Bart is Cyborg.

His hands, his feet, and everything in his body were mechanical.

For him, all that's left is a small part of the brain

-- and memories of a woman......

From 1995 to 2004, after more than 8 long years, the infinite and vast network world returned to the field of vision, the public security active in the shadow of the incident, and the tall figure with a prosthetic eye.

Will go to see Innocence, completely out of plan. The scheduled schedule was ruined by the bad habit of sleeping and being in a daze, and as a result of dangling through the streets of the downtown area, you can see a large Innocence poster outside the theater. Twenty minutes later, 99 minutes of story.

The theaters are all reserved seats, and the good seats have been sold out. The ticket seller asked me: Do you want the next one or the middle one in the front row?

Middle.

The theater is on the sixth floor and is very small. My seat was in the middle of the second row, directly below the big screen, where the speakers met. The curtain spread out overhead, with a faint overhead, and the audience seemed to be swept by an invisible sphere with the screen as the center, and the further forward the body was, the lower it became, and when I reached my row, it was already lying down with a brush.

Then, the movie begins.

It is customary for Japanese films to have several introductions before the film starts, new films from the same studio, or related productions. This time was no exception. The first ad is for the game Ghost in the Shell, 3D, PS2. Personally, I don't like 3D games, and I always feel that the characters lose the sense of story that transcends reality when they are 2D as soon as they become 3D, and the same is true when you look at the introduction screen of this game. Fortunately, the dubbing is the original staff of SAC.,The game introduction ended with Suzi falling to the ground.,Bart's shouting:"Suzi ~~~" ended.,I feel still full of courage.,Laugh.。

The next two trailers were completely unexpected, Katsuhiro Otomo's "STEAM BOY" and GHIBLI's new film, Witch's Forest.