The Grandmaster came to the orchestra at nine o'clock in the morning, and counting the time to do business, by the time the Grandmaster stood on the podium, it was already about half past nine. Pen @ fun @ pavilion wWw. ｂｉｑUｇE。 ｉｎｆｏ

The orchestra usually practices in groups, which is generally controlled in about an hour and a half, and the pieces for joint practice are generally set at about three or four pieces. Unless it is a rehearsal in the two days before the concert, where you need to talk about all the pieces performed in one go, you will not practice too many pieces in the usual group practice.

This is done so that the group practice can get better results.

Although it is necessary to play fifteen tunes at the end of a concert, if you play so many tunes at once during a concert, you will definitely not get any good results.

The joint practice focuses on finding faults and finding feelings. Therefore, there are too many repertoire that cannot be practiced in joint practice.

But today's practice on this occasion commanded by the Grandmaster is a bit too careful.

A "William Retreat March" was practiced directly for two hours!

And even so, the Grandmaster is still not satisfied with this song!

However, looking at the tired looks of these musicians, the Grandmaster still resisted the idea of continuing to practice.

It's too much, and the Grandmaster still understands this.

However, although the musicians were tired, they did not complain.

Why? Because these instructions from the Grandmaster are simply good words for them.

The grandmaster-level conducting skills and grandmaster-level arrangements on the grandmaster are not a joke. Grandmaster-level skills mean that grandmasters are already able to start sects in related aspects.

In terms of grandmaster-level command skills, even compared to Karajan, Tokasnini, and Bruno in the previous life. Walter and Stokowski are not far behind, and in this world, his skills in this area are comparable to those of the top conductors or two.

It's just that he is not visible now, and the world has no way of knowing his real skills in commanding.

Similarly, he is also an absolute grandmaster in terms of symphonic arrangements and modern pop music arrangements, even if he is a Tianya predecessor, he may be able to compare with a grandmaster in modern pop music, but when it comes to the arrangement of Western symphonies, I am afraid that the so-called masters living in this world are not as good as grandmasters. If there is a comparison with the grandmaster in this regard, perhaps only those famous European musicians who have been dead for hundreds of years can do so.

Although the Grandmaster did not upgrade the skills related to instrument performance in the "Musical Literacy", the three skills he upgraded were a kind of guidance for these musicians from a high position.

These musicians don't lack the skill to play the instrument, they are professional-level musicians, and the instrument is what they eat, so it is definitely reasonable to ask them to play the instrument, although it is not at the top level.

What they lack is a sense of music and a kind of control over the scene.

After all, although they are professional-level musicians, they can even be called musicians, but the Tianqu Symphony Orchestra is too small, and the orchestra has been sluggish in recent years, so these musicians have participated in fewer performances. And even if there is a performance, it is not a large-scale concert.

So the combination of these constraints makes these musicians in the orchestra lack a very, very important thing, which is the sense of musical perception and control of the top concert scene.

This feeling is something that cannot be explained, but it is real.

It's like the same piece of music being played in the same place in front of the same audience, and the taste of this piece played by the Tianqu Symphony Orchestra is not as good as that of the Royal Symphony Orchestra.

And the gap between the two will be obvious, if you have to use any metaphor, it is almost the gap between the KTV level and the professional singer.

Some people may argue that the musicians in the Royal Symphony Orchestra are the top musicians in their respective industries, at least at least the level of playing instruments is a notch higher than that of the Tianqu Symphony Orchestra.

Yes, this makes a lot of sense, but it's definitely not the main reason why the gap between the two orchestras is so big.

The main reason for the biggest gap between the two orchestras is the two points just mentioned.

A sense of music and control over the performance scene!

The same song, the same venue, the higher the perception of the music, the more flavorful the performance of the piece, the stronger the control of the venue, the more powerful the momentum can be, so that the audience will be immersed in the music with you.

This is true for all professional musicians in a symphony orchestra, but there are very few orchestras that can achieve a certain level of perfection at the same time.

Why? Because in order to obtain these two legendary skills, there are only two ways, one is to slowly master these two skills through a lot of continuous participation in large-scale concerts.

As for the other method, you need to have a top musician to slowly dissect these two skills for you, and then you can honestly follow the musician's guidance and practice slowly, and you will also get good results.

The musicians of the Tianqu Symphony Orchestra have a good level of professionalism, but they lack the training of large-scale concerts, and secondly, there are no top musicians who will deign to come here to give long-term guidance to these musicians.

The grandmaster, who has mastered the master's conducting skills and grandmaster-level symphonic arrangement, is actually already a top musician in symphonic music!

The grandmaster-level symphonic arrangement allows the grandmaster to understand the level of notes in a piece, what kind of music should be played, and what kind of charm it should have, all of which cannot escape the master's control.

The Grandmaster-level conducting skills allow the Grandmaster to have a god-like level of control over the entire performance scene, and in terms of control over the performance scene, the Grandmaster is God!

Therefore, every word and word spoken by the grandmaster who combines the two is a golden word for these musicians in the orchestra.

These musicians are not fools, on the contrary, they are all very smart, otherwise they would not have played their instruments at such a professional level.

Therefore, as soon as the Grandmaster speaks and gives instructions on a certain note or a certain measure of the piece, these musicians can immediately feel the precious truths contained in the words spoken by the Grandmaster.

Why increase the intensity here, why slow down the tempo there, why reduce the intensity here, why speed up there, etc., although it is only a few words, but the right guidance and explanation can give these musicians a direct understanding of the most intuitive understanding of this piece.

And through the most intuitive close-up look at everything such as the body language, facial expressions, eyes, and hand movements of the grandmaster when he conducts, and after the grandmaster himself explains what this action and this expression represents, these musicians can also feel a sense of control from the heart!

Once they can truly merge with the body language, expressions, and eyes of the grandmaster, then they will be able to express the aura that can control the conductor through the instruments in their hands, and truly establish a huge potential field of their own that can control the entire performance scene!

This kind of feeling was something that I couldn't experience in Zhang Dabao before!

Although Zhang Dabao has been conducting in the orchestra for more than 20 years, he can only be said to be a very average professional conductor, conductor or even a top conductor, and he is still too far away from Zhang Dabao.

And Zhang Dabao usually doesn't pay much attention to the analysis of various skills when playing, besides, he doesn't have that level.

Therefore, in the long run, the musicians of the orchestra will not receive any high-level guidance.

After a long time, it is understandable that the entire Tianqu Symphony Orchestra has become what it is now.

Although it is cruel to say this, it seems that the development of the entire orchestra has a lot to do with Zhang Dabao. But that's just the way it is.

A good conductor can definitely lead an orchestra as a whole to a step up one or even several steps.

Just like Karajan in the previous life, he took over the position of chief conductor of the Berliner Philharmoniker after World War II, and pulled the Berliner Philharmoniker, which was originally very good, but became precarious after the war, out of the abyss facing bankruptcy, through 34 years of cooperation, Karajan used his superb conducting skills to pull the Berliner Philharmoniker to the first position of the world's top ten symphony orchestras.

That's what a great top conductor does to an orchestra!

That's irreplaceable and important!

Zhang Dabao cannot be compared with Karajan in his previous life, there is no doubt about this.

But the Grandmaster can! With three grandmaster-level skills, he was already completely comparable to the "Command Emperor" Karajan in his previous life.

And the grandmaster's current guidance of the orchestra musicians is even better than that of Karajan's previous life to the musicians of the Berlin Philharmonic!

Because the piece that we are practicing together today is itself "created" by the grandmaster......

The musicians of the orchestra all left the show with a reluctant expression. However, they were not discouraged, because the new conductor of the Grandmaster said that they would continue to practice together at half past two in the afternoon!

And to the joy and distress of these musicians, the grandmaster also said that from today onwards, unless there are any special circumstances, it is necessary to practice together twice a day, for two and a half to three hours each time.

These musicians are very happy to be instructed by the grandmaster, but it is really hard work to practice together for six hours a day!

In the next 20 days, it will really be a painful and happy day......

ps: Bow and thank "Vast Tianyu 159" for the big 2000 tip, "The World" for the big 500 tip, "Ziyan Tianjiao" for the big 100 tip, "Handsome Can't Get Up" for the big 20 tip!

Today continues four consecutive shifts. (To be continued.) )