Today is a series of shots of Ryan entering the interior of the space station. Pen × fun × Pavilion www. ｂｉｑｕｇｅ。 ｉｎｆｏ

The crew has already mentioned that they have built a model of the interior of the space station in another studio, which is actually very simple, just a few concave passages covered with green screens, and the scenes of the space station full of precision instruments in the film are all generated through CG.

Holding the thick director's script and not letting go, Eric covered up the problem that his arms did not dare to hang naturally and touch his lower ribs. Although there will still be attentive people who will notice the abnormality, it is not expected that anyone will ask Eric about these details.

"Now, Nikkle, I would like to remember the feeling of standing next to the glass curtain wall and watching the fish when you went to the aquarium, and I wanted Judy to give the viewer the feeling of a free swimming fish, and your camera lens was the eyes of the tourists who were swimming with the fish. ”

Next to the concave passage, Eric was talking to Nikkle about his requirements for the next set of shots, and Jodie Foster walked out of the changing room wearing a special dress that could hang Wia.

In order to allow Judy to make various movements in the air, there are a total of seven Wia ropes this time, and the thin ropes are connected to Judy from her shoulders to her waist and hips.

There are very few shots in "Gravity" that are considered to be regular, and all the scenes seem to be moving at any time, and there are all kinds of tricky camera angles, which is difficult for conventional photographers to achieve when shooting handheld, and at this time, the outside of the groove is still equipped with shooting slides and a robotic arm that can accurately control the camera.

Eric and Nichol chatted a few words, and Nichol went over to prepare, and Judy stepped forward.

Eric admired Judy's beautiful blue eyes, and regretted that one of the stalks in the original version could not be used, and said, "Today's shooting will be tiring, are you ready?"

There were some moments in Nikkle's preparations, and the vest under the T-shirt that was used to connect to Wia was not light at all, so Judy simply sat down next to Eric and said, "Are you more tired than the other day?"

Eric nodded solemnly: "Of course, but don't worry, I've already told the chef to add two eggs to you at noon." ”

Judy's expression was smiling, but her eyes were a little bad, and she looked at Eric without a trace, and said, "You are such a big capitalist, only two eggs, what a stingy." ”

Eric showed a painful expression: "Or, add another one, no more." ”

"Hehe," Judy chuckled, her eyes narrowing slightly, and she suddenly reached over and tapped her index finger precisely somewhere around Eric's waist.

"Ahh

The unsuspecting Eric snapped into a pain and almost jumped out of his chair, but he was more surprised at how this woman knew.

The busy crew members around looked over with Eric's voice, and when they found that it was the heroine and Mr. Director who were 'interacting', they continued to play with the guy in their hands as if they didn't know anything.

Judy was taken aback by Eric's movements, and hurriedly said, "I'm sorry, Eric, I just wanted to make a joke with you." ”

"It's okay," Eric shook his head, feeling the confusion in Judy's tone, and forgave her very generously.

However, women are obviously creatures with natural curiosity, and after Judy apologized, she immediately asked, "Eric, what's wrong with your waist?"

Eric shook his head casually, "It's nothing, I accidentally bumped into it." ”

"Oh," Judy replied, but the confusion in her eyes did not dissipate, and after a moment, as if she thought of something, the corners of her mouth couldn't help but show an inexplicable smile.

Eric noticed the slight smile on Judy's lips and thought to himself that this woman couldn't have come out like Kashenberg, so he said, "What's wrong?"

Judy leaned her head a little and lowered her voice: "Clipped?"

All right.

It seems that Hollywood people's brain-opening ranks are not ordinarily high.

Fortunately, Eric was somewhat mentally prepared this time, and calmly glanced at the two long legs outside Judy's black shorts, and said, "Why don't you come and pinch me and see if you have the strength to pinch people?"

"We women may not have," Judy winked with a wicked smile, "but not necessarily men." ”

"Be careful that I detain your eggs"

"Hehe," Judy laughed, but couldn't help but ask, "What the hell is going on?"

"Just like you imagined, I was caught by a woman," Eric decisively turned on the mode of telling the truth and no one believes it: "I've seen "GoldenEye", I also encountered a Russian female agent last night. ”

Judy suddenly showed a sudden look: "Oh." ”

"Oh what do you mean?"

Still smiling, Judy unraveled the mystery: "Eric, you forgot, Drew and I are quite familiar. ”

Eric tried to play dumb: "So what?"

Judy raised her hand and gestured to point over again, so frightened that Eric hurriedly blocked it with the thick director's script, Judy raised her chin proudly, got up and said, "Okay, I'm going to get to work, ridiculous Mr. Director." ”

"You are a trial without evidence. ”

"I'm a woman. ”

“……”

Fortunately, except for Judy, no one else saw this.

The staff fastened the Wia cord attached to the ceiling track to Judy in turn, tested it several times, and today's shooting officially began.

Meanwhile.

In an ordinary office building in North Hollywood, this is the headquarters of an elite talent agency, although it is somewhat similar to the name of CAA (Innovative Elite Culture Agency), but this is actually a small typical Hollywood agency, and Westerners really have little talent for naming it.

Shortly after his agent Matt Gilson came to work, he received a call from the Firefly Group's rights trading department, asking him to rush to the Firefly Group's Burbank headquarters in the morning to discuss a script in his possession.

Elite talent agencies are small, and Matt Gilson is both an artist agent and a script agent, but, to be honest, the more 'generalists' seem to be insignificant in such a small company.

Matt Gilson only has a few rookie actors and a few Hollywood not-so-famous screenwriters acting as agents, and the two screenwriters of the script called "Pirates of the Caribbean" Terry Rucio and Ted Elliott are on temporary duty at Paramount Animation Studios, but there are no other outstanding scripts except for "Aladdin", which was signed by many screenwriters. Influenced by "Cut Throat Island", the script of "Pirates of the Caribbean" was written for several years and no one cared about it.

Since last week, however, Matt Gilson has clearly felt something different.

The script, which had been buried in his hands for several years, seemed to be suddenly noticed, and it was the Firefly Group that paid attention to this script, which immediately made Matt Gilson feel the opportunity.

The script in hand is not perfect, and it is very unlikely that it will be sold for more than $100,000 with the screenwriter position of Terry Rucio.

However, Matt Gilson thought that if the script could be linked to someone's name, the value of the script would definitely increase tenfold.

Moreover, he keenly felt that the script was most likely the one Eric Williams had taken a fancy to. After all, the box office fiasco of "Cut Throat Island" is counted in the Guinness Book of Records, and Hollywood has basically been insulated from pirate films over the years, and it is unlikely that a slightly more normal studio executive would be interested in pirate films due to risk considerations.

What's more, the original "Cut Throat Island" was still from Disney, which has become a subsidiary of the Firefly Group, and a large part of the current Firefly Group executives are from the Disney department, and they have personal experience of the box office fiasco of "Cut Throat Island".

Despite these thoughts in his heart, Matt Gilson rushed to the headquarters of the Firefly Group without much hesitation, and now even the three major brokerage companies could not take Joe in front of the Firefly Group, and he, an unknown little agent, did not dare to have any fight.

However, although the other party's offer of $100,000 was very generous for the script, Matt Gilson did not immediately agree to the other party, but only said that he would discuss it with his employer, and the manager of the Firefly copyright department who was in charge of negotiating with him did not show any eagerness, and the two parties agreed on the next contact time, and Matt Gilson left the Firefly Burbank headquarters.

Matt Gilson shook his head helplessly as he recalled the conversation, the manager had been so fluid that he didn't try to get the information he wanted.

However, when you think of the recent super-dark horse "Midnight Bell", Matt Gilson absolutely, this is enough to take a risk.

Because of Eric Williams' fancies, a horror film from Japan, "Midnight Bell", can be a big hit, and now the North American box office alone has easily exceeded $170 million, and the box office performance even exceeds most Hollywood summer blockbusters, and the cost of this horror film is only $30 million. At the same time, the box office of films related to Eric Williams this summer is basically a big hit, and according to these standards, if the script of "Pirates of the Caribbean" is really favored by Eric Williams, it can be worth at least five million dollars.

As an agent, Matt Gilson's salary is actually very varied, but on average, it is only about $5,000 a month. If he can sell "Pirates of the Caribbean" for a sky-high price, just this commission income is almost worth his salary for ten years.

With the money he made at a time worth ten years, Matt Gilson couldn't think of any reason why he shouldn't take the risk.

Despite his own calculations, Matt Gilson had no intention of hiding the matter from his two employers, and when he returned to the company, he called Terry Rucio and elaborated on his speculation, and Terry Rucio and the others were also quite impressed.

The three of them had lunch together again, discussed it in detail, and roughly settled on the attention.

Since the beginning of the afternoon, Matt Gilson has contacted acquaintances of several other major Hollywood studios, claiming that he has a script that may be of personal interest to Eric Williams.

During this time, due to the impact of "Midnight Bell", a super box office dark horse, while frantically searching for Japanese-style horror film scripts, Hollywood film companies are naturally extremely concerned about the projects that Eric himself is interested in, and even commercial espionage has been used, but Eric has long suffered losses in this regard, and it is naturally impossible to make this kind of small mistake again.

However, Matt Gilson's statement is still very marketable, even if several years have passed, but there are really not many Hollywood studios rushing to produce pirate films, not to mention, "Pirates of the Caribbean" is a high-budget special effects blockbuster, except for Eric Williams, there are absolutely few people in Hollywood who will take a fancy to this kind of script.

Although Matt Gilson was very sparing about not packing 100% of the tickets, it was not yet the afternoon when the screenplay for "Pirates of the Caribbean" appeared on the desks of the executives of major studios.

Before the crew finished work in the afternoon, Eric had already received a series of calls from the girl and Elizabeth, and even some other people's temptations, and Kashenberg also asked if he needed to rush over and discuss countermeasures.

"Let the copyright department suspend contact with the other party, and we'll see how it goes." Standing alone in the corner and talking to Kashenberg on the phone, Eric was also a little helpless.

The current script of "Pirates of the Caribbean" is basically two stories from the previous movie production, and Eric is not worried that the script being taken away by others will replicate the box office glory of the past, but it would be a pity if such a series with unlimited potential was ruined.

"Eric, I've tried again, but it still doesn't work," Nickel said to Eric as he walked back to the filming location, "If you want Judy to make a baby in the mother's position under WIA conditions, you can't keep your balance at all." ”

Judy still had a Wia string attached to her body, and could only look at it from the side of the special grooved model.

Eric walked over to the monitor and played the camera for a moment.

Because the Wia rope is on her back, and in order to maintain balance, Judy's legs can only be stretched out, and it is impossible to curl up like a baby.

The scene of Ryan curled up in a space capsule like a baby is a very classic set of shots, and Eric has no intention of modifying or perfunctory.

However, there was still this "Pirates of the Caribbean" in his heart, Eric was a little irritable, and after thinking about it for a while, he didn't come up with any suitable solution, and the time was almost the same, so he simply announced that he would call it a day early.