"Really, it's false? You wouldn't say that to everyone, would you?" asked Takuya Kimura.

"How is that possible? I'll just say that to the three of you, Kimura-san, Utada-san, and Matsushima-san. Actually, I think there are some things that Utada-san and I have a lot of. Zhu Zi said with a smile.

"Where is it?" Hikaru Utada asked curiously.

"In terms of the understanding of music, in fact, you may not know, my original intention was to enter the music scene, but I ended up entering the TV industry by mistake. Every time I think about it, I feel a lot of regret. Zhu Zi sighed?

"Do you feel sorry for yourself?" Hikaru Utada asked curiously.

"No, it's a pity for the Japanese music scene, the Japanese music scene has been missing a giant in the music world since then. Zhu Zi sighed.

Hikaru Utada and Takuya Kimura burst out laughing.

Ikuta Erika behind Zhu Zi looked at Zhu Zi with admiration, the girl originally thought that her face was thick enough, but with Teacher Zhu Zi, it was really nothing.

"Hello Kimura-sensei and Utada-sensei. More than a dozen members of Nogizaka 46 and AKB48 bowed to the two seniors in the entertainment world.

"Hello everyone, it's a pleasure to be here for the first time. I've heard Ikuta-chan say that you're the future of Japanese music, and I didn't understand why you said that. Now I finally understand that this is all learned from Zhu Zisang. Hikaru Utada quipped.

Ikuta's pretty face flushed, and Zhu Zi couldn't help laughing.

…………

After the arrival of Takuya Kimura and Hikaru Utada, Akashi saury, Yasu Akimoto, Yukie Nakama, Nanako Matsushima and other contestants also arrived.

In addition to these people, a very famous music maestro also arrived.

This is the famous soundtrack master Jean Hisaishi.

The stage name "Jean Hisaishi" is named after his idol, the black American musician and producer Quincy Jones. The Chinese character "Hisaishi Jean", which is similar to the pronunciation of "Quincy Jones", and then changed the pronunciation of "Jiu" from pronunciation to pronunciation, became the current stage name.

His main musical activities are mainly composed of film scores, especially the works of directors such as Hayao Miyazaki, Takeshi Kitano, and Nobuhiko Obayashi. In 2015, he won the Best Music Award at the Japan Film Awards eight times, the Music Award at the Japan Film Awards seven times, and was awarded the Purple Ribbon Medal by the Japanese government in 2009.

In addition to film scores, Hisaishi is also committed to serious music composition, with a style that leans towards simplicity. Some of the more famous works include The Fifth Dimension and Orbis, which pay homage to Beethoven's Symphony No. 5: Destiny and Symphony No. 9: Chorus, respectively. He also published Symphony No. 1 "East Land".

At the age of four, Hisaishi began to study violin in the music classroom of Suzuki Jinichi, and later worked as a trumpeter in the middle school club, and the idea of becoming a composer began during this period.

In 1969, Hisaishi entered the National University of Music, where he studied composition and studied under the name of Shimaoka Jean. During his university years, Hisaishi began to be influenced by the style of minimalist music, and tried to analyze the content of the works of minimalist musicians such as Philip Glass or Terry Reilly.

After graduating from university, Hisaishi first took over the soundtrack in 1974 for the TV anime "The Little Hunter in the Mountains", which was adapted from Shunji Sonoyama's manga. In 1981, he released his first producer album "MKAJU", and his first album "Information" was released in 1982. During this period, Hisaishi published under his real name "Mamoru Fujisawa", and his personal office "Onder City" was also established in 1982. ，

Later, due to the animation studio Topcraft's project to release the film animation "Valley of the Wind", the film's director Hayao Miyazaki and producer Takahata Xun abandoned the originally planned soundtrack list and decided to use the recommended candidate Jean Hisaishi to be in charge of the musical content of the work, and Hisaishi began to gain attention after scoring the score for "Valley of the Wind", and subsequently scored the animation directed by Hayao Miyazaki at Studio Ghibli many times. Hisaishi has also been invited by film directors such as Takeshi Kitano and Nobuhiko Obayashi to compose music for their works.

Between 1992 and 1994, Hisaishi won the Music Grand Prix at the Japan Film Awards for three consecutive years. In 1998, he was invited to perform as the opening performer of the Nagano Para Olympics. Hisaishi's first attempt at directing was "Quartet" starring Yoshihiko Hakamata in 2001.

In addition to continuing to score Japanese films and animations and give solo concerts, in 2004 Hisaishi began to try his hand at filming soundtracks for films in other parts of Asia, including the soundtrack for the 2005 Korean film "Welcome to Dongmo Village", which set a record for the first Japanese to win the Best Music Award at the Korean Film Awards, and the 2007 Hong Kong film "Auntie's Postmodern Life", which also won the Music Award at the 27th Hong Kong Film Awards.

The hotel is set up in the same way as the film school awards, where everyone eats at the table and watches everyone's performances.

Sho Sakurai and Mao Inoue introduced all the judges, starting with Yasu Akimoto, Akashi family saury, Yukie Nakama, Nanako Matsushima and others, and finally Zhu Zi.

When Zhu Zi was introduced, everyone began to coax.

Including Maki Horikita, Tomohisa Yamashita, Jun Matsumoto, Shun Oguri, Masami Nagasawa and others, everyone had a very tacit understanding in unison.

Zhu Zi was very calm, smiling, and deliberately waved his hand to Tomohisa Yamashita and the others.

Now the boos were even louder.

"Zhu Zisan, do you know why they boo you?" asked Mao Inoue gloatingly.

Actually, I understand their feelings, because as a director who has made a name for himself in the television industry, my departure made each of them feel very heartbroken and reluctant. That's right, Matsushima-san. Zhu Zi looked calm, and talked to Nanako Matsushima beside her.

Nanako Matsushima nodded amusedly.

"What do you think? ”

"I think what Zhu Zisang said is very right, but it's really a big loss for us that you didn't enter the comedy industry. Akashi family saury smiled.

"See, mao-chan and Sakurai-kun. This is public opinion. Zhu Zi proudly spread his hands. "Actually, Utada-san, she thinks it's very right for me to quit the TV industry?"

"Why? Utada-san?" Sho Sakurai shifted his attention to Hikaru Utada.

Because Zhu Zisang said that he wanted to join the music scene. ”

"That's right, there will be one more music master or master in the music scene in the future. Zhu Zi immediately climbed up the pole.