"Why do you come out with these two people alone, because the two of them are really too good, let's talk about director Cheng Xiaoyu first, his works are not many now, and there are only four songs I can come into contact with, among which "Nobo", "N" and a song "Not Full of Lovers" are the main songs of the "Idol Project", and these three songs supported a diamond album, and these three songs sold more than 13 million, you must know that Huaxia has not appeared in a diamond album for more than two years! It's a pity that the Chinese people didn't know the goods so well, and at that time it was just popular, and no one studied the song in depth and recognized its value. Sure enough, this song first swept overseas and appeared on the American billboard! This is the first time in history that an Asian song has appeared on the billboard! Even though we are not dealing with the United States! But we have to admit that the United States is the birthplace of modern music, and many musical forms are ahead of our Chinese people; although Cheng Xiaoyu's four songs are market-oriented, they are still love songs, and they are very commercial songs, but why have they achieved such great success? If you have friends who have studied pop music, can you come out and talk about it?" Leng Jun stopped explaining and asked a question.

There is only one Cheng Xiaoyu who definitely knows the reason, but he will not stand up and say that of course the people who participated in this salon are elites, and it is not that they have a deep understanding of pop music, but I saw a man with long hair and glasses raise his hand and said: "Because Director Cheng Xiaoyu's composition style is fundamentally different from the current style of Chinese pop music, using the typical blues twelve-bar march, which is currently a popular music form in the United States." ”

Leng Jun snapped his fingers and said: "It's very good, the history of love song creation in my country is very long, from poetry and song to Yuan song, most of the works are lyrical as the core purpose, and the works that do not seem to involve feelings are actually permeated with the feelings of the ancients, for example, the description of the scenery is referred to as "a qiē scenery is a love language", and the comparison between ancient and modern is referred to as "borrowing the ancient and satirizing the present" and "trusting the ancient and nostalgic people", etc., so my country has to appreciate the taste from ancient times to the present is melody, melody, melody. From this point of view, today's love song culture is essentially a deformed inheritance of Chinese poetry culture, because only melody is emphasized. The essence of the three songs directed by Cheng Xiaoyu is derived from the combination of American blues, soul music and jazz, what is the heavy diǎn of composition? rhythm, rhythm, rhythm, but where is the cleverness of director Cheng Xiaoyu? He not only attaches importance to rhythm ±∏dǐng±∏diǎn±∏ Xiao ±∏ said, .2≥3.o≯s_(); , and did not ignore the melody, so that the original Chinese pop music was a monster with only one foot of melody, and when it encountered a new type of music with two feet of melody and rhythm, how could it not be swept away?"

"And another 'poison' that can be compared with Cheng Xiaoyu, if Cheng Xiaoyu is a representative of the academic school, then 'poison' is obviously a genius-type creator. 'Poison' is such an interesting person, I want to ask if anyone has heard his music?"

Leng Jun asked again: "What about those who have heard the song "Nunchuck"?"

Now the big people in the book bar basically raised their hands.

"In fact, if I want to choose last year's champion song, "Nunchuck" is the best, there are too many elements integrated in this song, and its arrangement is complex Cheng dù is simply breathtaking, I don't do a specific analysis here, you can go to the Internet to look at the music review about this song, I recommend the one written by Hao Yifeng. However, director Cheng Xiaoyu's works are more complex and exquisite in structure and writing, which is a typical representative of the academic school. ”

"The commonality between Poison and Cheng Xiaoyu is that they are both based on the rhythm of the blues to write songs, at present, Cheng Xiaoyu's creation has come to this new form at the beginning, known as the limit of rhythm and blues writing technology, which is currently the most difficult kind of music to sing, he has also set a standard where, how to write pure American pop music, I estimate that he should have an overseas study background, but on the other hand, there may be many people who can make Cheng Xiaoyu's works like Cheng Xiaoyu's work in the United States, and many may do better than him, after all, he is only ranked seventy-second on the Billboard in the United States。 And let's ask: Did director Cheng Xiaoyu create a new form of music, or did he convey a deep cultural emotion through rhythm and blues? The answer is 'no', he just walked at the forefront and moved what became popular in the United States to China unchanged. ”

"But 'Poison' is different, when the first song of 'Poison' came out, it was said that no one listened to it, and it was at the bottom of the music network, although everyone suddenly couldn't figure out what it was, and wasn't sure that it was really rhythm and blues, but it just sounded interesting. At that time, it became clear to me that the importance of this was the issue of cultural identity. From the perspective of local consciousness, the poison has given everyone a revelation: 'It turns out that Western things like rhythm and blues can be completely localized, and a young man who doesn't know where to come out can also make great music.' Although this diǎn is not obvious enough, the breakthrough in the cultural context of 'poison' from "Niangzi" and "Nunchuck" to "S 1943" is quite important.

Because no matter how authentic the rhythm and blues written by director Cheng Xiaoyu are, its cultural context makes local listeners sound like they are still separated by a layer. But now 'Poison' is really doing magic in front of your eyes, and the tone and topics he talks about are closer to those of the local audience.

Therefore, no matter how mature Cheng Xiaoyu's previous solo works were, the appearance of 'poison' is his fateful enemy, and the content I talked about earlier is biased towards 'poison', because the style of poison is more diversified in my opinion, and his unbridled imagination and the Chineseization of Western music make me appreciate it very, very much.

But this doesn't mean that I think director Cheng Xiaoyu is not good, because director Cheng Xiaoyu's current works are relatively unexposed, and he is only writing songs for the 'Idol Project', which has limited him to some extent, and his creative level is the only one I think can be directly related to 'poison'. Personally, I am actually full of expectations for this year, because this year I personally think that it will be a crucial year for Chinese music, this year's "poison" will definitely be the first solo album, and this year's "Idol Project" album completely supervised by Cheng Xiaoyu will also come out, I set up an A here, this year will be the world of rhythm and blues, and it also belongs to Cheng Xiaoyu and ' Poison's two heroes will fight the bright year of the top of the Forbidden City, although it is still far from the year-end awards season, but I have seen the future, I am selfishly very very looking forward to the scene of Mars hitting the earth in this year's awards season, I am personally more optimistic about 'poison', but it is too early to draw conclusions after all, director Cheng Xiaoyu's talent is multifaceted, the more I talk about it, the more excited I feel, I feel that I am looking forward to it, and I can't wait to reach the end of the year now"

Cheng Xiaoyu looked at the coldness of standing in front of him and was so excited that he exploded, he felt that he was embarrassed and was about to commit cancer, and he sang praises for a while, and he had goosebumps, if he was known that "poison" and Cheng Xiaoyu were the same person, the entire Chinese music scene would be crazy. Cheng Xiaoyu silently planned to take this secret to the grave and make it a mystery of the century, and it seemed that the confidentiality contract with him needed to be signed more strictly. As for the secret that he is director Cheng Xiaoyu, he only plans to protect it for as long as he can, after all, as long as someone finds out 'Shanghe', he can find himself, but now no one is interested in who he is, after all, he is just a behind-the-scenes worker, not a big star standing in the foreground, and it doesn't matter who it is.

Liu Bin, who is far away in Yangcheng, must know that Cheng Xiaoyu will have to put forward more stringent confidentiality requirements when he participates in a salon at will, and he is afraid that he will have the heart to cry.

Next, Leng Jun analyzed the development trend of the story of "Because I Like It", and then it was Lei Xin's turn to speak, and the appearance was lowered by a notch, originally Lei Xin was not going to speak, but Pei Yanchen came, and he had to give a lecture on the duck on the shelf. Cheng Xiaoyu was not interested in what he was talking about, and most of them were talking about how to shoot with the shooting techniques of movies.

After the speaker's part was finished, it was a discussion of their own opinions, Cheng Xiaoyu naturally would not jump out of the limelight, and as a result, everyone who had expectations for Cheng Xiaoyu was a little disappointed, and even Lin Xi deliberately introduced the topic to the classical music that Cheng Xiaoyu was good at, Cheng Xiaoyu did not answer, just smiled and watched others discuss.

As for Wu Fan, Chang Yue and these high-ranking people who are at least graduate students, there is no way to interject, so this already remote corner is becoming more and more deserted.

Lei Xin couldn't help but be satisfied with Cheng Xiaoyu's sensibility, he knew that Cheng Xiaoyu was quite able to speak, but he didn't know that Cheng Xiaoyu's mouth cannon level was A's desperate demon king level of destroying the world, not growing an inch of grass, destroying withering and decaying, swallowing mountains and rivers, and lewd/wife and daughter, but at this time, Lei Xin naturally would not provoke Cheng Xiaoyu, who was deliberately low-key, seeing that the three people were sitting in the corner with some restraint, and they couldn't blend into the atmosphere of the salon at all, Lei Xin couldn't help but smile and said to Pei Yanchen. I see that Cheng Xiaoyu is actually not worthy of his name, there is nothing in his stomach, most of the melody of his "Liang Zhu" is changed from Yue Opera, it just made him think of a good idea, my friend in the composition department said that he wrote this level of symphony casually, but he didn't expect to adapt this kind of way, he now plans to write a "Zhaojun Out of the Plug" will definitely not be worse than "Liang Zhu", and you will be the chief when the time comes. ”

(Thank you for the reward of the homestead, thank you for the red envelope of SR-OA.) Let's explain it in a separate chapter. (To be continued.) )