Zhang Tianyuan knew that Tang Batian still didn't believe his words until this time, especially after he said those words.

It would be terrible if there was only one person in this world who had grasped some kind of truth, and unless that person was a saint, it would be absolutely problematic.

For example, this Tang Sancai, it can be seen that they are fake, and it is likely that there is only Zhang Tianyuan alone at present.

That is to say, if he is not clean in his heart and wants to pass off the fake as the real thing, then he can sell these fake things as real things, basically no one dares to doubt him, and even if there is, that person is afraid that he will be regarded as a madman or jealous.

The story of referring to the deer as a horse is very vivid, a bit similar to this, but the difference is that people at that time knew what a deer was and what a horse was, but they didn't dare to tell the truth simply because of Zhao Gao's power.

This is difficult to distinguish between truth and falsehood, and Zhang Tianyuan is the most authoritative identification expert, he said that it is true, that is true, and if it is false, it is false, which is also terrible.

It is up to him to say that what is true is false, and what is false to be true.

But Zhang Tianyuan doesn't like this feeling, because if that's the case, he is afraid that sometimes it will have the opposite effect, if he dies, those things that he originally thought were genuine will be said to be fake, and then the tree will fall and scatter, and the good things he identified will also be regarded as fakes, it will be too depressing.

So if he says something is fake, then he must find a reason that can convince the other party anyway, instead of talking nonsense and fooling people!

For example, these Tang Sancai, he said that they were fake. Some believe, some ostensibly believe. But in my heart I didn't believe it at all, but it was only because of his authority. I don't dare to refute it.

"Boss Zhang is really principled, if it's me, as long as I think it's true, even if I can't find a reason, I have to think it's true, which involves a matter of face. There are quite a few such people who do our business, and it is really hateful to refer to the deer as a horse with a clear conscience and to turn the false into the true. Gu Fangzhou was particularly appreciative of Zhang Tianyuan. What he likes is a person who is upright, and Zhang Tianyuan will definitely not be ambiguous at least in terms of antique appraisal.

"Thank you Gu Lao for the compliment, after reading everything, I will naturally give an answer that satisfies everyone else. ”

The reason why Zhang Tianyuan couldn't immediately say the reason was because he also had doubts in his heart, and he wanted to make a decision after reading everything, so that it would be more comprehensive.

"I said before that I was bringing a part. Dare you bring it all?" Zhang Tianyuan found that the number of these objects was exactly the same as what Wang Zhengjun had told him before, and he was a little puzzled in his heart, and said that he would take some of them, why did he take them all?"

"Hey, hey. Don't hide it from Boss Zhang, I originally planned to take only a part, but I thought about it. I spent so much money to buy this thing, is it real or not? I'll have to take one last look. Your reputation is one of the best in the appraisal circle, and I'll show you something. I also want you to help me appraise it, hehe, to put it mildly, I want you to be my free laborer. ”

Tang Batian is very smart, he knows that the Zhang Tianyuan sitting in front of him is not simple, if he doesn't tell the truth, then Zhang Tianyuan must also guess, since this is the case, it is better to simply say it, at least to get a straightforward good impression.

"You're quite honest. Zhang Tianyuan smiled.

"How dare I lie in front of you. Tang Batian scratched his head and said.

He still knows the power of this Zhang Tianyuan, how many people have been harmed by the master in Tongzhu County, and the relationship is even more complicated and intertwined, much harder than his backer, and his little Tang Batian can't be compared at all. But that kind of person was actually killed by Zhang Tianyuan, and he Tang Batian didn't dare to bump into this bad luck.

Unless he wants to break the jar and break the net, he is definitely unwilling to offend Zhang Tianyuan, because there is no benefit to him.

After that, Zhang Tianyuan silently looked at the series of purple clay pots, one of which was a spring tree gall pot!

A tree gall is a tree nodule. The shape of this pot imitates that of a tree gall, and the surface of the pot is uneven and has carved bark. The whole pot is dark maroon, and it is a kind of pot type created by everyone who made pots in the Ming Dynasty for spring.

According to the history of purple clay pots, for the spring in the Ming Dynasty Zhengde was just a scholar, and later from Jiangsu, Zhejiang Yi ~ Xingjinsha Temple a monk to learn pot-making technology. The value of the spring pot is extremely high, and there is a praise saying that "the pot for spring is better than gold and jade". The tree gall pot is the most famous purple clay pot shape for spring, and it has been handed down very rarely.

The spring tree gall pot in front of me, 102mm high and 195mm wide, belongs to the Ming spring model.

There is a "spring" engraved on the side of it.

This natural shape of the tree gall pot is named after the shape that resembles a ginkgo tree gall. The body of the pot is oblate spherical, the clay is plain, uneven, the ancient crepe is full of body, the texture is swirling, the allegorical object is in the unknown, and there is a great artistic conception of returning to the basics. The outer edge of the lid of the pot is engraved with a 45-character inscription: "The pot maker is for spring, mistaken for the melon Huang Yulin, five hundred years later Huang Binhong knows as a gall, the British with 20,000 gold for the failed to re-make the pot maker Shi Min, mention the reporter Zhijun." ”

Huang Binhong is a famous painter in modern times, and Zhijun is Yi ~ Xingjin Shijia Pan Zhiliang, as for the spring, it has been introduced before, and it is considered that it is very likely to be the founder of the purple clay pot.

To be honest, if this spring pot is real, then it is definitely priceless, Zhang Tianyuan no matter from that aspect, this spring pot does not go wrong in the slightest, and the one in the imperial capital museum complements each other, it is really too true.

But after passing the word appraisal trick, it was fake, and Zhang Tianyuan himself felt a little inexplicable.

For a moment, he even wondered if there was something wrong with his character reading skills, so he was wrong, but this suspicion was only for a moment. There is one aspect that makes him think that this is a fake even if he doesn't pass the word appreciation trick, because this thing is a bit too perfect like the previous three-color lady figurines.

The things that are too perfect in this world are always flattering, because there is no perfect thing in the world, you are so perfect, if you say that it is not fake, how many people will believe it.

The spring pot is famous all over the world, and there are many people who imitate the purple sand master who has always been suitable ~ Xing. Like Huang Yupho of the Qing Dynasty, Jiang Xianqing, Pei Shimin in modern times, Wang Yinxian in contemporary times, Xu Hantang, Master Yan Qian, etc., have all done research and imitation on the spring, and they are all imitating according to the original work of the spring.

On the basis of inheriting the traditional art of offering spring pots, Master Yan Qian, a contemporary purple sand art master, has made bold innovations in the shape of spring teapots.

Master Yanqi's spring offering pot pursues ever-changing shapes, organically combines modeling and decoration, and strives to achieve perfect artistic effects. Its spring works have different shapes, with a strong overall artistic effect, on the basis of the traditional spring to do artistic deformation and extension, the natural beauty is strong, the form changes greatly, sometimes peculiar, sometimes simple, sometimes abstract, sometimes concrete, sometimes exaggerated, sometimes childlike, sometimes full, sometimes rusty, sometimes dexterous, sometimes thick. It feels like a beast but not a beast, like a wood and not a wood, everything is and nothing is nothing!

However, no matter which person imitates it, it will have its own characteristics when making it, and it is impossible to make it exactly the same as the real spring pot.

However, the spring pot in front of Zhang Tianyuan is simple and seire, gentle and natural, pure and solid, and it is completely like it was made by Chun himself.

He thought about it, and it seemed that he couldn't find a second person besides the Heavenly King.

The Concealed Heavenly King is both an organization and a person, Zhang Tianyuan basically understands it now, but who these people are, and who is the leader of the Concealed Heavenly King's organization, he still has no eyebrows at all.

But the King of Concealment is very conceited, so the imitation he made will definitely have its own mark, as long as Zhang Tianyuan can use the word recognition trick to look at it, he can find it.

But the spring pot in front of me, but I can't find the slightest mark, but the word trick is sure that it is fake, and like the previous three-color lady figurines, I can't find any loopholes or marks. This caused great trouble for Zhang Tianyuan to explain the situation.

He can't publish the secret of his character appreciation for this matter, besides, even if it really has to be announced, someone has to believe it, and if others don't believe it, even if it is really announced, what is the point.

After pondering for a moment with the spring pot, Zhang Tianyuan shook his head helplessly, but still put the thing down, and then looked at a three-colored horse.

This Tang Dynasty Sancai horse is 70 centimeters high and 82 centimeters long, which is definitely a big guy in Tang Sancai.

The horse's head is slightly tilted to the left, wearing a bridle, the ears are erect, the eyes are round, the mouth is open, the horsehair is cut neatly, the upper part is decorated with a quilted pattern, and there is a lock of drooping horsehair on the left and right of the back of the neck, with a climbing chest and a green martingale. Saddle sheath Shi Zhu, with gilt stirrups, four-legged cubic plate, the whole body of the horse is dominated by white glaze, the mane is brown, the bridle and martingale are green and brown.

Metal stirrups began in the Sixteen Kingdoms and Northern and Southern Dynasties periods, and China was the earliest area to use them. The use of stirrups not only alleviates the fatigue of the riders, but more importantly, it changes the way of war, thus bringing about changes in social lifestyles, stirrups have been widely used in the Sui and Tang dynasties, but there are very few reflected in the pottery horses, this three-color pottery horse is providing us with an example.

If this thing is real, then it is easy to explain, but the key is that it is fake, and the person who imitated it, even this kind of detail is very good, without the slightest mistake, it is estimated that this person has a very deep understanding of the history of the Tang Dynasty, and even the history of ancient times.

Zhang Tianyuan sometimes wonders, could this person be the kind of master who understands both pottery and history, just accidentally made some things to play with himself, but didn't want things to fall into the hands of others, which caused the current situation. (To be continued......)