Cheng Xiaoyu sat in front of the piano and thought about it carefully, the first song he decided to write specifically about showing off skills, so he planned to play a piece that he often played to practice finger speed, and in his previous life, many people should know "Wild Bee Flying", but in fact, this song is not Maxim's original, but adapted from Russian composer Nikolai Rimsky-Korsakov (Noaanrrs-Orsao) "The Flight of the Bumblebee".

But this "Wild Bee Dance" is not suitable for playing here at the moment, because the piano melody of this "Wild Bee Dance" is not enough, and without electronic music and violin accompaniment, the whole "Wild Bee Dance" will be too much degraded. But he still remembers a piece of Xue Xiaoqiu's "R.", which is more suitable because it is written by combining two difficult piano pieces, "Paganini" and "Wild Bee Flying".

Cheng Xiaoyu touched the keys with both hands, didn't say a word, and started to play directly, unlike the gentle and quiet expressed by Feng Kaiyi, Cheng Xiaoyu ran with his hands excitedly and quickly as soon as he came up, and without hesitation, he used the piano to turn the notes into countless dancing bees and scatter them around, and these bees also formed a regular dance in the air with the sound of the piano.

All the spectators were stunned, even those who could not understand classical music were completely drawn into a wilderness full of flowers and grass, and countless bees were chasing and frolicking each other.

Although Cheng Xiaoyu played an adapted repertoire of classical music, which is completely new in creation, his expression is not classical music, and the way he plays and the inner feeling are a kind of modern music temperament. As a music researcher who likes real music, I can't help but appreciate Cheng Xiaoyu, a pianist who interprets classical music in a new way.

All those who understand music theory can hear that this song is based on Rimsky's "The Flight of the Bumblebee", but compared with the direct purity of the original song, this song not only retains the special diǎn of the original song but also completely melodized, when hearing such music, everyone can feel the speed of Cheng Xiaoyu's fingertips running and the passion of his body and mind, as if every pulse of the whole body has a sense of rhythm.

Cheng Xiaoyu said in the performance ∧dǐng∧diǎn∧ small ∧, .2≡3.o≈s_(); At the time of this "R.", his speed was also quite fast. Lin Xi and Xu Ziqi, who were closest to him, saw it most clearly, and the speed was so fast that it was not like a human could play it. It felt like a trail of afterimages on the keys, which was breathtaking.

Cheng Xiaoyu's playing style is unique, completely different from the previous musicians' understanding of piano performance, from the process of Cheng Xiaoyu's performance, everyone can feel the passion, surging heat and the ubiquitous sense of rhythm, everyone feels that they are about to burn, this melody is really refreshing.

It's a pity that the time is too short, everyone is still flying in the air with Cheng Xiaoyu's piano sound, and Cheng Xiaoyu stopped playing before he could enjoy flying. After Cheng Xiaoyu stopped his hands, he saw the people around him looking at him like monsters, because the performer of "Liang Zhu" was not him, and this song is indeed just a creative cow b, and many of the melodies are adapted from Yue Opera, but this "Wild Bee Flying" is completely different, although it is also an adaptation, but it is completely an adaptation in Cheng Xiaoyu's style, not to mention the big difference from the original song, and more importantly, it directly slapped Feng Kaiyi in the face! I'll just write a song that is pure showmanship, but the melody is so beautiful that it explodes.

This is completely different from Feng Kaiyi's talk about a good tune, no one thought that Cheng Xiaoyu had known that there was such a situation today, so he specially wrote a show off song, in fact, Cheng Xiaoyu really didn't know, and he really didn't prepare, but he just had a golden finger.

The whole hall was silent, not only because the music was cool, but also because Cheng Xiaoyu's hand speed and playing skills were several notches higher than Feng Kaiyi, who was not a professional. Feng Kaiyi's level is not low, but it is not comparable with Cheng Xiaoyu, a Chopin Prize winner and now focusing on piano.

Such a difficult repertoire, Cheng Xiaoyu played smoothly, without any sense of stagnation, the melody is like a wild bee flying in the air, and the speed is as fast as water splashing.

Feng Kaiyi couldn't help but murmur in the silence, "What's your name?"

Cheng Xiaoyu thought for a while and said, ""Wild Bee Flying", he is afraid that "R." is suspected of admiring foreign countries. Then Cheng Xiaoyu looked at the stunned crowd and said, "I'll play the next song first, the track is called "Broken Rondo". ”

This piece of music is still the work of Xue Xiaoqiu, and this rondo-style work is used by Cheng Xiaoyu to prove that he can completely use classical techniques to write tunes. It was still used by Cheng Xiaoyu to slap his face.

The difficulty and performance skills of this song are also breathtaking, the last passionate and exciting "Wild Bee Dance" uses speed to bring everyone to feel what is called blood boiling, which is not too difficult from the perspective of the piano's expression, but this one is also very fast, but it makes people feel that there are a lot of negative feelings in their minds, chagrin, remorse, pain, Helplessness and struggle, generally this kind of emotion is better expressed in adagio music, but Cheng Xiaoyu uses allegro here, using allegro to express negative feelings, and the difficulty of writing is increased geometrically.

But the melody of the same piece is still beautiful, the difficulty is not low, and the melody is beautiful, which is the dream pursued by all composers, at this moment, with the sound of the piano, the audience followed Cheng Xiaoyu into the rainy night of late autumn, such music is like the desolate street scene, neither brisk superficial, nor too sad and heavy, it is just right to make everyone's feelings xù melancholy, like sitting on a speeding train, passing through the hills where the maple leaves are solemn, and the people who are in love are getting farther and farther away.

Some of the people present did not understand classical music, and even many people who knew a little about the piano had a very simple criterion for judging whether the piano played well or not. If they do both, they will feel that they can play well.

In this sense, the two tracks played by Cheng Xiaoyu just hit everyone's hearts.

Most people feel that they are moved to cry with the beautiful melody and the explosive piano player speed. Being able to hear such sharp compositions and performances under unexpected circumstances gives birth to a sigh of worthwhile at this time.

Pei Yanchen looked at Cheng Xiaoyu and recalled that time that was extremely sweet for him, and his mood rippled.

At this time, people who knew classical music looked at Cheng Xiaoyu with complicated expressions, Feng Kaiyi's face was slightly pale, and he finally understood that there were really geniuses in this world that were difficult for ordinary people to guess.

Cheng Xiaoyu stood up and asked softly, "Do you want to continue?" (To be continued.) )