The performances that followed can be described as the most repeated, after all, they are all high-level students who study music skills professionally in the theater.

Immediately followed by Wu Di is actually Tu Jing, who is a little chubby in the vocal opera department, known as the queen of opera, and she sings the classic aria "Nobody Sleeps Tonight" in the opera "Turandot".

This operatic aria is a complex psychological process of uneasiness to conviction in love after Prince Calaf guesses the riddle of the princess, the night before waiting for the final verdict of his fate. (If you like it, you can listen to Sarah Brightman or the **** version is good)

When Tu Jing sang "Nobody Sleeps Tonight", the handling of ventilation was perfect, the accuracy of the weak entry was impeccable, the singing of the front leaning tone was flawless, and the whole emotion and voice were appropriate to express the song.

The biggest advantage of Tu Jing is that the timbre is beautiful, rich in variety, the voice division is strict, and the harmony and unity of each sound area are emphasized. Moreover, the sound method is scientific, and the plasticity of the volume is very large. The sound of the air is consistent, and the connection between the sound is smooth and flawless. You can barely feel the ventilation.

This perfect singing completely portrays the delicate and complex psychology of "Nobody Sleeps Tonight", and at the same time has a dramatic conflict. Created an image of a fearless prince with a strong belief in love.

Xia Shamo from the stage was completely immersed in such a beautiful singing, and she was even fantasizing about what it would be like if she stood on it and sang. Cheng Xiaoyu saw that Xia Shamo's body was trembling slightly with the thick and steep high note, and he couldn't help but sigh that there were too many people in the drama, and this voice was too beautiful.

After all the audience at the scene were shocked by Wu Di's skills in the last show, this show was moved by Tu Jing with an ethereal and high-pitched voice, after the high note of the high-pitched high-tech * at the end. The symphony orchestra's horn sounded, and many of the audience were already in tears.

The host simply came to the stage and said, "It's not a loss to the queen of the opera that we played, I was so moved by reads();." I've heard the tenor's "Nobody Sleeps Tonight" before. The first time I listened to the female version today, it really made me feel the charm of music. Regardless of borders, regardless of language. Senior Sister Tu Jing, please take my knees. The simple words are a little playful.

"After listening to the sound of nature, we are here to feel the essence of our Chinese folk music, and welcome the "Ancient Songs and Modern Rhymes" brought by the freshmen of the Department of Folk Music. ”

"Ancient Songs and Modern Rhymes" already belongs to the penultimate freshman program, and the last freshman program is Chang Yue's Violin Department's "Light of Music".

"Ancient Songs and Modern Rhymes" This is an adaptation of a guzheng. Cheng Xiaoyu can hear that it connects the themes of the two works of "Spring River Flower and Moon Night" and "Gong and Drum Harvest".

In terms of the style of the repertoire, the first part of the Andante "Spring River Flower Moonlight Night" embodies the classical elegance.

The second part of the upper plate "Spring River Flower Moon Night" uses elements of pop music, reflecting the fusion of ancient and modern music.

Part III Allegro. Using the orchestration of Asian drums and orchestral instruments, and the technique of the guzheng in this song, it interprets the dynamic rhythm of the harvest gongs and drums from a new perspective and the lively and cheerful atmosphere.

In terms of structure, this piece is roughly divided into three parts: the line plate, the upper plate, and the allegro.

Although the arrangement is very innovative, the performance of this freshman in the folk music department can only be said to be decent, and it is not as sharp and shocking as the performances of the first two people.

After the first-year performance of the Department of Folk Music, the curtain fell, and Zheng Ke walked on stage with steady steps, "After appreciating the treasures of Chinese art, we will feel the magnificence of classical Western music." "Mozart: Violin Concerto No. 5" is one of Mozart's most famous violin concertos, and it is a classic repertoire that violinists of all generations must perform. ”

This Violin Concerto by Mozart is a testament to his unparalleled genius, with lively tunes and elegant styles. The melody is beautiful and full of youthful atmosphere.

But it's a pity that as the principal performer, Kung Fu still can't get home. The prolongation is uneven and not grainy. Of course, the main reason is that Cheng Xiaoyu's ears are too picky. I don't think it's perfect, but in fact, the whole level is quite good.

In the following "Wind Hunting" of the Folk Music Department, plus the erhu solo "Erquan Reflecting the Moon".

In the sad and profound artistic conception of "Two Springs Reflecting the Moon", the performer not only exudes sad feelings and high-spirited indignation, but also skillfully expresses the feelings that will last for a long time and have a long aftertaste.

Zheng Ke once again came to the stage and said, "The folk music department really sent out the treasure of the town system, but it is estimated that this appearance will make all the boys present crazy, yes, she is the flower of our play, Pei Yanchen, a violin professional, she will bring the third movement of Tchaikovsky's "Violin Concerto in D major". ”

Cheng Xiaoyu's mood began to be a little complicated when he heard this. He knew that the girl who gave him a straw hat was probably the school girl he had bumped into, but he really didn't want her to be. Although those Xu heartbeats are not irrepressible for Cheng Xiaoyu. But it's also rare for him to meet a girl he would find interested. He felt his heart beating a little fast, and he looked at the stage with trepidation.

This Chang Yue whispered to everyone, "We can go backstage to prepare." ”

Cheng Xiaoyu looked at the stage as if he didn't realize it, and his eyes were confused. Duanmu Linsha thought that Cheng Xiaoyu was a little nervous, so she didn't hear it, and patted Cheng Xiaoyu and said, "Brother Xiaoyu, it's time for us to go on stage." ”

Cheng Xiaoyu was startled and suddenly stood up, walked towards the outside of the chair with his guitar on his back, and turned his head to look at the stage in the extremely noisy auditorium as he walked.

Before Pei Yanchen came on stage, the entire auditorium was already thunderous, and first the orchestra came to the stage, and when the orchestra sat down on the stage, Pei Yanchen slowly walked up from the backstage.

Cheng Xiaoyu was already backstage at this time, and at this time, she could only see Pei Yanchen's demeanor in a beige off-the-shoulder dress, holding a violin in one hand and a bow in the other.

Cheng Xiaoyu could only sigh, Pei Yanchen's back had disappeared from sight, and he didn't know if this school girl knew him.

When I got backstage, all the people were people who often performed on stage, and they didn't have too much nervousness, but they were all excited about to surprise the audience.

Cheng Xiaoyu heard Tchaikovsky's Violin Concerto in D major already playing.

Chai Xiaoxie is the most famous piece of music composed by the composer in the concerto genre, and it is also the most performed and popular work on the music stage today. This concerto is full of strong Russian flavors, the musical structure is huge, and the performance technique is very difficult.

Pei Yanchen's performance of the Violin Concerto in D major is a very authentic interpretation of Russia. Her playing, with her generous and warm tone, is solid, and she is neither as flamboyant as Heifetz nor romantic as David Oisstrakh, but with a very peaceful state of mind to show her unique understanding of Tchaikovsky's music.

Cheng Xiaoyu feels that although Pei Yanchen's performance is too bland compared with David Oisstrakh, this explanation now sounds closer to the musical characteristics of Tchaikovsky's life, and it also more deeply expresses the elegant and melancholy temperament unique to Tchaikovsky's music.

I can't help but say that Pei Yanchen's talent in the violin is indeed amazing, thinking that she was originally a high-talent student at the Academy of Drama and Opera, but she was forced to quit because of herself, Cheng Xiaoyu's heart was also full of regret.

Although this is not the first time to listen to Pei Yanchen's performance, a kind of violin players behind the stage still listen to it and sigh non-stop, Pei Yanchen's skills and feelings are very accurate, and there is only one sentence to say: When can I have such a level.

After the performance, Cheng Xiaoyu could feel the great enthusiasm of the audience backstage, and Cheng Xiaoyu thought that maybe her appearance gave her a lot of points, but such a level was undoubted.

At this time, the orchestra players of the sophomore orchestra began to leave, and it was finally Cheng Xiaoyu's turn to play.

Cheng Xiaoyu and the others took the stage from the left side of the stage, while the sophomore performers left the stage from the right side of the stage. When Cheng Xiaoyu walked towards the stage, Pei Yanchen was holding the violin between her head and shoulders, arranging her skirt, her posture was like a swan with a bent neck, so beautiful in the spotlight that people couldn't help but hold their breath, and everyone slowed down, as if they were afraid of disturbing her.

Chang Yue and Cheng Xiaoyu were moving the drum kit to the front of the stage with their heads down, which position was the position where the chief was standing.

At the moment when Pei Yanchen turned around and walked towards the stage, before the crimson curtain opened, in the intense and scorching spotlight detection, in the slight noise of finding a place to set up a chair all around.

Cheng Xiaoyu's shirt eyes were full of feet, the orange-yellow wooden floor was covered with wisps of scratches, and his eyes were suddenly full of Pei Yanchen's face, and the two finally met again.

(I'm working on the codeword, don't wait, I'll be able to see it tomorrow morning) (To be continued.) )