As Yayue said, China has a long history, and these histories are good material for Chinese literary workers. Any paragraph of these histories can be written into a powerful web novel with a plot twist and turn of millions of words.

The same is true of the current online literature, and a considerable part of the online novels on the Internet are written about history. And these historical writers are also very concentrated in the Three Kingdoms period, ten historical novels, five or six of which are written about the Three Kingdoms, and in the next ten years, the novels of the Three Kingdoms theme are still the mainstream, and they are about to be written rotten, and as a result, there is a summoning stream to continue the vitality of the Three Kingdoms theme.

And it is said that the country is taking the lead in jointly developing the animated version of "Romance of the Three Kingdoms" with RB, and wants to use historical themes to expand the animation market, although the final result is not very good, but it also makes the country understand some of the situation.

Although the animated version of "Romance of the Three Kingdoms" is suspected of being unfinished, the production is quite good. The biggest failure is the introduction of RB Animation, you must know that RB wants the Chinese market, not to help the Chinese animation industry.

And in the past, things that were co-produced between China and Japan were often very bad, and RB was notoriously ruined classics. Remember the RB version of "Journey to the West" in 78? It's the one of the female Tang monks, it's disgusting to think about it now. If there is no this version of "Journey to the West", China may not make the 86 version of Journey to the West, compare it, and you will know what is a real classic.

If the animated version of "Romance of the Three Kingdoms" is all produced by China itself, Liu Shuo believes that it can definitely be filmed better than the original, because the Chinese people are in awe of the classics, while RB does not.

Well, RB calls these innovations. But look at what they're innovating about? In addition to real anime masters such as Hayao Miyazaki, only some pure love comics are relatively normal, such as "Five Centimeters per Second", which really gives a lot of fans in the Japanese manga circle.

But this is only one part of the Japanese comics, and there are many other types of Japanese comics. The ghost-type Japanese comics are also admired by many people.,But look at their ghosts.,Not to mention, weird.,Many of them are violated.。

Liu Shuo didn't know why those ghosts were able to grow tentacled mouths from all parts, and they were full of teeth, which made him feel sick when he saw it.

Goblins can make frightening, but shouldn't be disgusting.

Speaking of disgusting, I have to mention that the tentacles are tied.

The tentacle monster first appeared in the early 20th century, a system of Cthulhu mythos created by American science fiction writer Howard Philip Lovecraft. The gods and goddesses in this mythological system are all tentacle monsters, they are of ancient origin, and their appearance is often accompanied by ancient terms such as "antiquity".

Therefore, "World of Warcraft" also adopted this mythological system and created the ancient god race. But the most obsessed with the tentacle system is the RB people. There are tentacle monsters in many RB anime and games, and the more well-known ones are the animation "Sneak! Naiako", the games "Song of Saya", "Bloodborne: Cursed" and "Resident Evil", but the place where tentacle monsters appear most is on RB's **!

Don't underestimate RB's **, you must know that as the world's largest A-film venue, **'s status in RB is not low, and a large number of ** are produced every year to support the development of RB's animation career.

Liu Shuo also had to complain about the strangeness of RB people, their brain circuits are really difficult for people to understand. Their so-called innovation is really difficult for people to accept. In the Japanese comics, all the bad guys have to be whitewashed, no matter what the bad guys are, they have to have a good experience, and then they are forced to become the big bad guys.

Liu Shuo really wanted to ask those authors, did the people killed by these villains die in vain? It's really weird logic.

And some of their innovations are even more difficult to accept, such as the Nianghua Three Kingdoms. Is this called innovation? Turning a man into a woman? It's all innovation to go to Thailand and become a one-time one? Liu Shuo really wants to degenerate the people who painted these, and the performance of RB people's disrespect for history can be seen at a glance, no wonder they don't admit the crime of aggression!

There are also some innovations, that is, RB some images, especially in weapons, all kinds of RB, as is the case with the animated version of "Romance of the Three Kingdoms" that is being produced.

Liu Shuo doesn't want such an innovation at all.

Of course, this also shows that no one has drawn the most orthodox Chinese historical cartoons yet, which will be a blessing for Chinese comics, because there is still a lot to do. Having something to do is also an advantage. It's all ten meters strong on the first side, seven or eight meters and just started to cover, which is a lot of work? Who gets the most money for every meter of money?

However, the advantage is an advantage, and whether this advantage can be brought into play depends on the efforts of Chinese animation people.

Yayue also continued to share the skills of drawing comics with many manga lovers, and to be honest, RB comics are very rich. But these are really not of great use to Liu Shuo, he doesn't draw by hand on paper at all, with a computer and a hand-drawn tablet, he can draw any picture he wants, and he doesn't use those skills at all.

But for those who are not used to drawing on a computer, these tips are really useful. Because of these skills, many students gradually drew their own comics.

"The basis of drawing manga is that you can't shake your hands when drawing, but I believe that everyone is a master of drawing and should be able to do this. But when you first start drawing comics, you always make mistakes, because comics are not different from sketches, and you should pay attention to the blood line when drawing comics. ”

"Usually we use manuscript paper to draw comics, and there are three boxes in total. The innermost is called the inner frame, the middle is called the outer frame, and the outermost is called the bleeding frame. Amoon took out a piece of manuscript paper, pointed to the three boxes on the paper, and said:

"All three boxes are useful because, at the time of publication, the cropping is between the outer frame and the bleed frame. Don't just draw on the frame, as this may leave an unsightly white border around the printing process. Don't draw important content between the outer frame and the bleed box, as it may be cropped. On the spine side, it's best to only draw to the inner frame, because those places are sandwiched, and few readers will break the book page by page to see the blocked parts. ”

"These little common senses, although small, can help us draw comics that don't get bad because of publishing. Think about it, how do you feel when you work so hard to draw a good manga, but it is cut beyond recognition because of the time of publication? ”